本課程為培養劇本編寫能力的實作課程，將介紹劇本寫作的基本技巧、規則與方法，同時閱讀討論近當代各國的劇本創作，以了解劇本創作的潮流發展與風格特色，同時以於學期中完成一部劇本為目標，藉由創作實踐培養劇本寫作必須的觀察、想像與組織能力。
同時，注重寫作習慣的養成。如何將寫作的熱情和概念想法，轉化成具體的實踐方法，因台灣向來的教育使然，容易把創作視為靈感所至偶一為之的興趣，難以形成專業，這對創作發展極為不利。在學習歷程中，企圖透過循序漸進的課程安排，體會創作即生活、作品即態度，能主動且有系統地觀察、蒐集、累積寫作材料，並從而擬定、形成個人的寫作計畫，發展能夠持之以恆的寫作方式。
最後，以讀劇演出的方式，對本學期中所完成的劇作進行初步的演出執行，讓創作者了解自己的劇本被搬演的可能性，觀察作品的語言文字在劇場空間的視聽效果，並促進同世代間的寫作交流。

This course is a practical course to cultivate script writing ability. It will introduce the basic skills, rules and methods of script writing. At the same time, it will read and discuss script creation in modern and contemporary countries to understand the trend development and style characteristics of script creation. At the same time, with the goal of completing a script during the semester, it will cultivate the observation, imagination and organizational skills necessary for script writing through creative practice.
At the same time, focus on developing writing habits. How to transform the passion and conceptual ideas for writing into concrete practical methods? Due to the traditional education in Taiwan, it is easy to regard creation as an occasional interest inspired by inspiration, and it is difficult to form a professional. This is extremely detrimental to the development of creativity. During the learning process, we attempt to realize that creation is life and work is attitude through a step-by-step course arrangement, and we can actively and systematically observe, collect, and accumulate writing materials, and thereby formulate and form a personal writing plan, and develop a writing method that can be sustained.
Finally, a preliminary performance of the plays completed during this semester will be carried out through play reading and performance, allowing the creators to understand the possibility of their plays being performed, observe the audio-visual effects of the language and text of the works in the theater space, and promote writing exchanges between the same generation.

戲劇相關產業向來是文化創意產業中極其重要的一環；舉凡電影、電視、劇場、動畫，以及電玩等媒材，皆於當今社會中扮演著娛樂、教育大眾的重要角色，也因此營造出令人稱奇的龐大商機。本課程的設計，即以培訓編劇人才為目標；期能導引學生由點，而線，而面地循序漸進，清確掌握各類編劇的通則與細則。本課程的內容包括講解、實作、演講、發表等四大部份。「講解」一節主要由授課老師配合「戲劇賞析」一課，針對寫實性戲劇在舞台上的呈現要義，說明角色設計、情節鋪陳，以及主題營造等劇本編寫之重要面向。「實作」一節則要求學生於修課期間，配合授課進度蘊釀自己的角色和故事，並且在授課老師的督導下進行編寫和修改，最後完成一部可資演出的劇本。「演講」一節乃是由授課老師邀請國內知名編劇前來進行實質交流；一方面受邀者本身具有絕對豐富的編劇經驗可供學生參酌，再方面學生的作品也可透過第三者的眼光另獲評析。至於「發表」一節，則是將學生作品中較為優秀的幾部集結列印成冊，或可做為下一學期「戲劇製作」課中使用的材料。

Theater-related industries have always been an extremely important part of the cultural and creative industries; films, television, theater, animation, video games and other media play an important role in entertaining and educating the public in today's society, and thus create amazing and huge business opportunities. This course is designed with the goal of training screenwriting talents; it is expected to guide students step by step from point to line to surface, and clearly grasp the general and detailed rules of various types of screenwriting. The content of this course includes four parts: explanation, practice, speech, and presentation. The "Explanation" section mainly consists of the teacher cooperating with the "Drama Appreciation" lesson, focusing on the essentials of realistic drama presentation on the stage, explaining the important aspects of script writing such as character design, plot layout, and theme creation. The "Practice" section requires students to develop their own characters and stories according to the teaching progress during the course, and write and revise them under the supervision of the teacher, and finally complete a script that can be performed. In the "Lecture" section, the lecturer invites well-known domestic screenwriters to come for substantial exchanges. On the one hand, the invitees themselves have absolutely rich screenwriting experience for students to consider, and on the other hand, the students' works can also be evaluated through the perspective of a third party. As for the "Publishing" section, some of the more outstanding students' works are collected and printed into a book, which may be used as materials for the "Drama Production" class in the next semester.

（1） 平田織佐著，戴開成譯。《演劇入門》。台北：書林，2015。
（2） 陳弘洋等著。《阮劇團2105劇本農場劇作選III》。台北：遠景，2016。
（3） 坂元裕二著，詹慕如譯。《花束般的戀愛》。台北：光生出版，2022。
（4） 賴聲川。《賴聲川：劇場4》。台北：元尊文化，1999。
（5） 紀蔚然。《拉提琴》。台北：印刻，2012。
（6） 羅蘭．希梅芬尼等著，陳佾均等譯。《個人之夢：當代德國劇作選》。台北：書林，2012。

(1) Written by Hirata Orisa, translated by Dai Kaicheng. "Introduction to Acting". Taipei: Shulin, 2015.
(2) Chen Hongyang is waiting. "Selected Farm Plays from Ruan Troupe's 2105 Scripts III". Taipei: Vision, 2016.
(3) Written by Yuji Sakamoto, translated by Zhan Muru. "Love Like a Bouquet". Taipei: Guangsheng Publishing House, 2022.
(4) Lai Shengchuan. "Lai Shengchuan: Theater 4". Taipei: Yuan Zun Culture, 1999.
(5) Ji Weiran. "Playing the Violin". Taipei: Yin Ke, 2012.
(6) Roland． Ximefenni et al., translated by Chen Yijun et al. "Personal Dreams: Selected Contemporary German Plays." Taipei: Shulin, 2012.