比較文學這個學門主要的研究領域與研究方法可分為「跨文化研究」與「跨藝術研究」。這門課將探討這兩個範疇的相關理論及主要研究取徑。
「跨文化研究」是近二十年來華文地區比較文學學界最為蓬勃發展的一個研究取向，希望透過這個部分，使學生以「跨文化」的角度，認識「比較文學」學科的相關理論、研究方法、議題及論證取徑，從而發展出結合學生研究範疇的跨文化論述可能。其中包括平行研究中的比較詩學、文類學、主題學，以及影響研究中的淵源學、流傳學、形象學、譯介學等面向。另外，在介紹「世界文學」研究取徑後，討論在比較文學理想中的「世界文學」視域下，如何透過這種「跨文化研究」取向轉化出新的理論和實踐。最後探討在研究方法上的「跨文化」所可能產生的問題。由於晚清至今是華文文學與文化，受日本、俄國、英美文化影響最為興盛的年代，除了部分涉及主題學及比較詩學的主題之外，本課程所探討的主要文本與討論面向，可同時呈現出中國現代文學史的一個切面。
「跨藝術研究」方面，則包括跨藝術文本、相關研究論述分析及理論介紹，透過文學與繪畫、雕塑、建築、景觀設計、攝影、電影、音樂、舞蹈等藝術類別的關係，以「圖像學」、「跨藝術互文」、「圖文互動」、「美學跨界表現」、「跨界轉譯」、「形式比較」等角度引導學生關注文學與其他藝術類別之間共通互融的面向，以及瞭解「比較文學」視域中「跨藝術研究」的可能面向與方法，同時引導學生接觸「跨藝術研究」的相關理論。

The main research fields and research methods of comparative literature can be divided into "cross-cultural research" and "cross-art research". This course will explore the relevant theories and main research approaches in these two areas.
"Cross-cultural studies" has been the most vigorously developed research orientation in the field of comparative literature in the Chinese-speaking area in the past two decades. It is hoped that through this part, students will understand the relevant theories, research methods, topics and argumentation approaches of the "comparative literature" discipline from a "cross-cultural" perspective, so as to develop the possibility of cross-cultural discussion that combines the students' research areas. These include comparative poetics, genre studies, and thematic studies in parallel studies, as well as origin studies, circulation studies, image studies, and translation studies in influence studies. In addition, after introducing the research approach of "world literature", it discusses how to transform new theories and practices through this "cross-cultural research" orientation from the perspective of "world literature" in the ideal of comparative literature. Finally, we discuss the problems that may arise from "cross-cultural" research methods. Since the late Qing Dynasty to the present is the most prosperous period for Chinese literature and culture, influenced by Japanese, Russian, British and American culture, in addition to some topics involving thematics and comparative poetics, the main texts and discussion aspects discussed in this course can simultaneously present an aspect of the history of modern Chinese literature.
"Cross-art research" includes cross-art texts, relevant research discussion analysis and theoretical introduction, through the relationship between literature and painting, sculpture, architecture, landscape design, photography, film, music, dance and other art categories, through "iconography", "cross-art intertext", "image-text interaction", "aesthetics" From the perspectives of "Cross-Border Expression", "Cross-Border Translation" and "Form Comparison", students are guided to pay attention to the common and mutual aspects between literature and other art categories, and to understand the possible aspects and methods of "Cross-Arts Research" in the perspective of "Comparative Literature", and at the same time, students are introduced to the relevant theories of "Cross-Arts Research".

Benjamin, Walter（班雅明，華特）。〈機械複製時代的藝術作品〉，《迎向靈光消逝的年代》，許綺玲譯，台北(台灣攝影工作室) ，1998。
Jost, Francois(約斯特，佛朗西斯)。《比較文學導論》。廖鴻鈞等譯。長沙市:湖南文藝出版社，1988。
Lessing , Gotthold Ephraim, Kritische und philosophische Schriften, München (Winkler) 1974, 7-166. 中譯本: 萊辛，朱光潛譯，〈拉奧孔〉《詩與畫的界限》，台北：駱駝。原著寫於1766年。
Said, Edward W(愛德華. 薩依德)。《東方主義》。王志弘等譯。台北：立緒，1999。
王立〈“種植速長”母題的佛經故事淵源〉 《貴州社會科學》，2006卷1期 ( 2006/01) , 118-122
古添洪：〈論「藝詩」（ekphrastic poetry）的詩學基礎及其中英傳統〉劉紀蕙主編：《框架內外 、藝術、文類與符號疆界》，台北：立緒文化，1999，87-122。
余君偉〈從樂府詩到迪士尼動畫－木蘭故事中的敘事、情慾和國族想像〉《中外文學》 29卷8期 (2001 / 01) Pp. 38-69
李欣倫〈「寫真」與「二我」－《風前塵埃》、《三世人》中攝影術、攝影者與觀影者之象徵意涵〉《東吳中文學報》 27期 ( 2014/05) , 337-363。
孟華等《中國文學中的西方人形象》，合肥：安徽教育出版社，2006。
孫康宜〈再讀八大山人詩--文字性與視覺性､及詮釋的限定〉《中外文學》，20:7=235，1991，4-8。
班雅明，華特(Benjamin, Walter)〈機械複製時代的藝術作品〉《迎向靈光消逝的年代》，許綺玲譯，台北：台灣攝影工作室，1998，1-34。
張小虹〈城市是件花衣裳〉《中外文學》 34卷10期 (2006 / 03) P. 167-186。
張興成〈跨文化實踐中的東方主義話語〉，《人文天地》， 64-72。
曹順慶《跨文化比較詩學論稿》。桂林：廣西師範大學出版社，2004。
曹順慶等《比較文學論》。台北：揚智，2003。
梁慕靈〈想像中國的另一種方法：論劉吶鷗、穆時英和張愛玲小說的「視覺性」〉。《政大中文學報》，19，2013.06：219-260。
梅家玲〈包天笑與清末民初的教育小說〉，《中外文學》, 35(1), 2006. 155-183。
陳正芳〈文化交流下的歷史印記：論陳映真和黃春明小說中的美國人形象建構〉，《台灣文學學報》，第21期，2012年12月，137-171。
陳惠齡〈中日體驗與跨文化視域-析論魏清德與吳濁流域外紀行〉《台灣文學研究學報》第29期，2019年10月，p.111-149。
陳榮彬：〈重讀《杜連魁》－建築師王大閎與翻譯（小說）家王大閎的對話〉，《中外文學》，41卷3期，2012.09：159-189。
陳碩文〈翻譯異國、想像中國：張若谷譯《中國孤兒》探析〉，《編譯論叢》9:1（2016）， 75-100。
陳韻如〈張擇端《清明上河圖》的畫意新解〉，《國立臺灣大學美術史研究集刊》，34，2013 .03，43 - 90+93。
陳鵬翔〈主題學理論與歷史證據：以王昭君傳說為例〉《中國神話與傳說學術研討會論文集》 1996 (1996 / 03) Pp. 337-367
陳躍紅〈錢鍾書比較詩學方法論舉隅〉《中外文學》 42卷2期 (2013 / 06) Pp. 211-219
楊中薇 〈與畫報共生：《續海上繁華夢》與二十世紀初跨媒介小說的興起》
解昆樺〈從圖像詩到視覺詩：中國暨義大利當代詩人視覺詩畫聯展（1984）、視覺詩十人展（1986）之理論與實踐文本〉《臺灣文學研究學報》 24期 (2017 / 04) P. 297-341
劉千美：〈範疇與藝境：文人詩畫美學與藝術價值之反思〉，《哲學與文化》，35卷7期，2008/07，17-36。
劉建志〈現代詩的音樂化實踐－以夏宇詩／歌混融的作品為例〉《臺大中文學報》75期 (2021 / 12) Pp. 151-203
劉建基〈愛與「癱瘓／麻痺」：論郭松棻〈雪盲〉中的喬伊斯幽靈〉《文化越界》 1卷4期 (2010 / 09) Pp. 121-134
羅時瑋〈台北寓言：王大閎在「杜連魁」中的現代性再書寫〉，《城市與設計學報》，2007.03，229-246。

Benjamin, Walter. "Art Works in the Age of Mechanical Reproduction", "Toward the Era of the Fading Aura", translated by Hsu Chi-ling, Taipei (Taiwan Photography Studio), 1998.
Jost, Francois (Jost, Francis). "Introduction to Comparative Literature". Translated by Liao Hongjun and others. Changsha City: Hunan Literature and Art Publishing House, 1988.
Lessing, Gotthold Ephraim, Kritische und philosophy Schriften, München (Winkler) 1974, 7-166. Chinese translation: Lessing, translated by Zhu Guangqian, "Laocoon" "The Boundary between Poetry and Painting", Taipei: Camel. The original work was written in 1766.
Said, Edward W(Edward. Said). "Orientalism". Translated by Wang Zhihong and others. Taipei: Lixu, 1999.
Wang Li "Origin of Buddhist scriptures with the theme of "Planting grows quickly"" Guizhou Social Sciences, Volume 1, 2006 (2006/01), 118-122
Gu Tianhong: "On the poetic foundation and Chinese-English tradition of "ekphrastic poetry"" edited by Liu Jihui: "Inside and Outside the Frame, Art, Genres and Symbolic Boundaries", Taipei: Lixu Culture, 1999, 87-122.
Yu Junwei "From Yuefu Poems to Disney Animation - Narrative, Eros and National Imagination in the Mulan Story" "Chinese and Foreign Literature" Volume 29 Issue 8 (2001 / 01) Pp. 38-69
Li Xinlun ""Photography" and "Two Self" - The Symbolic Meaning of Photography, Photographers and Viewers in "Dust before the Wind" and "Three Generations"" Soochow Chinese Literature Journal Issue 27 (2014/05), 337-363.
Meng Hua et al. "The Image of Westerners in Chinese Literature", Hefei: Anhui Education Press, 2006.
Sun Kangyi, "Re-reading Bada Shanren's Poetry—Textuality, Visuality, and Limitations of Interpretation," Chinese and Foreign Literature, 20:7=235, 1991, 4-8.
Benjamin, Walter, "Art Works in the Age of Mechanical Reproduction," "Toward the Era of Fading Aura," translated by Hsu Chi-ling, Taipei: Taiwan Photography Studio, 1998, 1-34.
Zhang Xiaohong "The City is a Flowery Clothes" "Chinese and Foreign Literature" Volume 34 Issue 10 (2006 / 03) P. 167-186.
Zhang Xingcheng "Orientalist Discourse in Cross-Cultural Practice", "Humanities World", 64-72.
Cao Shunqing's "An Essay on Cross-Cultural Comparative Poetics". Guilin: Guangxi Normal University Press, 2004.
Cao Shunqing and others' "Comparative Literature Theory". Taipei: ALi, 2003.
Liang Muling "Another way of imagining China: On the "visuality" of Liu Naou, Mu Shiying and Zhang Ailing's novels". "Journal of National Chengchi University Chinese Literature", 19, 2013.06: 219-260.
Mei Jialing, "Bao Tianxiao and educational novels in the late Qing Dynasty and the early Republic of China", "Chinese and Foreign Literature", 35(1), 2006. 155-183.
Chen Zhengfang, "Historical Marks under Cultural Exchange: On the Construction of American Image in Chen Yingzhen and Huang Chunming's Novels", "Journal of Taiwan Literature", Issue 21, December 2012, 137-171.
Chen Huiling "Sino-Japanese Experience and Cross-Cultural Perspective-Analysis on Wei Qingde and Wu Zhuo's Travels Outside the Basin" "Journal of Taiwan Literary Research" Issue 29, October 2019, p.111-149.
Chen Rongbin: "Rereading "Du Liankui" - Dialogue between architect Wang Dahong and translator (novel) Wang Dahong", "Chinese and Foreign Literature", Volume 41, Issue 3, 2012.09: 159-189.
Chen Shuowen, "Translating Foreign Countries and Imagining China: An Analysis of Zhang Ruogu's Translation of "Orphans of China"", "Compilation Theory Series" 9:1 (2016), 75-100.
Chen Yunru, "A New Interpretation of the Painting Meaning of Zhang Zeduan's "Along the River During the Qingming Festival"", "National Taiwan University Art History Research Collection", 34, 2013.03, 43 - 90+93.
Chen Pengxiang "Thematic Theory and Historical Evidence: Taking the Legend of Wang Zhaojun as an Example" "Proceedings of the Academic Symposium on Chinese Myths and Legends" 1996 (1996 / 03) Pp. 337-367
Chen Yuehong "Examples of Qian Zhongshu's Comparative Poetics Methodology" "Chinese and Foreign Literature" Volume 42 Issue 2 (2013 / 06) Pp. 211-219
Yang Zhongwei "Coexisting with Pictorials: "Continuing the Dream of Prosperity on the Sea" and the Rise of Cross-Media Novels in the Early 20th Century"
Xie Kunhua "From Image Poetry to Visual Poetry: Theoretical and Practical Texts of the Visual Poetry and Painting Joint Exhibition of Contemporary Chinese and Italian Poets (1984) and the Ten-Person Visual Poetry Exhibition (1986)" "Journal of Taiwan Literary Research" Issue 24 (2017 / 04) P. 297-341
Liu Qianmei: "Category and Artistic Realm: Reflections on the Aesthetics and Artistic Value of Literary Poetry and Painting", "Philosophy and Culture", Volume 35, Issue 7, 2008/07, 17-36.
Liu Jianzhi "The practice of musicalization in modern poetry - taking Xia Yu's mixed poetry/song works as an example" "National Taiwan University Chinese Literature Journal" Issue 75 (2021 / 12) Pp. 151-203
Liu Jianji "Love and "Paralysis": On the Ghost of Joyce in Guo Songfen's "Snow Blindness"" Cultural Transgression Volume 1 Issue 4 (2010 / 09) Pp. 121-134
Luo Shiwei, "Taipei Fable: Wang Dahong's Rewriting of Modernity in "Du Liankui"", "Journal of Urban and Design", 2007.03, 229-246.