課程目標：
一、為了學生個人創作「應還從規矩」的臨摹中，找尋源頭、規律，及其運筆用墨之法。
二、理解古典畫繪中之空間結構，破除西方透視取景關係，學習東方文人視角之運用。
三、理解中國傳統繪畫中之理念、觀點，和畫家所注入之哲學思想。
四、了解中國山水畫、花鳥畫之歷史發展過程與思想。
課程內涵：
步驟一：選稿 (以元代之前山水畫作品為主)，以白色壁報紙放樣打草稿。
步驟二：覆底稿紙於草稿之上，以濃墨線條摹寫底稿。
步驟三：覆畫紙於底稿上，著手臨摹程序。從近處以濃墨畫山石，中側鋒並用，提按有別，筆勢、線條、墨色都要傳神。
步驟四：石上松樹枝幹穿插，疏密得體，以焦墨濃墨畫出。加畫松針要注意外形和內在結構。
步驟五：畫出中景主體山峰，山勢的走向和筆法一定要把握住氣勢，轉折處過渡自然，不能失去大勢，謹小慎微。
步驟六：加遠松在山峰上，要與山形一致，畫遠山瀑布，墨色須簡淡。
步驟七：淡墨烘染山石雲氣，注意留白形態，顯示白雲動勢，近石和遠山凹處以淡墨暈染。Course Target:
1. In order to create the "substance" of students, we should find the source, rules, and the method of using ink through the imitation of "standards".
2. Understand the spatial structure in classical paintings, break the relationship between Western visual viewing, and learn the use of the perspectives of Eastern literati.
3. Understand the concepts and views in traditional Chinese paintings, and the philosophical thoughts injected by painters.
4. Understand the historical development process and thoughts of Chinese landscape paintings and flower bird paintings.
Course content:
Step 1: Select drafts (mainly landscape paintings before the Yuan Dynasty), and use white wall papers to make drafts.
Step 2: Cover the draft paper on top of the draft and copy the draft with a thick ink line.
Step 3: Overwrite the paper on the draft and start the process of imitating it. From the nearest place, use ink to paint the rocks, use the middle side and use it. If the lifting and pressing are different, the pen, line, and ink color must be conveyed.
Step 4: The pine branches on the stone are intertwined, sparse and dense, and are painted with burnt ink. When adding pineapple, you should pay attention to the appearance and inner structure.
Step 5: Painting the main mountain in the middle scene, the direction and pendant of the mountain must grasp the atmosphere, and the transition will naturally change. You cannot lose the big things, be cautious when you are small.
Step 6: Add the remote pine on the mountain peak, and the shape of the mountain should be the same as the mountain. The remote waterfall should be painted with a light ink color.
Step 7: Light ink to dye the clouds of mountains and rocks, pay attention to leaving white shape, show the movement of white clouds, and dye them with light ink near stones and in the depressions of mountains.
一、《宋畫全集》(國立故宮博物院所藏宋代繪畫二百餘幅)
二、《中國美術全集》(60冊)，人民美術出版社，2007。
1. "Complete Collection of Song Paintings" (200 Song Dynasty paintings collected by the National Palace Museum)
2. "Complete Works of Chinese Art" (60 books), People's Art Publishing House, 2007.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 課堂實地習作參與度課堂實地習作參與度 In-depth participation in class |
33 | |
| 出席率出席率 Attendance rate |
33 | |
| 臨摹作品完成度與期末心得臨摹作品完成度與期末心得 Completeness of the imitation work and final experience |
34 | 期末心得分為兩種：1. 個人期末心得書寫、2. 18週學習歷程檔案，擇一繳交。 |
