表演評論書寫作為有如哲學家班雅明（Walter Benjamin）所謂的「原作的回聲」，在具有劇場記錄的檔案性外，並內含有當下觀視路徑等複雜的交織；之為一種非虛構文本，又具現著書寫者的思考風格，另一方面經由評論與詮釋，又時而形塑為一個時代性的美學思潮發生。實務上，論述敘事之能力又可對應與研究、編寫、企畫，乃至策展等領域。在本門課程中，將從表演藝術評論的現況談起，前半部開展「觀看」與「書寫」的多重路徑，藉由當代理論、文本討論的過程，奠定評論的知識基礎，並探索個人創作研究發展的主題。

The performance review book is like the "repetition of the original work" as philosopher Walter Benjamin calls it. In addition to the documentary nature of the drama, it also contains complex interactions such as the current visual path. It is a non-virtual text and has the thinking style of the writer. On the other hand, it is shaped into a contemporary aesthetic trend from the commentary and commentary. In fact, the ability to describe events can also be used in research, writing, painting, and even curation. In this course, from the present discussion of performance art comments, the first half will develop multiple paths of "viewing" and "writing". Through the process of agent discussion and text discussion, it lays the intellectual foundation for comments and explores the themes of personal creative research development.

■ 席爾文．巴奈特（Sylvan Barnet）著，劉泗翰譯，《藝術寫作：如何書寫藝術的簡明指南》（A Short Guide to Writing About ART），臺北：阿橋社文化，2022。
■ 威廉．金瑟（William Zinsser）著，劉泗翰譯，《非虛構寫作指南》（On Writing Well: The Classic Guide to Writing Nonfiction），臺北：臉譜，2023。

■Shirvin. Written by Sylvan Barnet, translated by Liu Sihan, "A Short Guide to Writing About ART", Taipei: A Bridge Society Culture, 2022.
■ William. Written by William Zinsser, translated by Liu Sihan, "On Writing Well: The Classic Guide to Writing Nonfiction", Taipei: Face, 2023.