藉由各時代中外膠彩畫家作品之表現形式及創作內涵的轉變軌跡，進行作品風格的討論賞析與實作實驗，深化並激發表現觀念的成長及風格開發的潛能，以及學習與探討創作表現的可能性。一、經由畫家創作和生涯的解析，探討並瞭解作品風格與創作者之間的關連性，從中整理出論述裡的美術史觀與學理基礎。二、引導創作力與完成度的磨練，並透過密集與大型作品的創作，以期激發潛能和完成系列作品的創作表現能力。三、強調各種材質的討論與實驗，並針對自我創作風格、技法的探究與分析，深入在材質特質上的認知。四、藉由各類箔的厚薄、軟脆等特性，以及箔的各種色彩堆疊、拍打等各式技法的表現，豐富畫面表現可能性。加強學生對箔的基礎認識與應用方法之活潑度，學習質感變化中各種方法的交互使用。五、保存修復價值觀的建立與實踐。Through the transformation of the expression forms and creative connotations of works by Chinese and foreign color painters of various eras, we discuss and analyze the style of the work and practice experiments, deepen and stimulate the growth of expressive concepts and the potential for style development, as well as learning and exploring the possibility of creative expression. 1. Based on the analysis of the artist's creation and career, we explore and understand the relationship between the style of the work and the creator, and organize the artistic historical view and theoretical foundations in the commentary from it. 2. Introduce the cultivation of creative ability and completion, and through intensive and large-scale creation, in order to stimulate potential and complete the creative performance of series of works. 3. Strengthen the discussion and experience of various materials, and explore and analyze self-creation styles and techniques, and deeply understand the characteristics of materials. 4. With the characteristics of various foils such as thickness and brittleness, as well as the various techniques of color stacking and slapping of the foil, the possibility of screen performance is enriched. Strengthen students' basic understanding of foil and the vitality of application methods, and learn the interactive use of various methods in quality change. 5. Preserve and repair the establishment and implementation of value view.
透過東方繪畫美學觀與膠彩材料特質的研究，建構個人創作風格體系的完備，與藝術創造性的提升。
Through the study of oriental painting aesthetics and the research on the characteristics of colour materials, the construction of personal creative style systems is completed and the improvement of artistic creativity is improved.
一、《日本美術史》王秀雄著，國立歷史博物館。 二、《日本美術史話》李欽賢著，雄獅圖書股份有限公司。 三、《日本美術的近代光譜》李欽賢著，雄獅圖書股份有限公司。 四、《膠彩畫材料與技法》林功、箱崎睦昌著，廖瑞芬譯，藝術家出版社。 五、ARTISTS JAPAN ，同朋社。六、《日本画——名作から読み解く技法の謎》宮廽正明、荒井経、鴈野佳世子，株式會社世界文化社。七、《日本画の用具用材》重政啟治、神彌佐子、星晃、和田雄一，株式會社武藏野美術大學出版局
1. "History of Japanese Art" by Wang Xiuxiong, National History Museum. 2. "History of Japanese Art" by Li Yang, Lion Books Co., Ltd. 3. "Modern Illumination of Japanese Art" written by Li Yang, Xiong Lion Books Co., Ltd. 4. "Color Color Materials and Techniques" written by Lin Gong and Musaki Hakozaki, translated by Liao Ruifen, Artist Publishing House. 5. ARTISTS JAPAN, Tongpengshe. 6. "Japanese Painting - The Famous Works of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art of the Art 7. "Japanese Painting Materials" Shigemasaki, Kamika Sako, Seiko, and Yuichi Wada, Musashino University of Arts Co., Ltd.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 膠彩作品三件膠彩作品三件 Three pieces of glue color works |
60 | 依個人創作需求調整 |
| 實驗版及報告實驗版及報告 Experimental version and report |
20 | 兩件6F以上實驗版、期末報告（PPT） |
| 出席率出席率 Attendance rate |
20 | 全學期無故缺課3次以上扣考 |
