6953 - 創作研究方法(二)

Practice-Based Research Methodology (II)

教育目標 Course Target

藝術史的脈絡發展至十九世紀中期後,逐漸地呈現出以形式為主導發展的現代主義思潮,隨著二十世紀以資本主義中產階級品味的大眾媒體的影響,進入了一個在藝術風格與形式之間開放融合的後現代主義時期;如失序般繁花盛開般的藝術現象,憑藉著何種觀點進行分析藝術作品以及自身創作時更增加了其難度。
本課程將聚焦於二個階段,第一階段以「分析作品」為起點,從作品文本內容、風格形式、時代背景、文化思潮等特定角度切入論述的核心,將建立個人對藝術作品分析研究的脈絡。第二階段則是以「影像文件」為主,藉由影像的紀錄性格,將特定的創作行為紀錄成文件,並對其展開書寫,成為個人藝術創作與理論的基礎結構。

After the development of art history in the mid-19th century, the trend of modernism gradually emerged as a form-led development. With the influence of the mass media with the taste of the capitalist middle class in the 20th century, it entered a period of post-modernism with an open fusion between artistic styles and forms. The phenomenon of art blooming out of order has made it more difficult to analyze artistic works and create one's own works from what perspective.
This course will focus on two stages. The first stage starts with "analyzing works" and cuts into the core of the discussion from specific perspectives such as text content, style and form, era background, cultural trends of thought, etc., and will establish a personal context for analyzing and researching artistic works. The second stage is mainly based on "image files". Through the recording character of images, specific creative behaviors are recorded into files and written, which become the basic structure of personal artistic creation and theory.

課程概述 Course Description

此課程將釐清視覺藝術創作與研究之關係,幫助學生理解視覺藝術創作研究之功能,以發展多面向的思考方法。

This course will clarify the relationship between visual art creation and research, help students understand the function of visual art creation and research, and develop multi-faceted thinking methods.

參考書目 Reference Books

高名潞(2016)。《西方藝術史觀念:再現與藝術史轉向》。北京:北京大學出版社。
Atkins, Robert,《藝術開講》,黃麗絹譯,臺北,藝術家出版社,2000
Lynton, Norbert,《現代藝術的故事》,楊松鋒譯,臺北,聯經,2003
Arthur C. Danto,《在藝術終結之後 當代藝術與歷史藩籬》,林雅琪、鄭惠雯譯,臺北,麥田出版,2010
謝東山,《藝術理論入門》,臺北,藝術家出版社,2013
威爾共培茲 著 、艾欣 譯 (2019)。《像藝術家一樣思考》。湖南:湖南出版社。
華特班雅明 著 、莊仲黎 譯 (2020)。《機械複製時代的藝術作品》。臺北:城邦出版。
皮耶布赫迪厄 著 、陳逸淳 譯 (2012)。《所述之言,布赫迪厄反思社會學文集》。臺北:城邦出版。

Gao, Minglu (2016). "Western Concepts of Art History: Representation and the Art Historical Turn." Beijing: Peking University Press.
Atkins, Robert, "Art Lectures", translated by Huang Lijuan, Taipei, Artist Press, 2000
Lynton, Norbert, "The Story of Modern Art", translated by Yang Songfeng, Taipei, Lianjing, 2003
Arthur C. Danto, "After the End of Art: Contemporary Art and Historical Barriers", translated by Lin Yaqi and Zheng Huiwen, Taipei, Wheatfield Publishing, 2010
Xie Dongshan, "Introduction to Art Theory", Taipei, Artist Publishing House, 2013
Written by Wilcon Petz and translated by Ai Xin (2019). "Think Like an Artist". Hunan: Hunan Publishing House.
Written by Walter Benjamin, translated by Zhuang Zhongli (2020). "Works of Art in the Age of Mechanical Reproduction." Taipei: City Publishing.
Written by Pietro Boucherdieu, translated by Chen Yichun (2012). "The Words Said, Collected Works of Bourdieu's Reflective Sociology". Taipei: City Publishing.

評分方式 Grading

評分項目
Grading Method
配分比例
Percentage
說明
Description
出席率
Attendance
20
學習表現
learning performance
20 參與討論、適時回答
創作計畫書
creative plan
20 依上課內容即要求,撰寫計畫書,包含創作理念、執行方式、紀錄形式等
作品發表
Work published
40 依計畫書所擬定的方式執行作品,並加以記錄成影像文件,呈現出特定的意志力,並於課堂發表

授課大綱 Course Plan

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課程資訊 Course Information

基本資料 Basic Information

  • 課程代碼 Course Code: 6953
  • 學分 Credit: 0-2
  • 上課時間 Course Time:
    Monday/12,13[FA102]
  • 授課教師 Teacher:
    張守為
  • 修課班級 Class:
    美術專班1,2
  • 選課備註 Memo:
    不開放旁聽、推廣部隨班附讀。
選課狀態 Enrollment Status

目前選課人數 Current Enrollment: 10 人

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