1.對指定碑帖進行臨摹練習，以掌握書法之基本技法，進而達到初步自運之能力。
2.藉由對不同書體的筆法線條、結字架構、章法佈局之分析比較，乃至學員作品之相互觀摩與討論，以提升基本的鑑賞能力。
3.簡介相關的書法史脈絡，對各字體、書體、書風之源流發展有所認知。
4.通過對書法的親身體驗與學習，增進個人的人文涵養，以豐富自身的創作與審美資源。1. Carry out copying exercises on designated inscriptions to master the basic techniques of calligraphy, and then achieve the initial ability to calligraphy.
2. Through the analysis and comparison of the brushwork and lines, word structure, and composition layout of different calligraphy styles, as well as mutual observation and discussion of students' works, to improve basic appreciation skills.
3. Introduce the relevant history of calligraphy, and gain some understanding of the origin and development of each font, calligraphy style, and calligraphy style.
4. Through personal experience and learning of calligraphy, enhance personal humanistic accomplishment and enrich one's own creative and aesthetic resources.
課程著重於各類書體的理解與書寫技能，並能透過基本的臨摹到各類書體的賞析，確立其基礎運用的要領。
The course focuses on the understanding and writing skills of various calligraphy styles, and can establish the essentials of their basic application through basic copying and appreciation of various calligraphy styles.
字帖：
《中國法書選》，東京：二玄社。
「中國歷代法書名碑原版放大折頁」系列，長沙：湖南美術出版社。
參考其他不同版本。
書史（論）、圖錄：
《中國美術全集•書法篆刻編》，北京：人民美術出版社，1989年。
《書道全集》，台北：大陸書店，1989年。
中國書法史編撰工作委員會編，《中國書法史》（2-4卷），南京：江蘇教育出版社，1999-2002年。
陳振濂，《書法史學教程》，杭州：中國美術學院出版社，1997年。
張光賓，《中華書法史》，台北：台灣商務印書館，1981年。
陳振濂，《線條的世界：中國書法文化史》，杭州：浙江大學出版社，2002年。
黃簡編，《歷代書法論文選》，上海：上海書畫出版社，1979年。
毛萬寶、黃君主編，《中國古代書論類編》，合肥：安徽教育出版社，2009年。
網路資源：
故宮書畫典藏資料檢索：http://painting.npm.gov.tw/
書法空間：http://www.9610.com/index.htm
Copybook:
"Selected Chinese Dharma Books", Tokyo: Fugensha.
"Enlarged foldout of the original version of Chinese Dharma books and tablets" series, Changsha: Hunan Fine Arts Publishing House.
See other versions.
Book history (discussions), catalogue:
"Complete Collection of Chinese Art: Calligraphy and Seal Engraving", Beijing: People's Fine Arts Publishing House, 1989.
"The Complete Works of Calligraphy", Taipei: Mainland Bookstore, 1989.
Edited by the Compilation Working Committee of the History of Chinese Calligraphy, "History of Chinese Calligraphy" (Volume 2-4), Nanjing: Jiangsu Education Press, 1999-2002.
Chen Zhenlian, "History of Calligraphy Tutorial", Hangzhou: China Academy of Art Press, 1997.
Zhang Guangbin, "History of Chinese Calligraphy", Taipei: Taiwan Commercial Press, 1981.
Chen Zhenlian, "The World of Lines: A Cultural History of Chinese Calligraphy", Hangzhou: Zhejiang University Press, 2002.
Huang Jianbian, "Selected Papers on Calligraphy of the Past Dynasties", Shanghai: Shanghai Painting and Calligraphy Publishing House, 1979.
Edited by Mao Wanbao and Huang Jun, "Ancient Chinese Calligraphy", Hefei: Anhui Education Press, 2009.
Internet resources:
Search the National Palace Museum’s calligraphy and painting collections: http://painting.npm.gov.tw/
Calligraphy space: http://www.9610.com/index.htm
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時作業平時作業 Daily homework |
30 | 缺交次數過多者，學期成績以不及格論。 |
| 期中、期末作業期中、期末作業 Midterm and final assignments |
50 | |
| 課堂表現課堂表現 Classroom performance |
20 | 無故缺席三次，學期成績以不及格論。 |
