本課程選擇閱讀古代文物的研究文獻，以瞭解古代文物的研究目的與方法，包括文物的觀察與描述、文字記錄的比對、不同時期同類文物的比對，特別著重文物的歷史意義，以及單獨作者的單一作品、或前後期的作品、或與其他作者的作品的關係的研究。每次上課先由事先指定的同學報告，接著由老師及全體同學一起討論。老師提供九篇文章，其中包含七篇中文的研究文獻，涵蓋青銅器、繪畫、書法、陶器、以及中國書畫鑑定，另有兩篇英文研究文獻，分別關於古希臘陶器以及西洋繪畫鑑定法。This course selects research literature on ancient cultural relics to understand the research purposes and methods of ancient cultural relics, including the observation and description of cultural relics, the comparison of written records, the comparison of the same cultural relics of different periods, and the special emphasis on the historical meaning of cultural relics, as well as the individual Research on the relationship between the author's single work, or previous and later works, or other author's works. Each time you attend a class, you will first report by a pre-designated student, and then discuss it by the teacher and all students. The teacher provides nine articles, including seven Chinese research papers, covering blue copperware, painting, book method, pottery, and Chinese calligraphy precepts, and two English research papers, which are about ancient Greek pottery and Western painting precepts.
1. 張光直，〈商周青銅器上的動物紋樣〉，《中國青銅時代》（香港：中文大學，1982）195-214.
2. 莊申，〈趙雍人馬圖卷考〉，《中國畫史研究》（台北：正中，民48）251-264.
3. 石守謙，〈風格、畫意與畫史重建──以傳董源《溪岸圖》為例的思考〉，《從風格到畫意》（台北：石頭，2010）89-118.
4. 朱惠良，〈論董其昌楷行草書風之發展〉，《無形之相》（台北：故宮，民105）114-121.
5. 謝明良，〈有關「官」和「新官」款白瓷官字涵義的幾個問題〉，《中國陶瓷史論集》（台北：允晨，2007）79-117.
6. 徐邦達，〈鑒別古書畫應注意的各點〉，《古書畫鑑定概論》（上海：人民美術，2000）17-53.
7. 徐邦達，〈作偽和誤定的實況〉，《古書畫鑑定概論》（上海：人民美術，2000）54-82.
8. D. C. Kurtz, ‘Beazley and the Connoisseurship of Greek Vases’, Greek Vases in the J. Paul Getty Museum, 2 (1985), 235-250.
9. Ffoulkes, C. J., ‘Morelli, Giovanni’, in The Encyclopaedia Britannica, a Dictionary of Arts, Sciences, Literature and General Information11, xviii (Cambridge, 1911), 830.
1. Zhang Guangzhi, "The Animal Patterns on the Shang and Zhou dynasties", "China's Qinggong Age" (Hong Kong: Chinese University, 1982) 195-214.
2. Zhuangshen, "Examination of Ma Pictures of Zhaoyong People", "Research on Chinese Painting History" (Taipei: Zhengzhong, Min 48) 251-264.
3. Shi Shouxiu, "Reconstruction of Style, Painting and Painting History--Thinking on the Example of Dong Yuan's "Street Bank Picture"", "From Style to Painting" (Taipei: Shitou, 2010) 89-118.
4. Zhu Huiliang, "The Development of Dong Qichang's Cartoons and Cursive Books", "Invisible Appearance" (Taipei: Old Palace, Nation 105) 114-121.
5. Xie Mingliang, "Several Questions on the Connotation of the White Porcelain Official Characters in the "Official" and "New Official" Parts", "Collection of History of Ceramics in China" (Taipei: Yunchen, 2007) 79-117.
6. Xu Bangda, "All points that should be paid attention to in ancient books", "Overview on the Precision of Ancient Books" (Shanghai: People's Arts, 2000) 17-53.
7. Xu Bangda, "The Reality of Writing and Misconception", "Overview of Ancient Books Precision" (Shanghai: People's Arts, 2000) 54-82.
8. D. C. Kurtz, ‘Beazley and the Connoisseurship of Greek Vases’, Greek Vases in the J. Paul Getty Museum, 2 (1985), 235-250.
9. Ffoulkes, C. J., ‘Morelli, Giovanni’, in The Encyclopaedia Britannica, a Dictionary of Arts, Sciences, Literature and General Information11, xviii (Cambridge, 1911), 830.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 課堂參與課堂參與 Class Participation |
30 | |
| 口頭報告口頭報告 Oral Report |
35 | |
| 書面報告書面報告 Written Report |
35 |
