指定閱讀策展學經典文獻，在課堂中進行思辨與討論。個別選定策展案例研究，並於課堂進行報告與討論。期許修課同學，通過前述教學活動，能對當代策展的定位、發展、環境以及前景有所認知，並能推進當代策展觀念的思辨與探究。

Assigned reading of classic curatorial literature and reflection and discussion in class. Individual curation case studies will be selected and reported and discussed in class. It is expected that students taking this course will be able to understand the positioning, development, environment and prospects of contemporary curation through the aforementioned teaching activities, and will be able to promote the thinking and exploration of contemporary curating concepts.

＊藝術與城市：獨立策展人十五年的軌跡，南條史生Fumio Nanjo著，潘廣宜、蔡青雯譯，田園城市文化出版，2004初版
＊展覽複合體－博物館展覽的理論與實務Museum Exhibition Theory and Practice，大衛．迪恩David Dean著，蕭翔鴻譯，藝術家雜誌社出版，2006
＊逛前衛：全球雙年展晃遊，胡朝聖、姚瑞中著，典藏藝術家庭出版，2010
＊張婉貞，2014，當代博物館展覽的敘事轉向，臺北：遠流
＊Paula Marincola (ed.). 2006. What makes a great exhibition?. Philadelphia: Philadelphia Exhibitions Initiative
＊Jens Hoffmann. 2014. Show Time – The Most Influential Exhibition of Contemporary Art. London: Thames & Hudson Ltd
＊史蒂芬.威爾，2015，博物館重要的事，五觀藝術出版社
＊Bruce Altshuler, Salon to Biennial – Exhibitions that mad art history, volume 1: 1863-1959
＊ Bruce Altshuler, Biennials and Beyond: Exhibitions that Mad Art History:1962-2002
＊呂佩怡主編，2015，臺灣當代藝術策展20年，典藏藝術家庭
＊Hans Ulrich Obrist. 2008. A Brief History of Curating. Zurich: JRP | Ringier
＊The National Museum of Modern Art Tokyo, 2015, No Museum, No Life?, Tokyo: Independent Administrative Institution National Museum of Art
＊典藏今藝術雜誌編輯，2012，台灣當代藝術20年回顧專刊，典藏藝術家庭
線上閱讀 http://www.pubu.com.tw/magazine/典藏-台灣當代藝術20年回顧專刊-15549
＊典藏今藝術雜誌編輯，2009，重回策展專題，典藏藝術家庭
線上閱讀 http://praxis.tw/features/cat-139/
＊Terry smith, 2012, Thinking Contemporary Curating, ICI
＊克來兒.畢莎普著、林宏濤譯，2015，人造地獄：參與式藝術與觀看者政治學，臺北：典藏

＊Art and City: The Fifteen-Year Trajectory of an Independent Curator, written by Fumio Nanjo, translated by Pan Guangyi and Cai Qingwen, Garden City Culture Publishing, first edition 2004
*Exhibition complex-Museum Exhibition Theory and Practice, David. Written by David Dean, translated by Xiao Xianghong, published by Artist Magazine, 2006
＊Wandering the Avant-Garde: A Tour of Global Biennales, written by Hu Chaosheng and Yao Ruizhong, published by Archives Art Family, 2010
*Zhang Wanzhen, 2014, The narrative turn of contemporary museum exhibitions, Taipei: Yuanliu
＊Paula Marincola (ed.). 2006. What makes a great exhibition?. Philadelphia: Philadelphia Exhibitions Initiative
＊Jens Hoffmann. 2014. Show Time – The Most Influential Exhibition of Contemporary Art. London: Thames & Hudson Ltd
＊Stephen Weir, 2015, Important Things in Museums, Five Views Art Publishing House
＊Bruce Altshuler, Salon to Biennial – Exhibitions that mad art history, volume 1: 1863-1959
＊Bruce Altshuler, Biennials and Beyond: Exhibitions that Mad Art History:1962-2002
*Editor-in-chief Lu Peiyi, 2015, 20 years of curating Taiwan’s contemporary art, Collection Art Family
＊Hans Ulrich Obrist. 2008. A Brief History of Curating. Zurich: JRP | Ringier
＊The National Museum of Modern Art Tokyo, 2015, No Museum, No Life?, Tokyo: Independent Administrative Institution National Museum of Art
＊Editor of Collection Today Art Magazine, 2012, 20 Years Review of Taiwan Contemporary Art Special Issue, Collection Art Family
Read online http://www.pubu.com.tw/magazine/Collection-Taiwan Contemporary Art 20 Years Review Special Issue-15549
＊Editor of Collection Today Art Magazine, 2009, returning to the curatorial topic, Collection Art Family
Read online http://praxis.tw/features/cat-139/
＊Terry smith, 2012, Thinking Contemporary Curating, ICI
＊Claier Bishop, translated by Lin Hongtao, 2015, Artificial Hell: Participatory Art and the Politics of the Spectator, Taipei: Collection