教師採取講授、溝通、互動與影音多媒體的方式進行教學。整體教學的進行,大致以同心圓的方式逐步推進,期待學生能掌握以下幾個重點,達成最終的課程目標:
一、學習者應重視文本內涵的重點與賞析。
二、學生經由課堂討論與摘要寫作中,反覆思辨問題,進而獲得啟發。
三、從教師的補充與引申,讓學生養成主動學習、發掘問題與解決問題的能力。
教師依據前述的各階段教學後,讓學生依據個人的學習能力,獲取不同層次的學習經驗。一、藉由經典作品的閱讀,以及經典作品所轉化的動態音樂,讓學生感受音樂融入生活的實用性,進而拓展人文藝術的新視野。
二、各單元引導學生認識文本的內涵與藝術特徵後,讓學生思考各階段的傳統與創新,熟悉各年代的特點與多元的表現方式。Teachers use teaching, communication, interaction and audio-visual multimedia methods to teach. The overall teaching is carried out gradually in a concentric circle. It is expected that students can master the following key points and achieve the final course goals:
1. Learners should pay attention to the focus and appreciation of text connotations.
2. Through class discussions and abstract writing, students repeatedly think about issues and gain inspiration.
3. From teachers’ supplements and extensions, students can develop the ability to actively learn, explore and solve problems.
After teachers teach according to the aforementioned stages, students are allowed to obtain different levels of learning experience according to their personal learning abilities. 1. Through the reading of classic works and the dynamic music transformed by classic works, students can feel the practicality of integrating music into life, thereby expanding new horizons in humanities and art.
2. After each unit guides students to understand the connotation and artistic characteristics of the text, students are allowed to think about the traditions and innovations of each stage, and become familiar with the characteristics and diverse expressions of each era.
蔡仲德著:《中國音樂美學史》,台北:藍燈文化事業股份有限公司,1993年。
蔡仲德注譯:《中國音樂美學史資料注譯(增訂版)》,北京:人民音樂出版社,2004年3月。
劉藍著:《中國音樂美學》,台北:文津出版社,2006年7月。
陳萬鼐著:《中國古代音樂研究》,北京:文史哲出版社,2000年2月。
謝冰瑩等編譯:《新譯四書讀本》,台北:三民出版社,2002年2月。
李滌生著:《荀子集釋》,台北:學生書局,1991年10月。
林品石註譯:《呂氏春秋今註今譯》,台北:台灣商務印書館,2011年1月。
軒小楊著:《先秦兩漢音樂美學思想研究》,北京:中國社會科學出版社,2011年5月。
王夢鷗注譯:《禮記今註今譯》,台北:台灣商務印書館,2009年11月。
林素玟著:《《禮記》人文美學探究》,台北:文津出版社,2001年10月。
崔富章注譯:《新譯嵇中散集》,台北:三民出版社,1998年。
曾春海著:《嵇康》,台北:萬卷樓圖書有限公司,2009年3月。
徐公持著:《阮籍與嵇康》,台北:萬卷樓出版社,1991年。
徐麗真著:《嵇康的音樂美學》,台北:華泰文化,1997年。
張蕙慧著:《嵇康音樂美學思想探究》,台北:文津出版社,1997年4月。
楊旻瑋著:《唐代音樂文化之研究》,台北:文史哲出版社,1993年9月。
李時銘著:《詩歌與音樂論稿》,台北:里仁書局,2004年8月。
錢穆著:《中國近三百年學術史》,台北:台灣商務印書館,1995年。
張窈慈著:〈淺談毛奇齡之音樂美學〉,《南大藝術學報》,1卷2期,2008年10月。
秦啟明編:《弘一大師李叔同音樂集》,台北:慧炬出版社,2003年。
李叔同著:《李叔同談藝》,西安:陝西師範大學出版社,2007年7月。
陳淨野著:《李叔同學堂樂歌研究》,北京:中華書局,2007年。
陳星著:《李叔同音樂歌曲尋繹》,台北:世界文物出版社,1994年。
陳慧劍著:《弘一大師傳》,台北:三民出版社,1991年。
音樂中國出版社製作:《弘一大師歌曲全集》(上)(下)CD,台北:風潮唱片發行。
弘一大師:《一輪明月》DVD(公播版),高雄:佛光山電視弘法基金會。
漢唐樂府:《漢唐樂府--教坊記》DVD(公播版),台北:太古國際。
Cai Zhongde, "History of Chinese Musical Aesthetics", Taipei: Lantern Cultural Industry Co., Ltd., 1993.
Annotated by Cai Zhongde: "Annotated Translation of Materials on the History of Chinese Musical Aesthetics (Updated Edition)", Beijing: People's Music Publishing House, March 2004.
Liu Lan, "Chinese Musical Aesthetics", Taipei: Wenjin Publishing House, July 2006.
Chen Wannai: "Research on Ancient Chinese Music", Beijing: Literature, History and Philosophy Press, February 2000.
Compiled by Xie Bingying and others: "New Translation of Four Books", Taipei: Sanmin Publishing House, February 2002.
Li Disheng's "Collected Commentary on Xunzi", Taipei: Student Bookstore, October 1991.
Annotated translation by Lin Pinshi: "Modern Translation of Lu Shi's Spring and Autumn Annals", Taipei: Taiwan Commercial Press, January 2011.
Xuan Xiaoyang, "Research on Musical Aesthetic Thoughts in Pre-Qin and Han Dynasties", Beijing: China Social Sciences Press, May 2011.
Annotated translation by Wang Meng'ou: "Book of Rites", Taipei: Taiwan Commercial Press, November 2009.
Lin Suwen's book: "Research on Humanistic Aesthetics of "Book of Rites"", Taipei: Wenjin Publishing House, October 2001.
Annotated translation by Cui Fuzhang: "New Translation of Ji Zhong Sanji", Taipei: Sanmin Publishing House, 1998.
"Ji Kang" by Zeng Chunhai, Taipei: Wanjuanlou Book Co., Ltd., March 2009.
Xu Gongchi: "Ruan Ji and Ji Kang", Taipei: Wanjuanlou Publishing House, 1991.
Xu Lizhen's "Ji Kang's Musical Aesthetics", Taipei: Huatai Culture, 1997.
Zhang Huihui: "Exploration of Ji Kang's Thoughts on Musical Aesthetics", Taipei: Wenjin Publishing House, April 1997.
Yang Minwei: "Research on Music Culture of the Tang Dynasty", Taipei: Literature, History and Philosophy Publishing House, September 1993.
Li Shiming's "Poetry and Music Essay", Taipei: Liren Book Company, August 2004.
Qian Mu: "China's Academic History in the Past Three Hundred Years", Taipei: Taiwan Commercial Press, 1995.
Zhang Aoci's work: "A Brief Discussion on Mao Qiling's Musical Aesthetics", "Journal of NTU Art", Volume 1, Issue 2, October 2008.
Edited by Qin Qiming: "Music Collection of Hongyi Master Li Shutong", Taipei: Hui Ju Publishing House, 2003.
Li Shutong: "Li Shutong Talks about Art", Xi'an: Shaanxi Normal University Press, July 2007.
Chen Jingye, "Research on the Music and Songs of Uncle Li's Classroom", Beijing: Zhonghua Book Company, 2007.
Chen Xing's book: "Interpretations of Li Shutong's Musical Songs", Taipei: World Heritage Publishing House, 1994.
Chen Huijian's "The Biography of Master Hongyi", Taipei: Sanmin Publishing House, 1991.
Produced by Music China Publishing House: "Complete Collection of Master Hongyi's Songs" (Part 1) (Part 2) CD, released by Taipei: Fengchao Records.
Master Hongyi: "A Bright Moon" DVD (public broadcast version), Kaohsiung: Fo Guang Shan Television Promotion Foundation.
Yuefu of Han and Tang Dynasties: "Yuefu of Han and Tang Dynasties - Jiaofang Ji" DVD (public broadcast version), Taipei: Swire International.
評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
---|---|---|
課堂參與課堂參與 class participation |
40 | 個人出席率與團體分組討論 |
期中考、期末考期中考、期末考 Midterm exam, final exam |
60 | 文本筆試測驗 |