1.探索文化創意策展視野
2.培養藝術跨域對話素養
3.掌握創作主題詮釋能力
4.擴充藝術創意形式思維
5.加強基礎設計規劃概念
6.建立工法素材研究能力1. Explore the vision of cultural and creative curation
2. Cultivate cross-domain dialogue literacy in art
3. Master the ability to interpret creative themes
4. Expand artistic creative form thinking
5. Strengthen basic design and planning concepts
6. Establish research capabilities on construction method materials
強化創作企劃與實作技術內涵--學習研討創作主題動機、規劃策展藍圖，掌握造型學、物概念、影像論等創作涵構；並將創作收整至展示技術實務面—學習展示合作時之對話能力，並帶入作品配置、展覽企劃等實務能力；針對輸印技術、媒體規劃、場域施作等製作層面多元加強。
Strengthen the technical connotation of creative planning and implementation - learn to discuss creative theme motivations, plan curatorial blueprints, master creative concepts such as modeling, object concepts, image theory, etc.; and integrate creation into the practical aspect of display technology - learn how to display cooperation dialogue skills, and bring into practical skills such as work configuration and exhibition planning; and diversified enhancements in production aspects such as printing technology, media planning, and site construction.
德意志工藝聯盟100年，謝靜怡編譯，臺灣工藝研發中心，2017
日本平面設計美學：關鍵人事物、超譯過去與未來的理念與案例，SendPoints編著，原點出版社，2019
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立體設計原理，王無邪著，雄獅圖書股份有限公司，1980
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攝影的哲學思考，Vilem Flusser 著，李文吉譯，台北：遠流，1994
布希亞著，洪凌譯，擬仿物與擬像，台北：時報，1998
Heinrich wolfflin 著，曾雅雲譯，藝術史的原則，雄獅美術，1987
Lakshmi Bhaskaran 著，羅雅萱譯，當代設計演化論-關鍵運動與經典風格的承先啟後，原點出版社，2008
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王受之著，世界现代设计史，中国青年出版社，2015
Sandu publishing, " Installation art now", Sandu publishing, 2013
Uta Grosenick, "Art Now", Taschen GmbH, 2008
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20 th Century”, Taschen, Germany
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000 Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, "Fresh Cream", Phaidon Press Inc., 2000
Andy Grundberg, "Crisis of the Real", Writings on Photography1974-1989, New York: Aperture, 1990
John Berger, "Way of Seeing", London: BBC and Penguin Books, 1972
Roland Barthes, "Camera Lucida", Trans. By R. Howard, New York: Farrar, Straus and Giroux , 1981
Martin Lister, "Introductory Essay", in Martin Lister (Ed.), The photographic image in digital culture, London: Routledge, 1995
ADP company, Links international, " Art of display：Cultural Shows", ADP company, Links international, 2010
Dalian University of Technology press, "In Culture and Commerce Event Stage Design " , Dalian University of Technology press, 2014
Artpower, "Spatial and Graphic Design for Event and Exhibition", Artpower, 2009 Mitsuo Katsui, "Graphic Design in Japan 2010, JAGDA", 2010
Edited and produced by viction:workshop, Material,
100 years of the Deutsche Crafts Alliance, compiled by Xie Jingyi, Taiwan Craft R&D Center, 2017
Japanese Graphic Design Aesthetics: Key People and Things, Concepts and Cases of Hyper-Translation Past and Future, edited by SendPoints, Origin Press, 2019
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Principles of Three-dimensional Design, by Wang Wuxie, Lion Books Co., Ltd., 1980
Evolution of Contemporary Design, written by Lakshmi Bhaskaran, translated by Luo Yaxuan, Origin Press, 2008
Pioneer of Modern Typography Design, written by Herbert Spencer, translated by Wang Yi, Shanghai People's Fine Arts Publishing House, 2006
The Possibility of an Art Museum, written by Namiki Seiji and Nakagawa Ri, translated by Cai Shirong, Collection Magazine Press
Japanese Design - Art, Aesthetics and Culture, by Patricia J. Graham, translated by Yin Yanxia, Hiking Cultural Enterprise
Postmodernism and Cultural Theory, written by Zhan Mingxin, translated by Tang Xiaobing, Hezhi Cultural Publishing House, 1989
Written by Wang Yuechuan, Postmodernist Cultural Studies, Taipei: Shuxin, 1993
Written by Zhan Mingxin, translated by Tang Xiaobing, Postmodernism and Cultural Theory, Taipei: Hezhi, 1989
Yan Zhongxian, Image Topography, Taipei: Wanxiang Books, 1996
Philosophical Reflections on Photography, by Vilem Flusser, translated by Li Wenji, Taipei: Yuanliu, 1994
Written by Busia, translated by Hong Ling, Mimetic Objects and Simulacra, Taipei: The Times, 1998
Written by Heinrich Wolfflin, translated by Zeng Yayun, Principles of Art History, Lion Art, 1987
Written by Lakshmi Bhaskaran, translated by Luo Yaxuan, Evolution of Contemporary Design - The Inheritance of Key Movements and Classic Styles, Origin Press, 2008
Curated by Winfried Neldinger, compiled by Xie Jingyi, 100 Years of the Deutsche Werkbund 1907/2007, German Cultural Center in Taipei, 2017
Written by Wang Shouzhi, History of Modern Design in the World, China Youth Publishing House, 2015
Sandu publishing, " Installation art now", Sandu publishing, 2013
Uta Grosenick, "Art Now", Taschen GmbH, 2008
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20th Century”, Taschen, Germany
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000 Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, "Fresh Cream", Phaidon Press Inc., 2000
Andy Grundberg, "Crisis of the Real", Writings on Photography1974-1989, New York: Aperture, 1990
John Berger, "Way of Seeing", London: BBC and Penguin Books, 1972
Roland Barthes, "Camera Lucida", Trans. By R. Howard, New York: Farrar, Straus and Giroux, 1981
Martin Lister, "Introductory Essay", in Martin Lister (Ed.), The photographic image in digital culture, London: Routledge, 1995
ADP company, Links international, "Art of display: Cultural Shows", ADP company, Links international, 2010
Dalian University of Technology press, "In Culture and Commerce Event Stage Design" , Dalian University of Technology press, 2014
Artpower, "Spatial and Graphic Design for Event and Exhibition", Artpower, 2009 Mitsuo Katsui, "Graphic Design in Japan 2010, JAGDA", 2010
Edited and produced by viction:workshop, Material,
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 期中作業期中作業 midterm assignment |
40 | |
| 期末作業期末作業 final assignment |
40 | |
| 出席率出席率 Attendance |
20 |
