本課程旨在探討藝術與社會之間的互動關係，理解藝術如何回應當代社會、文化、環境與科技變遷等議題，並思考藝術作為公共參與、社會實踐與文化反思的方法。課程將透過藝術案例分析、理論閱讀、跨域研究、創作實驗與策展實踐，引導學生關注身分認同、地方文化、社會議題與公共空間等面向，培養批判思考、跨領域合作與實踐能力，進而發展兼具社會關懷與文化敏感度之藝術創作與研究計畫。

This course aims to explore the interactive relationship between art and society, understand how art responds to issues such as contemporary society, culture, environment and technological changes, and consider art as a method of public participation, social practice and cultural reflection. Through art case analysis, theoretical reading, cross-disciplinary research, creative experimentation and curatorial practice, the course will guide students to pay attention to aspects such as identity, local culture, social issues and public space, cultivate critical thinking, cross-field cooperation and practical skills, and then develop artistic creation and research projects that are both social care and cultural sensitivity.

愛德華・薩依德《東方主義》，麥田出版，2002。
吳瑪俐、陳亮瑩編，2020，《看見亞洲：藝術、知識與在地》，台南藝大出版。
謝東山，《台灣當代藝術 1980–2000》，藝術家出版社，2002。
布魯諾．拉圖《我們從未現代過》（2011） | 羅新璋譯，群學出版
Edward W. Said, Orientalism, New York: Pantheon Books, 1978
Bruno Latour, We Have Never Been Modern, Cambridge, MA: Harvard University Press, 1993.
Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship.
London: Verso, 2012.
Stuart Hall (Ed.), Representation: Cultural Representations and Signifying Practices, London: Sage Publications & The Open University, 1997.
Homi K. Bhabha, The Location of Culture, London and New York: Routledge, 1994.

Edward Said, "Orientalism", Wheatfield Publishing, 2002.
Wu Mali and Chen Liangying, eds., 2020, "Seeing Asia: Art, Knowledge and Place", published by Tainan University of the Arts.
Xie Dongshan, "Taiwan Contemporary Art 1980–2000", Artist Press, 2002.
Bruno. Latour "We Have Never Been Modern" (2011) | Translated by Luo Xinzhang, published by Qunxue Publishing
Edward W. Said, Orientalism, New York: Pantheon Books, 1978
Bruno Latour, We Have Never Been Modern, Cambridge, MA: Harvard University Press, 1993.
Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship.
London: Verso, 2012.
Stuart Hall (Ed.), Representation: Cultural Representations and Signifying Practices, London: Sage Publications & The Open University, 1997.
Homi K. Bhabha, The Location of Culture, London and New York: Routledge, 1994.