1.以藝術設計連結、拓寬創作議題想像、與形式探索
2.連結藝術與設計之史觀脈絡
3.嘗試從抽象形構演繹角度,切入平面及立體設計學習
4.以設計實作方法,擴張藝術創作向度、與操作內涵
5.探討設計的功能性、感知溝通形式、及操作思考
6.研究藝術與設計對接,助益藝術跨領域綜合型態創作
7.進入到有關社會之關聯性中,拓展公共性思考與藝術應用策畫1. Use art and design to connect, broaden the imagination of creative topics, and explore forms
2. Connect the historical context of art and design
3. Try to study two-dimensional and three-dimensional design from the perspective of abstract form interpretation.
4. Use design and implementation methods to expand the dimension and operational connotation of artistic creation
5. Discuss the functionality of design, form of perception and communication, and operational thinking
6. Research the connection between art and design to facilitate cross-field comprehensive art creation.
7. Enter into the relevance of society and expand public thinking and artistic application planning
藉由介紹、縱覽及嘗試各領域的設計概念,輔助強化藝術的跨領域認識及公共概念思考;多層面探討、並體驗藝術與設計的交匯可能。
By introducing, overviewing and trying out design concepts in various fields, it helps to strengthen the cross-field understanding of art and public conceptual thinking; it also explores and experiences the possible intersection of art and design at multiple levels.
Sandu publishing, " Installation art now", Sandu publishing, 2013
Uta Grosenick, "Art Now", Taschen GmbH, 2008
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20 th Century”, Taschen, Germany
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000 Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, "Fresh Cream", Phaidon Press Inc., 2000
Andy Grundberg, "Crisis of the Real", Writings on Photography1974-1989, New York: Aperture, 1990
John Berger, "Way of Seeing", London: BBC and Penguin Books, 1972
Roland Barthes, "Camera Lucida", Trans. By R. Howard, New York: Farrar, Straus and Giroux , 1981
Martin Lister, "Introductory Essay", in Martin Lister (Ed.), The photographic image in digital culture, London: Routledge, 1995
ADP company, Links international, " Art of display:Cultural Shows", ADP company, Links international, 2010
Dalian University of Technology press, "In Culture and Commerce Event Stage Design " , Dalian University of Technology press, 2014
Artpower, "Spatial and Graphic Design for Event and Exhibition", Artpower, 2009 Mitsuo Katsui, "Graphic Design in Japan 2010, JAGDA", 2010
美術館的可能性,並木誠士、中川理著,蔡世蓉譯,典藏雜誌出版社
日本的設計-藝術、美學與文化,Patricia J. Graham著,銀豔俠譯,遠足文化事業
後現代主義與文化理論,詹明信著,唐小兵譯,合志文化事業出版,1989
王岳川著,後現代主義文化研究,台北:淑馨,1993
詹明信著,唐小兵譯,後現代主義與文化理論,台北:合志,1989
顏忠賢著,影像地誌學,台北:萬象圖書,1996
攝影的哲學思考,Vilem Flusser 著,李文吉譯,台北:遠流,1994
布希亞著,洪凌譯,擬仿物與擬像,台北:時報,1998
Heinrich wolfflin 著,曾雅雲譯,藝術史的原則,雄獅美術,1987
Lakshmi Bhaskaran 著,羅雅萱譯,當代設計演化論-關鍵運動與經典風格的承先啟後,原點出版社,2008
溫弗利德.內爾丁格 策展,謝靜怡 編譯,德意志工藝聯盟100年 1907/2007,臺北德國文化中心,2017
王受之著,世界现代设计史,中国青年出版社,2015
Edited and produced by viction:workshop, Material, viction:workshop ltd. , 2007
viction:workshop ltd., Installation Art Now, viction:workshop ltd., 2007
Sandu publishing, " Installation art now", Sandu publishing, 2013
Uta Grosenick, "Art Now", Taschen GmbH, 2008
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20th Century”, Taschen, Germany
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000 Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, "Fresh Cream", Phaidon Press Inc., 2000
Andy Grundberg, "Crisis of the Real", Writings on Photography1974-1989, New York: Aperture, 1990
John Berger, "Way of Seeing", London: BBC and Penguin Books, 1972
Roland Barthes, "Camera Lucida", Trans. By R. Howard, New York: Farrar, Straus and Giroux, 1981
Martin Lister, "Introductory Essay", in Martin Lister (Ed.), The photographic image in digital culture, London: Routledge, 1995
ADP company, Links international, "Art of display: Cultural Shows", ADP company, Links international, 2010
Dalian University of Technology press, "In Culture and Commerce Event Stage Design" , Dalian University of Technology press, 2014
Artpower, "Spatial and Graphic Design for Event and Exhibition", Artpower, 2009 Mitsuo Katsui, "Graphic Design in Japan 2010, JAGDA", 2010
The Possibility of an Art Museum, written by Namiki Seiji and Nakagawa Ri, translated by Cai Shirong, Collection Magazine Press
Japanese Design - Art, Aesthetics and Culture, by Patricia J. Graham, translated by Yin Yanxia, Hiking Cultural Enterprise
Postmodernism and Cultural Theory, written by Zhan Mingxin, translated by Tang Xiaobing, Hezhi Cultural Publishing House, 1989
Written by Wang Yuechuan, Postmodernist Cultural Studies, Taipei: Shuxin, 1993
Written by Zhan Mingxin, translated by Tang Xiaobing, Postmodernism and Cultural Theory, Taipei: Hezhi, 1989
Yan Zhongxian, Image Topography, Taipei: Wanxiang Books, 1996
Philosophical Reflections on Photography, by Vilem Flusser, translated by Li Wenji, Taipei: Yuanliu, 1994
Written by Busia, translated by Hong Ling, Mimetic Objects and Simulacra, Taipei: The Times, 1998
Written by Heinrich Wolfflin, translated by Zeng Yayun, Principles of Art History, Lion Art, 1987
Written by Lakshmi Bhaskaran, translated by Luo Yaxuan, Evolution of Contemporary Design - The Inheritance of Key Movements and Classic Styles, Origin Press, 2008
Curated by Winfried Neldinger, compiled by Xie Jingyi, 100 Years of the Deutsche Werkbund 1907/2007, German Cultural Center in Taipei, 2017
Written by Wang Shouzhi, History of Modern Design in the World, China Youth Publishing House, 2015
Edited and produced by viction:workshop, Material, viction:workshop ltd. , 2007
viction:workshop ltd., Installation Art Now, viction:workshop ltd., 2007
評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
---|---|---|
期中作業期中作業 midterm assignment |
40 | |
期末作業期末作業 final assignment |
40 | |
出席率出席率 Attendance |
20 |