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course information of 113 - 1 | 8432 Creativity and Exhibition Planning(創作與展示企劃)

8432 - 創作與展示企劃 Creativity and Exhibition Planning


教育目標 Course Target

1.探索文化創意策展視野 2.培養藝術跨域對話素養 3.掌握創作主題詮釋能力 4.擴充藝術創意形式思維 5.加強基礎設計規劃概念 6.建立工法素材研究能力1. Explore cultural and creative curatorial perspectives 2. Cultivate cross-domain dialogue literacy in art 3. Master the ability to interpret creative themes 4. Expand artistic and creative form thinking 5. Strengthen basic design and planning concepts 6. Establish research capabilities on construction method materials


課程概述 Course Description

強化創作企劃與實作技術內涵--學習研討創作主題動機、規劃策展藍圖,掌握造型學、物概念、影像論等創作涵構;並將創作收整至展示技術實務面—學習展示合作時之對話能力,並帶入作品配置、展覽企劃等實務能力;針對輸印技術、媒體規劃、場域施作等製作層面多元加強。
Strengthen the technical connotation of creative planning and implementation - learn to discuss creative theme motivations, plan curatorial blueprints, master creative concepts such as modeling, object concepts, image theory, etc.; and integrate creation into the practical aspect of display technology - learn how to display cooperation dialogue skills, and bring into practical skills such as work configuration and exhibition planning; and diversified enhancements in production aspects such as printing technology, media planning, and site construction.


參考書目 Reference Books

德意志工藝聯盟100年,謝靜怡編譯,臺灣工藝研發中心,2017
日本平面設計美學:關鍵人事物、超譯過去與未來的理念與案例,SendPoints編著,原點出版社,2019
平面設計的基礎,高橋正人著,曾劍峰譯,大陸書店,1987
立體設計原理,王無邪著,雄獅圖書股份有限公司,1980
當代設計演化論,拉克希米.巴斯卡藍著,羅雅萱譯,原點出版社,2008
現代版式設計先驅,赫伯特.斯潘塞著,王毅譯,上海人民美術出版社,2006
美術館的可能性,並木誠士、中川理著,蔡世蓉譯,典藏雜誌出版社
日本的設計-藝術、美學與文化,Patricia J. Graham著,銀豔俠譯,遠足文化事業
後現代主義與文化理論,詹明信著,唐小兵譯,合志文化事業出版,1989
王岳川著,後現代主義文化研究,台北:淑馨,1993
詹明信著,唐小兵譯,後現代主義與文化理論,台北:合志,1989
顏忠賢著,影像地誌學,台北:萬象圖書,1996
攝影的哲學思考,Vilem Flusser 著,李文吉譯,台北:遠流,1994
布希亞著,洪凌譯,擬仿物與擬像,台北:時報,1998
Heinrich wolfflin 著,曾雅雲譯,藝術史的原則,雄獅美術,1987
Lakshmi Bhaskaran 著,羅雅萱譯,當代設計演化論-關鍵運動與經典風格的承先啟後,原點出版社,2008
溫弗利德.內爾丁格 策展,謝靜怡 編譯,德意志工藝聯盟100年 1907/2007,臺北德國文化中心,2017
王受之著,世界现代设计史,中国青年出版社,2015

Sandu publishing, " Installation art now", Sandu publishing, 2013
Uta Grosenick, "Art Now", Taschen GmbH, 2008
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20 th Century”, Taschen, Germany
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000 Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, "Fresh Cream", Phaidon Press Inc., 2000
Andy Grundberg, "Crisis of the Real", Writings on Photography1974-1989, New York: Aperture, 1990
John Berger, "Way of Seeing", London: BBC and Penguin Books, 1972
Roland Barthes, "Camera Lucida", Trans. By R. Howard, New York: Farrar, Straus and Giroux , 1981
Martin Lister, "Introductory Essay", in Martin Lister (Ed.), The photographic image in digital culture, London: Routledge, 1995
ADP company, Links international, " Art of display:Cultural Shows", ADP company, Links international, 2010
Dalian University of Technology press, "In Culture and Commerce Event Stage Design " , Dalian University of Technology press, 2014
Artpower, "Spatial and Graphic Design for Event and Exhibition", Artpower, 2009 Mitsuo Katsui, "Graphic Design in Japan 2010, JAGDA", 2010
Edited and produced by viction:workshop, Material,
100 years of the Deutsche Crafts Alliance, compiled by Xie Jingyi, Taiwan Craft R&D Center, 2017
Japanese Graphic Design Aesthetics: Key People and Things, Concepts and Cases of Hyper-Translation Past and Future, edited by SendPoints, Origin Press, 2019
The Foundation of Graphic Design, written by Masato Takahashi, translated by Zeng Jianfeng, Continental Bookstore, 1987
Principles of Three-dimensional Design, by Wang Wuxie, Lion Books Co., Ltd., 1980
Evolution of Contemporary Design, written by Lakshmi Bhaskaran, translated by Luo Yaxuan, Origin Press, 2008
Pioneer of Modern Typography Design, written by Herbert Spencer, translated by Wang Yi, Shanghai People's Fine Arts Publishing House, 2006
The Possibility of an Art Museum, written by Namiki Seiji and Nakagawa Ri, translated by Cai Shirong, Collection Magazine Press
Japanese Design - Art, Aesthetics and Culture, written by Patricia J. Graham, translated by Yin Yanxia, ​​Hiking Cultural Enterprise
Postmodernism and Cultural Theory, written by Zhan Mingxin, translated by Tang Xiaobing, Hezhi Cultural Publishing House, 1989
Written by Wang Yuechuan, Postmodernist Cultural Studies, Taipei: Shuxin, 1993
Written by Zhan Mingxin, translated by Tang Xiaobing, Postmodernism and Cultural Theory, Taipei: Hezhi, 1989
Yan Zhongxian, Image Topography, Taipei: Wanxiang Books, 1996
Philosophical Reflections on Photography, by Vilem Flusser, translated by Li Wenji, Taipei: Yuanliu, 1994
Written by Busia, translated by Hong Ling, Mimetic Objects and Simulacra, Taipei: The Times, 1998
Written by Heinrich Wolfflin, translated by Zeng Yayun, Principles of Art History, Lion Art, 1987
Written by Lakshmi Bhaskaran, translated by Luo Yaxuan, The Evolution of Contemporary Design - The Inheritance of Key Movements and Classic Styles, Origin Press, 2008
Curated by Winfried Neldinger, compiled by Xie Jingyi, 100 Years of the Deutsche Werkbund 1907/2007, German Cultural Center in Taipei, 2017
Written by Wang Shouzhi, World Modern Design History, China Youth Publishing House, 2015

Sandu publishing, " Installation art now", Sandu publishing, 2013
Uta Grosenick, "Art Now", Taschen GmbH, 2008
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20th Century”, Taschen, Germany
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000 Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, "Fresh Cream", Phaidon Press Inc., 2000
Andy Grundberg, "Crisis of the Real", Writings on Photography1974-1989, New York: Aperture, 1990
John Berger, "Way of Seeing", London: BBC and Penguin Books, 1972
Roland Barthes, "Camera Lucida", Trans. By R. Howard, New York: Farrar, Straus and Giroux, 1981
Martin Lister, "Introductory Essay", in Martin Lister (Ed.), The photographic image in digital culture, London: Routledge, 1995
ADP company, Links international, "Art of display: Cultural Shows", ADP company, Links international, 2010
Dalian University of Technology press, "In Culture and Commerce Event Stage Design" , Dalian University of Technology press, 2014
Artpower, "Spatial and Graphic Design for Event and Exhibition", Artpower, 2009 Mitsuo Katsui, "Graphic Design in Japan 2010, JAGDA", 2010
Edited and produced by viction:workshop, Material,


評分方式 Grading

評分項目 Grading Method 配分比例 Grading percentage 說明 Description
期中作業期中作業
midterm assignment
40
期末作業期末作業
final assignment
40
出席率出席率
Attendance
20

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Course Information

Description

學分 Credit:1-0
上課時間 Course Time:Wednesday/10,11[FA208]
授課教師 Teacher:劉孟晉
修課班級 Class:進美術系3,4
選課備註 Memo:不開放推廣部附讀。
授課大綱 Course Plan: Open

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