藝術史的發展並非單一線性演進，它涉及到不同地區的思潮演變、詮釋者對歷史中的視覺藝術進行的脈絡書寫風格。因此，在美術系的創作基礎上，將呈現藝術作品在不同進路之中的解釋，帶出自身多重意涵的本質。課程學習者能夠在這樣的學術研究視野之中，從形式、脈絡和作品內容的交互關係，進一步認識藝術在定義上的多元特性，並從中瞭解傳統典範與創新之間的差異與延續性。
在檢視自身學習效應的目標上，課程參與者將透過撰寫專題報告的形式，來觀察與認識藝術作品的相關評論與解釋，並在文本分析之中，訓練自我反思、以及對圖像與意涵之間關聯的敏銳力。
The development of artistic history is not a single evolution. It involves the evolution of thought in different regions and the style of writing by the essays of visual art in history. Therefore, based on the creative foundation of the art system, the interpretation of artistic works in different approaches will be presented, bringing out the essence of its own multiple meanings. Course learners can further understand the diversity of art in definition from the interaction between form, structure and work content in this academic research perspective, and understand the differences and sustainability between traditional classical patterns and innovation.
In viewing the purpose of self-learning effectiveness, class participants will observe and understand the relevant comments and explanations of artistic works through the form of writing topic reports, and train self-reflection and image and connotation in text analysis. The sensitivity of the relationship between them.
本課程範圍分為兩部分。第一部分為古典西洋美術史，以時序發展為主，涵蓋範圍從史前文明至十九世紀印象派。第二部分著重在現代主義，以運動、派別及形式等作為主要分類。
This course is divided into two parts. The first part is the history of classical Western art, which mainly develops in a timely manner, covering a range from prehistoric civilization to the nineteenth century Impressionism. The second part focuses on modernism, with movement, faction and form as the main categories.
參考書籍：
Nikolaus Pevsner著，陳平譯：《美術學院的歷史》，北京：商務印書館，2015。
Hugh Honour、John Fleming著，吳介禎等譯：《世界藝術史》，台北縣：木馬文化，2001（1982英）。
Giulio Carlo Argan, Maurizio Fagiolo著，曾堉，葉劉天增譯：《藝術史學的基礎》，台北：東大出版，1992。
W. Tatarkiewicz：《西洋六大美學理念史》，臺北：聯經，1989。
Rolf Toman主編，李為堯等譯：《華麗・古典：巴洛克藝術》，台北：閣林國際圖書，2013。
Rolf Toman主編：《絕世・宏偉：神聖藝術》，台北：閣林國際圖書，2014。
高千惠著：《詮釋之外：藝評社會與近當代前衛藝術》，台北：典藏藝術家庭，2017，頁09-29。
Cynthia Freeland著，劉依綺譯：《別鬧了，這是藝術嗎？》，台北縣，左岸，2002（2001），頁49-53。
花亦芬著：《林布蘭特與聖經：荷蘭黃金時代藝術與宗教的對話》，台北：三民，2008。
金祥根著，劉思佳、林怡萱譯：《卡拉瓦喬的殺人美學》，新北市：跨境文化，2017。
李奧納多達文西著，彭嘉琪譯：《達文西思緒集》，新北市：八旗文化，2016。
Évelyne Bloch-Dano著，周伶芝譯：《花園的故事》，台北：時報出版，2016。
波特萊爾著，郭宏安譯：《波特萊爾美學論文選》，北京：人民出版，2008。
波特萊爾著，郭宏安譯：《波特萊爾論漫畫》，新北市：八旗文化，2012，頁115-159。
Eugéne Delacroix，平野譯：《德拉克洛瓦論美術與美術家》，上海：人民出版，2008。
Verena von der Heyden-Rynsch著，張志成譯：《沙龍：失落的文化搖籃》，新北市：左岸，2006（1992原文）。
Benvenuto Cellini著，王憲生譯：《切里尼自傳》，台北市：信實文化行銷，2014。
E.H. Gombrich著，雨云譯：《藝術的故事》，台北：聯經，1997（1950原文）。
Arnold Hauser著，邱彰譯：《西洋社會藝術進化史》，台北：雄獅圖書，2001（1987修訂）。
Heinrich Wölfflin著，曾雅雲譯：《藝術史的原則》，台北：雄獅圖書，1987（1915原文）。
Richard Shone、John-Paul Stonard著，王聖智譯：《藝術史學的世界觀》，台北市：典藏藝術家庭，2017。
楊墀著：《學院藝術三百年》，台北：藝術家，2018。
羅頌恩著：《睜開眼的祈禱：從文藝復興與巴洛克的大師名作，看見藝術中的神聖寓意與象徵》，台北：宇宙光，2022。
延伸閱讀：
遠藤周作著，林永福譯：《沈默》新北市：立緒文化，2002（1966原文）。
遠藤周作著，林永福譯：《武士》新北市：立緒文化，2014（1980原文）。
賴建誠、蘇鵬元著：《教堂經濟學：宗教史上的競爭策略》，台北：貓頭鷹出版，2017
Umberto Eco著，彭淮棟譯：《美的歷史》，台北：聯經，2006（2004原文）。
Umberto Eco著，彭淮棟譯：《醜的歷史》，台北：聯經，2008（2007原文）。
Reference books:
By Nikolaus Pevsner, Chen Pinglu: "The History of the Academy of Arts", Beijing: Commercial Printing Library, 2015.
By Hugh Honour and John Fleming, Wu Jieting, translated by "History of World Art", Taipei County: Muma Culture, 2001 (1982 UK).
Giulio Carlo Argan, Maurizio Fagiolo, Zeng, translated by Ye Liu Tianzeng: "The Basics of Art History", Taipei: Dongda University Publishing, 1992.
W. Tatarkiewicz: "History of the Six Major Western Aesthetic Ideas", Taipei: Union, 1989.
Editor of Rolf Toman, translated by Li Wei and others: "Huali Classical: Baroque Art", Taipei: Dallin International Book, 2013.
Editor of Rolf Toman: "The Abyss of the World: The Holy Arts", Taipei: The International Book of the World, 2014.
Gao Qianhui's book: "Beyond the Essay: Appreciation of Society and Contemporary Preschool Art", Taipei: Collection Art Family, 2017, page 09-29.
Written by Cynthia Freeland, Liu Yiren translated: "Don't be so arrogant, is this art?" 》, Taipei County, Zuoban, 2002 (2001), pages 49-53.
Hua Yifen: "Linbrant and the Saint: The Dialogue between Art and Religion in the Golden Age of Dutch", Taipei: Sanmin, 2008.
By Jin Xianggen, Liu Sijia and Lin Yixuan translated: "Karava Joe's Killing Aesthetics", New Taipei City: Cross-border Culture, 2017.
Written by Li Onado Dawenxi, translated by Peng Jiaqi: "Dawenxi Collection", New Taipei City: Eight Banners Culture, 2016.
By Évelyne Bloch-Dano, translated by Zhou Lingzhi: "The Story of the Garden", Taipei: Times Publishing, 2016.
By Portrail, Guo Hongan: "Picking of Portrail's Aesthetics", Beijing: People's Publishing, 2008.
Written by Portrait, Guo Hongan: "Portrait Comics", New Taipei City: Eight Banners Culture, 2012, page 115-159.
Eugéne Delacroix, Hirano: "Drecroix's Discussion on Arts and Artists", Shanghai: People's Publishing, 2008.
By Verena von der Heyden-Rynsch, translated by Zhang Zhicheng: "Shalong: The Lost Cultural Craft", New Taipei City: Zuoban, 2006 (original text 1992).
By Benvenuto Cellini, translated by Wang Xingsheng: "Cellini's Self-Translation", Taipei City: True and Real Culture Marketing, 2014.
By E.H. Gombrich, Yuyun Translation: "The Story of Art", Taipei: Union, 1997 (original text of 1950).
By Arnold Hauser, Qiu Zhanglu: "History of the Evolution of Western Social Art", Taipei: The Lion Book, 2001 (revised in 1987).
Written by Heinrich Wölfflin, translated by Zeng Yayun: "The Principles of Art History", Taipei: The Lion Book, 1987 (original text of 1915).
By Richard Shone and John-Paul Stonard, Wang Shengzhi: "The World View of Art History", Taipei City: Collection Art Family, 2017.
Yang Ji: "Three Hundred Years of Academy Art", Taipei: Artist, 2018.
Luo En's writing: "The Prayer of the Eyes: A Masterpiece of Rejuvenation and Baroque Masters, See the Meanings and Symbols of the Holy Story in Art", Taipei: Cosmic Light, 2022.
Extended reading:
Written by Zhou Fu Teng, Lin Yongfu translated: "Silence" New Taipei City: Establishing Culture, 2002 (original text of 1966).
Written by Shi Fuji, Lin Yongfu translated: "Samurai" New Taipei City: Establishing Culture, 2014 (original text of 1980).
Written by Feng Jiancheng and Su Liangyuan: "Church Economy: Competitive Strategies in Religious History", Taipei: Cat Head Publishing, 2017
Written by Umberto Eco, translated by Peng Huai-chan: "The History of Beauty", Taipei: Union, 2006 (original text of 2004).
Umberto Eco, translated by Peng Huaiqian: "The History of Absolute", Taipei: Union, 2008 (original text of 2007).
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 期中平時考核期中平時考核 Midterm regular assessment |
15 | |
| 期中報告期中報告 Midterm Report |
35 | |
| 期末平時考核期末平時考核 Final period assessment |
15 | |
| 期末心得報告期末心得報告 Final experience report |
35 |
