試圖從「何謂亞洲現當代藝術？」此一問題出發，深入「亞洲現代性」議題，及其對亞洲現當代藝術的影響，並探討台灣如何透過藝術創作對此議題做出進一步的思考與回應。The test picture starts from the question of "Why do you think of contemporary Asian art?", and goes deep into the "Asian Modernity" discussion and its impact on contemporary Asian art, and explores how Taiwan can further think and respond to this discussion through artistic creation.
從十九世紀末的中國畫改革談起，貫串21世紀各種水墨畫派別生成的發展作為本課程的結構主軸。以西方現代繪畫對國畫/水墨畫變革的大時代影響及其時代背景之論說，建立學生對現代主義藝術發展之後在水墨運用的基本概念，進而理解水墨畫自古典轉至現代觀念、技法之遞演，並瞭解水墨畫系統的當代定位，奠定學生對水墨畫系統和膠彩畫 (東洋畫)系統的定位、發展、環境及前景的認知基礎。
Starting from the discussion of Chinese painting reform at the end of the 19th century, the development generated by various ink painting schools in the 21st century is the main structure of this course. Based on the great influence of Western modern painting on the transformation of Chinese painting/ink painting and its contemporary background, students establish the basic concepts of ink painting application after the development of modern theory art, and then understand the evolution of ink painting from classical to modern concepts and techniques, and understand the contemporary positioning of ink painting systems, laying the foundation for students to understand the positioning, development, environment and prospects of ink painting systems and gel painting (Dongyang Painting) systems.
1. 高千惠著：《風火林泉：當代亞洲藝術專題研究》，臺北：典藏藝術家庭，2013。
2. 許煜（Yuk Hui）著， 盧睿洋，蘇子瀅譯：《論中國的宇宙技術—宇宙技術初論》，杭州：中國美術學院出版社，2021。
3. 海德格（Martin Heidegger）著，孫周興譯：《演講與論文集》，北京：生活．讀書．新知三聯書店，2005。
4. 班雅明（Walter Benjamin）著，阿倫特（Hannah Arendt）編，張旭東、王斑譯：《啟迪：本雅明文選》，北京：生活．讀書．新知三聯書店，2012。
5. 九鬼周造著，藤田正勝注釋，黃錦容、黃文宏、內田康譯注：《「粹」的構造》，台北：聯經，2003。
6. 柄谷行人（Kojin Karatani）著，吳佩珍譯：《日本近代文學的起源》，台北：麥田出版，2017。（趙京華譯，北京：生活．讀書．新知三聯書店，2003）
7. 諾伯舒茲（Christian Norberg－Schulz）著，施植明譯：《場所精神：邁向建築現象學》，武漢：華中科技大學出版社，2010。
8. 和辻哲郎著，朱坤容譯：《風土：人間學的考察》，北京：東方出版社，2017。
9. 谷崎潤一郎著，李尚霖譯：《陰翳禮讚》，臺北：臉譜，2009。
1. Gao Qianhui's book: "Fenghuo Linquan: Research on Contemporary Asian Art Themes", Taipei: Collection Art Family, 2013.
2. By Yuk Hui, Lu Ruiyang, Su Zi translated: "About China's Cosmic Technique - A Preliminary Discussion on Cosmic Technique", Hangzhou: China Academy of Art Press, 2021.
3. Martin Heidegger, translated by Sun Zhou Xingxing: "Collection of Speeches and Discussions", Beijing: Life. Read the book. Xinzhi Sanlian Bookstore, 2005.
4. Walter Benjamin, edited by Hannah Arendt, Zhang Xudong and Wang Banlu: "Kidi: Benjamin's Selection", Beijing: Life. Read the book. Xinzhi Sanlian Bookstore, 2012.
5. The Nine Ghosts Zhou was created by Fujita Masayoshi, and the notes of Huang Rong, Huang Wenhong, and Yasuhiro Uchida: "The Architecture of "Cui", Taipei: Lian, 2003.
6. by Kojin Karatani, translated by Wu Peizhen: "The Origin of Modern Japanese Literature", Taipei: Maitan Publishing, 2017. (Zhaojing Hualien, Beijing: Life. Reading. New Knowledge Sanlian Bookstore, 2003)
7. Christian Norberg-Schulz, Shi Zhiming: "Star of the Site: The Simulation of the Mid-to-Construction", Wuhan: Huazhong University of Science and Technology Press, 2010.
8. Written by Tetsuro Watsuji, Zhu Kun's translation: "Fengtu: An Investigation of Human Learning", Beijing: Oriental Publishing House, 2017.
9. Written by Kazuichiro Tanizaki, translated by Li Shanglin: "Yingyi Lu Xu", Taipei: Face, 2009.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 課堂討論課堂討論 Class discussion |
40 | |
| 期中筆記期中筆記 Midterm notes |
30 | |
| 期末筆記期末筆記 Final note |
30 |
