(1) 研讀中國古典書畫理論。 (2) 研讀中西當代美術史的重要方法論著。(3) 從經典的學習中提煉出現代的治學方法。

(1) Study Chinese classical book theory. (2) An important method of studying the history of contemporary Chinese and Western arts. (3) Improve modern learning methods from classical learning.

本課程主要討論的範圍如下：(1) 藝術史的目標(2)藝術品的品質(3)藝術品的真偽(4)藝術史研究的工具。在方法論的討論上包括：(1)風格造型方法論(2)社會與文化人類學的研究方法(3)圖像學的方法(4)科學方法與藝術史的關係。

The scope of this course is mainly discussed as follows: (1) The goal of art history (2) The quality of art products (3) The authenticity of art products (4) Tools for artistic history research. The discussion of methodology includes: (1) style modeling methodology (2) research methods of social and cultural humanities (3) imaging methods (4) scientific methods and artistic history.

1. 張光直。中國青銅時代。台北：聯經，1983. v. 1 &2.
2. 張光直。美術．神話與祭祀. 台北縣：稻香, 1993.
3. 王德威 〈沒有晚清，何來五四─被壓抑的現代性〉in 《如何現代，怎樣文學？：十九、二十世紀中文小說新論》。台北：麥田出版，1998.
4.
I. 李渝 〈民族主義•集體活動•自由心靈〉
II. 李渝 〈從俄國到中國─中國現代繪畫裡的民族主義和先進風格〉
III. 李渝 〈從墨西哥到台灣─文化入侵、若是風格的壓抑與復興〉
以上三篇文章見 李渝。 《族群意識與卓越風格─李渝美術評論集》。台北：雄獅美術，2001。

1. Zhang Guangzhi. China's Qing Copper Era. Taipei: Union, 1983. v. 1 &2.
2. Zhang Guangzhi. Art. Myths and Sacrifices. Taipei County: Daoxiang, 1993.
3. Wang Dewei　　Without the late Qing Dynasty, why did the May Fourth Movement-the suppressed modernity　in "How to modernize and how to learn literature? : New Chinese novels of the 19th and 20th Centurys. Taipei: Maitian Publishing, 1998.
4.
I. Li Yu 〈Nationalism•Collective Activities•Free Spirit〉
II. Li Yu 〈From Russia to China-Nationalism and Advanced Style in Modern Chinese Paintings〉
III. Li Yu 〈From Mexico to Taiwan-Cultural Invasion, If the Style of Suppression and Rejuvenation〉
See Li Yu in the above three articles. "Ethnic Ideology and Excellent Style" - Collection of Li Yu's Art Reviews. Taipei: Lion Art, 2001.