在圖像筆記與個人創作意象的討論之中呈現自我圖像符號的情境世界，
以即時性的材料進行「圖像符號的創造」與「情境的抽象營造」兩種創作課題，
最終已達到實踐素描即是一種抽象感知的視覺化創造之藝術理解。A situational world of self-image symbols is presented in discussions between image notes and personal creative images.
Use real-time materials to carry out two creative topics: "Create image symbols" and "Abstract situational manufacturing"
Finally, it has been achieved that real sketching is an abstract perception of visual creation artistic understanding.
1. Sir E. H. Gornbrich、Julian Hochberg、Max Black著，錢麗娟譯：《藝術、知覺與現實》，新北：木馬，2021（1972）
2. Marc Le Bot著，湯皇珍譯：《身體的意象》，台北：遠流，1996。
3. Gilles Deleuze著，董強譯：《Francis Bacon：感覺邏輯》，廣西師範大學，2007（1981）
4. Ronald Bogue著，陳佩筠、林宛瑄譯：《德勒茲論音樂、繪畫與藝術》，〈第四章：臉〉、〈第五章：力〉，台北：麥田，2016（），頁111-147; 149-174
5. Joanna Ebenstein著，崔宏立譯：《解剖維納斯》，台北：麥田，2017。
6. 林美香著：《身體的身體》，台北：聯經，2017，頁 270-306。
7. Susanne Langer，劉大基等譯：《情感與形式——第四章：表象（semblance）》商鼎文化1991，頁55-81。
8. 羅丹口述，Paul Gsell書寫：《羅丹藝術論》雄獅美術，1993。
1. by Sir E. H. Gornbrich, Julian Hochberg, Max Black, translated by Money: "Art, Knowledge and Reality", New Taipei: Muma, 2021 (1972)
2. Marc Le Bot, Reprinted by Emperor Tom: "Image of the Body", Taipei: Far, 1996.
3. Gilles Deleuze, translated by Dong: "Francis Bacon: Sensory Logic", Guangxi Master University, 2007 (1981)
4. by Ronald Bogue, translated by Chen Peijun and Lin Wanxuan: "Delez Music, Paintings and Art", "Chapter 4: Faces", "Chapter 5: Force", Taipei: Maitian, 2016 (), page 111- 147; 149-174
5. Joanna Ebenstein, Cui Honglilu: "Anatomy of Vinas", Taipei: Maitian, 2017.
6. Lin Meixiang’s writing: "The Body of the Body", Taipei: Lianhe, 2017, page 270-306.
7. Susanne Langer, Liu Daji, etc. Translation: "Emotions and Form-Chapter 4: Semblance" Shangding Culture 1991, page 55-81.
8. Oral account of Rodan, written by Paul Gsell: "Rodan Art Discourse" Lion Art, 1993.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時考核平時考核 Regular assessment |
30 | |
| 口頭報告口頭報告 Oral Report |
10 | |
| 期中評圖期中評圖 Midterm reviews |
30 | |
| 期末總評期末總評 Final review |
30 |
