本課程屬創作實踐課程。在創作課程中引入當代影像媒材的發展脈絡與相關作品創作案例分析。整體上課方式將以「案例探討」與「個人創作專題」的方式進行理論思維與個人藝術創作的深度對談。透過閱讀或觀看相關文本與創作案例，並以團體討論模式，期望達到多元創作想法的流通,以開發學生獨立創作的深度與可能性，並且去思考影像如何成為一種介入當代創作的重要媒材。經由接觸多元跨域的相關創作作品案例分析以及配合平面/動態影像之創作訓練與思辨，期望啟發學生創作的深度與廣度。本創作課程成果：期中與期末各發表一件影像創作。

This course is a creative practice course. Introduce the development context of contemporary imaging media and case analysis of related works creation into the creative course. The overall class format will be "case studies" and "personal creative projects" for in-depth discussions on theoretical thinking and personal artistic creation. By reading or watching relevant texts and creative cases, and through group discussion, we hope to achieve the circulation of diverse creative ideas, develop the depth and possibility of students' independent creation, and think about how images can become an important medium for contemporary creation. Through exposure to multiple cross-domain case studies of relevant creative works, as well as creative training and thinking with two-dimensional/dynamic images, we hope to inspire the depth and breadth of students' creations. The results of this creative course: one video creation will be published in the midterm and the final.

此課程將針對視覺影像當中的美學與影像敘事性等相關議題，配合流動影像與靜態影像之思辨訓練，帶領學生理解影像文本之美學效應、敘述結構與表達形態，學習視覺再現的思考能力，以發展跨領域之創作模式。

This course will focus on related issues such as aesthetics and image narrative in visual images, combined with critical thinking training on moving images and static images, to lead students to understand the aesthetic effects, narrative structure and expression form of image texts, learn the thinking ability of visual representation, and develop cross-field creative models.

Marita Sturken、Lisa Cartwright著,陳品秀、吳莉君譯,〈觀看的實踐：給所有影像世
代的視覺文化導論〉,臉譜出版社,臺北,2013。
W. J. T. Mitchellt著,石武耕譯,〈形象科學：視覺文化研究大師W. J. T 米契爾,探索
形象本質經典之作〉,馬可孛羅出版社,臺北,2020。
Peter Berger著，吳莉君譯，〈觀看的方式〉，麥田出版，臺北，2005。
Paul Virilio著，楊凱麟譯，〈消失的美學〉，揚智文化，臺北，2001。
Jacques Ranciere 著，黃建宏譯，〈影像的宿命〉，典藏藝術家，臺北，2001。
王品驊，〈台灣當代美術大系-攝影與錄影藝術〉(叢書) ，藝術家出版社，臺北，2003。
陳永賢，〈錄像藝術啟示錄〉，藝術家出版社，臺北，2010。

Written by Marita Sturken and Lisa Cartwright, translated by Chen Pinxiu and Wu Lijun, "The Practice of Seeing: For All Imaging Worlds"
An Introduction to Contemporary Visual Culture, Facebook Publishing House, Taipei, 2013.
Written by W. J. T. Mitchellt, translated by Shi Wugeng, "Image Science: Exploration by W. J. T. Mitchell, Master of Visual Culture Research"
Classic Work on the Essence of Image》, Marco Polo Publishing House, Taipei, 2020.
Written by Peter Berger, translated by Wu Lijun, "Ways of Seeing", Wheatfield Publishing, Taipei, 2005.
Written by Paul Virilio, translated by Yang Kailin, "The Aesthetics of Disappearance", Yangzhi Culture, Taipei, 2001.
Written by Jacques Ranciere, translated by Huang Jianhong, "The Fate of Images", Collection Artists, Taipei, 2001.
Wang Pinhua, "Taiwan Contemporary Art Department - Photography and Video Art" (book series), Artist Publishing House, Taipei, 2003.
Chen Yongxian, "Video Art Revelations", Artist Publishing House, Taipei, 2010.