課程目標：
一、為了學生個人創作「應還從規矩」的臨摹中，找尋源頭、規律，及其運筆用墨之法。
二、理解古典畫繪中之空間結構，破除西方透視取景關係，學習東方文人視角之運用。
三、理解中國傳統繪畫中之理念、觀點，和畫家所注入之哲學思想。
四、了解中國山水畫、花鳥畫之歷史發展過程與思想。
課程內涵：
步驟一：選稿 (以元代之前山水畫作品為主)，以白色壁報紙放樣打草稿。
步驟二：覆底稿紙於草稿之上，以濃墨線條摹寫底稿。
步驟三：覆畫紙於底稿上，著手臨摹程序。從近處以濃墨畫山石，中側鋒並用，提按有別，筆勢、線條、墨色都要傳神。
步驟四：石上松樹枝幹穿插，疏密得體，以焦墨濃墨畫出。加畫松針要注意外形和內在結構。
步驟五：畫出中景主體山峰，山勢的走向和筆法一定要把握住氣勢，轉折處過渡自然，不能失去大勢，謹小慎微。
步驟六：加遠松在山峰上，要與山形一致，畫遠山瀑布，墨色須簡淡。
步驟七：淡墨烘染山石雲氣，注意留白形態，顯示白雲動勢，近石和遠山凹處以淡墨暈染。

Course objectives:
1. In order for students to "follow the rules" in their personal creations, they should find the source, rules, and methods of using pen and ink through copying.
2. Understand the spatial structure in classical paintings, break the relationship between Western perspective and framing, and learn the use of Eastern literati's perspective.
3. Understand the concepts and viewpoints in traditional Chinese painting, as well as the philosophical thoughts injected by the painter.
4. Understand the historical development process and ideas of Chinese landscape painting, flower and bird painting.
Course content:
Step 1: Select the manuscript (mainly landscape paintings before the Yuan Dynasty), and use white wall paper to lay out the draft.
Step 2: Place the manuscript paper on top of the draft and copy the manuscript with thick ink lines.
Step 3: Put the drawing paper on the manuscript and start the copying process. Paint mountains and rocks from close range with thick ink, using both the center and side edges, with different lifting and pressing, and the brushstrokes, lines and ink colors must be expressive.
Step 4: The pine branches and trunks are interspersed on the stone, with a decent density, and are drawn with burnt ink and thick ink. When adding pine needles, pay attention to the appearance and internal structure.
Step 5: Draw the main mountain peak in the mid-ground. The direction of the mountain and the brushwork must be in control of the momentum. The transition at the turning point must be natural. Don't lose the general trend and be cautious.
Step 6: Add distant pine trees on the mountain peaks, which should be consistent with the mountain shape. Draw distant mountain waterfalls, and the ink color should be simple and light.
Step 7: Dye the clouds on the rocks with light ink. Pay attention to the white space to show the movement of the white clouds. Use light ink to blend the nearby rocks and the recesses in the distant mountains with light ink.

一、《宋畫全集》(國立故宮博物院所藏宋代繪畫二百餘幅)
二、《中國美術全集》(60冊)，人民美術出版社，2007。

1. "Complete Collection of Song Dynasty Paintings" (more than 200 Song Dynasty paintings collected by the National Palace Museum)
2. "Complete Collection of Chinese Art" (60 volumes), People's Fine Arts Publishing House, 2007.