課程目標：如何在當代科技發展蓬勃︑全球化與在地化的交互浪潮中，重新檢視『新媒體藝術』在當代所
扮演的角色？
課程內涵：本課程的內容旨在培養具有多元跨域視野的當代藝術相關領域人才。台灣具備了數位科技的環
境基礎，提供新媒體藝術發展的優越條件。此課程的內容除了幫助學生以水平式廣泛地認識當代科技時代
下的新混血（hybrid)藝術樣態與相關衍生的議題，拓展其當代新媒體藝術史的涵養，也企圖培養學生垂直
式地深入反思當代現象與批判藝術現況的能力。Course objective: How to re-view "New Media Art" in the contemporary institute in the wave of interaction between globalization and localization
The role played?
Course content: The content of this course is designed to cultivate talents in the field of contemporary art related with diverse cross-domain vision. Taiwan has digital technology
The basic environment provides superior conditions for the development of new media art. In addition to helping students to understand the contemporary technology era in a horizontal and broad manner
The new hybrid art style and related derivative issues are expanded to expand the connotation of its contemporary new media art history, and also to cultivate students vertically
The ability to reflect deeply on contemporary phenomena and critical artistic presents in a stylistic manner.
本課程欲以自然、人文與藝術的跨域角度，探討數位科技時代下的新媒體藝術。以台灣新媒體藝術發展為主，國際新媒體藝術現況為輔，課程著重探討新媒體藝術中多元創作的型態與相關藝術家作品分析。幫助學生拓展對於新媒體藝術史與藝術創作的視野。
This course wants to explore new media art in the digital technology era from a cross-domain perspective of nature, humanities and art. Focusing on the development of new media art in Taiwan and the current situation of new media art, the course focuses on exploring the analysis of diverse creation patterns and related artists' works in new media art. Help students expand their vision for new media art history and artistic creation.
專書
1.陳永賢著，《錄像藝術啟示錄》，台北：藝術家，2010
2.王柏偉著，《末日感性：臺灣新媒體藝術》，台北：台北市立美術館，2015
3.台北市立美術館著，《龐畢度中心新媒體藝術1965－2005》，台北：典藏藝術家庭，2006
4. Lev Manovich, “The Language of New Media”, Cambridge: MIT Press, 2001
5. Michael Rush ,“New Media in Art”
6. Reena Jana & Mark Tribe, “New Media Art”
7. Caroline A. Jones, “Sensorium: Embodied Experience, Technology and Contemporary Art”
期刊文獻
1.末世的憂傷與詩意的景觀--評「末日感性：臺灣新媒體藝術展」 邱誌勇 藝術家 486 2015.11[民104.11] 頁336-339
2. 文字話語與當代新媒體 陳永賢 藝術家 474 2014.11[民103.11] 頁243-249
3. 搖擺在「高」與「低」科技之間--新媒體藝術創作中的科技性 邱誌勇 藝術家 438 2011.11[民100.11] 頁217-219
線上資料庫
1.台灣數位藝術平台< http://www.digiarts.org.tw/chinese/index.html>
2.台灣當代藝術資料庫
Book
1. by Chen Yongqin, "Revelation of Recording Art", Taipei: Artist, 2010
2. Written by Wang Baiwei, "The Doomsday Sentiment: Taiwan New Media Art", Taipei: Taipei City Art Museum, 2015
3. Written by Taipei City Art Library, "New Media Arts from the Lost Center 1965-2005", Taipei: Collection Art Family, 2006
4. Lev Manovich, “The Language of New Media”, Cambridge: MIT Press, 2001
5. Michael Rush , “New Media in Art”
6. Reena Jana & Mark Tribe, “New Media Art”
7. Caroline A. Jones, “Sensorium: Embodied Experience, Technology and Contemporary Art”
Journal Articles
1. The worries and the view of the apocalypse--Review of "The Doomsday Sentiment: Taiwan New Media Art Exhibition" Qiu Zhiyong Artist 486 2015.11[National 104.11] Page 336-339
2. Text and contemporary new media Chen Yongqian Artist 474 2014.11[National 103.11] Page 243-249
3. Between "high" and "low" technology - the technological nature of new media art creation Qiu Zhiyong Artist 438 2011.11[National 100.11] Page 217-219
Online Database
1. Taiwan Digital Art Platform< http://www.digiarts.org.tw/chinese/index.html>
2. Taiwan contemporary art database
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 出席率出席率 Attendance rate |
50 | |
| 期中報告期中報告 Midterm Report |
25 | |
| 期末報告期末報告 Final report |
25 |
