本課程針對學生個別創作指導，激發其創作動機，並依據其所學導入相關理念與藝術家之研究，協助學生建立創作與檢視修正之實質能力，使具備進入藝術專業所需之相關觀念與技能。
This course provides students with individual creative guidance, stimulates their creative motivations, and introduces relevant concepts and artists' research based on what they have learned to help students establish substantive abilities in creation and review and revision, so that they can equip them with the relevant concepts and skills needed to enter the art major.
Sandu publishing, " Installation art now", Sandu publishing, 2013
Uta Grosenick, "Art Now", Taschen GmbH, 2008
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20 th Century”, Taschen, Germany
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000 Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, "Fresh Cream", Phaidon Press Inc., 2000
Andy Grundberg, "Crisis of the Real", Writings on Photography1974-1989, New York: Aperture, 1990
John Berger, "Way of Seeing", London: BBC and Penguin Books, 1972
Roland Barthes, "Camera Lucida", Trans. By R. Howard, New York: Farrar, Straus and Giroux , 1981
Martin Lister, "Introductory Essay", in Martin Lister (Ed.), The photographic image in digital culture, London: Routledge, 1995
ADP company, Links international, " Art of display：Cultural Shows", ADP company, Links international, 2010
Dalian University of Technology press, "In Culture and Commerce Event Stage Design " , Dalian University of Technology press, 2014
Artpower, "Spatial and Graphic Design for Event and Exhibition", Artpower, 2009 Mitsuo Katsui, "Graphic Design in Japan 2010, JAGDA", 2010
美術館的可能性，並木誠士、中川理著，蔡世蓉譯，典藏雜誌出版社
日本的設計-藝術、美學與文化，Patricia J. Graham著，銀豔俠譯，遠足文化事業
後現代主義與文化理論，詹明信著，唐小兵譯，合志文化事業出版，1989
王岳川著，後現代主義文化研究，台北：淑馨，1993
詹明信著，唐小兵譯，後現代主義與文化理論，台北：合志，1989
顏忠賢著，影像地誌學，台北：萬象圖書，1996
攝影的哲學思考，Vilem Flusser 著，李文吉譯，台北：遠流，1994
布希亞著，洪凌譯，擬仿物與擬像，台北：時報，1998
Sandu publishing, " Installation art now", Sandu publishing, 2013
Uta Grosenick, "Art Now", Taschen GmbH, 2008
Ruhrberg, Schneckenburger, Fricke, Honnef, “Art of the 20th Century”, Taschen, Germany
Jonathan Fineberg, "Art Since 1940- Strategies of Being", Prentice Hall, Inc., 2000 Barbara Maria Stafford, "Good Looking", Massachusetts Institute of Technology, 2000
Barbara Maria Stafford, "Body Criticism", MIT Press, Cambridge, 1994
Bice Curiger, "Fresh Cream", Phaidon Press Inc., 2000
Andy Grundberg, "Crisis of the Real", Writings on Photography1974-1989, New York: Aperture, 1990
John Berger, "Way of Seeing", London: BBC and Penguin Books, 1972
Roland Barthes, "Camera Lucida", Trans. By R. Howard, New York: Farrar, Straus and Giroux, 1981
Martin Lister, "Introductory Essay", in Martin Lister (Ed.), The photographic image in digital culture, London: Routledge, 1995
ADP company, Links international, "Art of display: Cultural Shows", ADP company, Links international, 2010
Dalian University of Technology press, "In Culture and Commerce Event Stage Design" , Dalian University of Technology press, 2014
Artpower, "Spatial and Graphic Design for Event and Exhibition", Artpower, 2009 Mitsuo Katsui, "Graphic Design in Japan 2010, JAGDA", 2010
The Possibility of an Art Museum, written by Namiki Seiji and Nakagawa Ri, translated by Cai Shirong, Collection Magazine Press
Japanese Design - Art, Aesthetics and Culture, by Patricia J. Graham, translated by Yin Yanxia, Hiking Cultural Enterprise
Postmodernism and Cultural Theory, written by Zhan Mingxin, translated by Tang Xiaobing, Hezhi Cultural Publishing House, 1989
Written by Wang Yuechuan, Postmodernist Cultural Studies, Taipei: Shuxin, 1993
Written by Zhan Mingxin, translated by Tang Xiaobing, Postmodernism and Cultural Theory, Taipei: Hezhi, 1989
Yan Zhongxian, Image Topography, Taipei: Wanxiang Books, 1996
Philosophical Reflections on Photography, by Vilem Flusser, translated by Li Wenji, Taipei: Yuanliu, 1994
Written by Busia, translated by Hong Ling, Mimetic Objects and Simulacra, Taipei: The Times, 1998
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 學習表現與作品進度學習表現與作品進度 Learning performance and work progress |
20 | 能依時程安排進行畢業製作的作品創作，確保作品進度與質量能達於標準 |
| 第一次「集體評圖」第一次「集體評圖」 The first "group review" |
40 | 準時出席評圖會議，並能展現完善的事前準備，展現穩定 |
| 第二次「集體評圖」第二次「集體評圖」 The second "group review" |
40 | 準時出席評圖會議，並能展現完善的事前準備，展現穩定 |
