在圖像筆記與個人創作意象的討論之中呈現自我圖像符號的情境世界，
以即時性的材料進行「圖像符號的創造」與「情境的抽象營造」兩種創作課題，
最終已達到實踐素描即是一種抽象感知的視覺化創造之藝術理解。

In the discussion of image notes and personal creative images, the situational world of self-image symbols is presented.
Using real-time materials to carry out two creative projects: "Creation of Image Symbols" and "Abstract Creation of Situations".
Finally, we have reached the artistic understanding that practical sketching is a kind of visual creation of abstract perception.

1. Sir E. H. Gornbrich、Julian Hochberg、Max Black著，錢麗娟譯：《藝術、知覺與現實》，新北：木馬，2021（1972）
2. Marc Le Bot著，湯皇珍譯：《身體的意象》，台北：遠流，1996。
3. Gilles Deleuze著，董強譯：《Francis Bacon：感覺邏輯》，廣西師範大學，2007（1981）
4. Ronald Bogue著，陳佩筠、林宛瑄譯：《德勒茲論音樂、繪畫與藝術》，〈第四章：臉〉、〈第五章：力〉，台北：麥田，2016（），頁111-147; 149-174
5. Joanna Ebenstein著，崔宏立譯：《解剖維納斯》，台北：麥田，2017。
6. 林美香著：《身體的身體》，台北：聯經，2017，頁 270-306。
7. Susanne Langer，劉大基等譯：《情感與形式——第四章：表象（semblance）》商鼎文化1991，頁55-81。
8. 羅丹口述，Paul Gsell書寫：《羅丹藝術論》雄獅美術，1993。

1. Written by Sir E. H. Gornbrich, Julian Hochberg, Max Black, translated by Qian Lijuan: "Art, Perception and Reality", New Taipei City: Trojan, 2021 (1972)
2. "The Image of the Body" by Marc Le Bot, translated by Tang Huangzhen, Taipei: Yuanliu, 1996.
3. "Francis Bacon: Logic of Sensation" by Gilles Deleuze, translated by Dong Qiang, Guangxi Normal University, 2007 (1981)
4. Ronald Bogue, translated by Chen Peijun and Lin Wanxuan: "Deleuze on Music, Painting and Art", "Chapter 4: Face", "Chapter 5: Power", Taipei: Wheatfield, 2016 (), pp. 111-147; 149-174
5. "Anatomy of Venus" by Joanna Ebenstein, translated by Cui Hongli, Taipei: Wheatfield, 2017.
6. Lin Meixiang, "The Body of the Body", Taipei: Lianjing, 2017, pp. 270-306.
7. Susanne Langer, translated by Liu Daji and others: "Emotion and Form - Chapter 4: Semblance" Shang Ding Culture 1991, pp. 55-81.
8. Oralized by Rodin, written by Paul Gsell: "On Rodin's Art" Lion Art, 1993.