本課程屬創作實踐課程。在創作課程中引入當代影像媒材的發展脈絡與相關作品創作案例分析。整體上課方式將以「案例探討」與「個人創作專題」的方式進行理論思維與個人藝術創作的深度對談。透過閱讀或觀看相關文本與創作案例，並以團體討論模式，期望達到多元創作想法的流通,以開發學生獨立創作的深度與可能性，並且去思考影像如何成為一種介入當代創作的重要媒材。經由接觸多元跨域的相關創作作品案例分析以及配合平面/動態影像之創作訓練與思辨，期望啟發學生創作的深度與廣度。本創作課程成果：期中與期末各發表一件影像創作。
This course is a creative preview course. Introducing the development structure of contemporary image media and the creation case analysis of related works in the creative course. The overall coursework will be conducted in-depth discussions between theoretical thinking and personal art creation through "case discussion" and "personal creation topics". By reading or viewing related texts and creative cases, and using a group discussion model, we hope to achieve the circulation of diverse creative ideas to develop the depth and possibilities of students' independent creation, and to think about how images become an important medium for intervening in contemporary creation. Through case analysis of related creative works that connect multiple and cross-domain, as well as creative training and thinking with plane/motional images, we hope to develop the depth and breadth of students' creation. The results of this creative course: a video creation is published at the mid-term and end of the period.
此課程將針對視覺影像當中的美學與影像敘事性等相關議題，配合流動影像與靜態影像之思辨訓練，帶領學生理解影像文本之美學效應、敘述結構與表達形態，學習視覺再現的思考能力，以發展跨領域之創作模式。
This course will highlight related issues such as aesthetics and image events in visual images, and cooperate with the thinking training of mobile images and static images, and lead students to understand the aesthetic effect of image text, describe the structure and expression of the image text, learn the thinking ability of visual reappearance, and develop cross-domain creative models.
Marita Sturken、Lisa Cartwright著,陳品秀、吳莉君譯,〈觀看的實踐：給所有影像世
代的視覺文化導論〉,臉譜出版社,臺北,2013。
W. J. T. Mitchellt著,石武耕譯,〈形象科學：視覺文化研究大師W. J. T 米契爾,探索
形象本質經典之作〉,馬可孛羅出版社,臺北,2020。
Peter Berger著，吳莉君譯，〈觀看的方式〉，麥田出版，臺北，2005。
Paul Virilio著，楊凱麟譯，〈消失的美學〉，揚智文化，臺北，2001。
Jacques Ranciere 著，黃建宏譯，〈影像的宿命〉，典藏藝術家，臺北，2001。
王品驊，〈台灣當代美術大系-攝影與錄影藝術〉(叢書) ，藝術家出版社，臺北，2003。
陳永賢，〈錄像藝術啟示錄〉，藝術家出版社，臺北，2010。
By Marita Sturken, Lisa Cartwright, Chen Pinxiu, Wu Lijun translated, "The realization of viewing: to all the images
Ancient Visual Culture Introduction>, Face Publishing House, Taipei, 2013.
W. J. T. Mitchellt, Shi Wu Geng, Imaging Science: Visual Culture Research Master W. J. T. Mitchell, Exploration
Classic work of the essence of image>, Makoboro Publishing House, Taipei, 2020.
Written by Peter Berger, translated by Wu Lijun, "How to Watch", published by Maitian, Taipei, 2005.
By Paul Virilio, translated by Yang Kailin, "The Disappearing Aesthetics", "Surviving Culture", Taipei, 2001.
By Jacques Ranciere, translated by Huang Jianhong, "The Destiny of Images", Collection Artist, Taipei, 2001.
Wang Pinjiang, "Taiwan Contemporary Art Series - Photography and Recording Arts" (Book), Artist Publishing House, Taipei, 2003.
Chen Yongqin, "Records of Recording Arts", Artist Publishing House, Taipei, 2010.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 出缺席出缺席 Absent |
20 | 上課出席率與學習態度 |
| 課堂習作課堂習作 Classroom work |
20 | 完成並參與討論 |
| 期中作品期中作品 Mid-term works |
30 | 需完成作品並到場評圖 |
| 期末作品期末作品 Final works |
30 | 需完成作品並到場評圖 |
