本課程透過學生個人創作實踐出發，探討當代藝術中媒材與形式的演變與跨域應用，結合國內外當代藝術史及相關理論與案例分析，強化學生對自身創作方法之反思與當代表現語彙之掌握，並於期末進行完整作品展示的評圖，培養學生整合觀念、媒材與形式的能力，希望藉由此課程，讓學生對於自己創作在當代藝術環境以及個人創作脈絡有更深入的了解。

This course starts from students' personal creative practice and explores the evolution and cross-disciplinary application of media and forms in contemporary art. It combines domestic and foreign contemporary art history and related theories and case analysis to strengthen students' reflection on their own creative methods and mastery of contemporary expression vocabulary. At the end of the semester, a complete work display review is conducted to cultivate students' ability to integrate concepts, media and forms. It is hoped that through this course, students will have a deeper understanding of their own creations in the contemporary art environment and personal creative context.

黃建宏著，2012，《台灣當代藝術關鍵詞》，藝術家出版社。
謝東山著，2002，《台灣當代藝術1980–2000》，藝術家出版社。
王嘉驥著，2005，《複數的現代性：台灣當代藝術與國際語境》，典藏藝術家庭。
林芳宜著，2001，《觀看的政治：藝術中的性別與權力》，女書文化。
洪子健、黃海鳴編，2010，《圖像與繪畫：當代藝術中的媒介與主體》，雄獅美術。
吳瑪俐、陳亮瑩編，2020，《看見亞洲：藝術、知識與在地》，台南藝大出版。
Isabelle Graw, The Love of Painting: Genealogy of a Success Medium, Sternberg Press, 2018.
Tony Godfrey, Painting Today,Phaidon, 2009
Laura Hoptman (ed.), The Forever Now: Contemporary Painting in an Atemporal World, MoMA, 2014.

Huang Jianhong, 2012, "Keywords of Taiwan Contemporary Art", Artist Publishing House.
Xie Dongshan, 2002, "Taiwan Contemporary Art 1980–2000", Artist Press.
Wang Jiaji, 2005, "Plural Modernities: Taiwan Contemporary Art and the International Context", Collection Art Family.
Lin Fangyi, 2001, "The Politics of Seeing: Gender and Power in Art", Nüshu Culture.
Edited by Hong Zijian and Huang Haiming, 2010, "Image and Painting: Media and Subjects in Contemporary Art", Lion Art.
Wu Mali and Chen Liangying, eds., 2020, "Seeing Asia: Art, Knowledge and Place", published by Tainan University of the Arts.
Isabelle Graw, The Love of Painting: Genealogy of a Success Medium, Sternberg Press, 2018.
Tony Godfrey, Painting Today,Phaidon, 2009
Laura Hoptman (ed.), The Forever Now: Contemporary Painting in an Atemporal World, MoMA, 2014.