建築設計的過程包含了多樣表現方法與多層次的意義，但在構成基本思想的過程中仍然依賴圖像及語言作為媒介。從圖像及語言到實際的建築空間發生了許多的思想轉換，本課程將從敘事的角度來探討如何整合表現思想的方法。敘事可以理解為透過空間與時間表現事物秩序的形式，也是將各部分組合成整體的架構方法。建築如果是一種思想的表達，就涉及如何構成敘事的問題。
■ ※課程目標及內涵 (Course Objectives and Contents) (限1950中文字)
建築設計的過程包含了多樣表現方法與多層次的意義，但在構成基本思想的過程中仍然依賴圖像及語言作為媒介。從圖像及語言到實際的建築空間發生了許多的思想轉換，本課程將從敘事的角度來探討如何整合表現思想的方法。敘事可以理解為透過空間與時間表現事物秩序的形式，也是將各部分組合成整體的架構方法。建築如果是一種思想的表達，就涉及如何構成敘事的問題。
課程首先將藉由哲學與藝術理論相關概念思考建築與敘事的關係。接著將從繪畫、漫畫、電影等不同藝術類型的基礎理論與文本分析，探討不同媒介對於空間、時間與事物秩序的思想表現。對面這些差異，同時也必須思考不同媒介的敘事架構與技術背後所蘊含的思想條件與限制，這些圖像關係的探討將作為建築敘事方法的思想參照。
本課程主要進行方式是對於文本的閱讀分析，透過書寫與圖像回應不同文本所面對的課題。同時也將配合大一建築設計課程進度，深化設計過程的思想整合。
The process of architectural design includes various expression methods and multiple levels of meaning, but it still relies on images and language as media in the process of forming basic ideas. Many ideological transformations have taken place from images and language to actual architectural spaces. This course will explore how to integrate methods of expressing ideas from a narrative perspective. Narrative can be understood as a form that expresses the order of things through space and time, and is also a structural method that combines various parts into a whole. If architecture is an expression of thought, it involves the question of how to form a narrative.
■ ※Course Objectives and Contents (limited to 1950 Chinese characters)
The process of architectural design includes various expression methods and multiple levels of meaning, but it still relies on images and language as media in the process of forming basic ideas. Many ideological transformations have taken place from images and language to actual architectural spaces. This course will explore how to integrate methods of expressing ideas from a narrative perspective. Narrative can be understood as a form that expresses the order of things through space and time, and is also a structural method that combines various parts into a whole. If architecture is an expression of thought, it involves the question of how to form a narrative.
The course will first consider the relationship between architecture and narrative through concepts related to philosophy and art theory. Next, we will analyze the basic theories and texts of different art types such as painting, comics, and movies, and explore the ideological expressions of space, time, and the order of things in different media. Faced with these differences, we must also consider the ideological conditions and limitations behind the narrative structures and technologies of different media. The discussion of these image relationships will serve as an ideological reference for architectural narrative methods.
The main method of this course is to read and analyze texts, and respond to the issues faced by different texts through writing and images. At the same time, it will also cooperate with the progress of the freshman architectural design course to deepen the ideological integration of the design process.
Sophia Psarra，Architecture and Narrative: The structure of space and cultural meaning in buildings, Routledge , 2009
Rowe, Colin，The Mathematics of the Ideal Villa and Other Essays，Mit Press，1987
Evans, Robin. Translations from Drawing to Building and Other Essays. The MIT Press, 1997
■※主要參考書籍/資料 (Textbooks and References) (教科書遵守智慧財產權觀念不得非法影印) (限4000字)
Sophia Psarra，Architecture and Narrative: The structure of space and cultural meaning in buildings, Routledge , 2009
Rowe, Colin，The Mathematics of the Ideal Villa and Other Essays，Mit Press，1987
Evans, Robin. Translations from Drawing to Building and Other Essays. The MIT Press, 1997
（《從繪圖到建築物的翻譯及其他文章》，劉東洋譯，中國建築工業出版社，2018）
Zevi, Bruno. Architecture as Space. How to Look at Architecture. Trans. by Milton Gendel. Da Capo Press. 1993. (Original work published 1948)
---. The modern language of architecture. Australian National University Press, 1978
（《如何看建築》，張似贊譯，田園城市文化，2001）
（《現代建築語言》，王虹等譯，中國建築工業出版社，2005）
Panofsky, Erwin. Perspective as Symbolic Form. Zone Books, 1991. (Original work published 1925)
Wölfflin, Heinrich. Principles of Art History: The Problem of the Development of Style in later Art. New York : Dover, 1950. (Original work published 1915)
（《美術史的基本概念：後期藝術風格發展的問題》，洪天富等譯，中國美術學院出版社，2015）
Gombrich, E. H. Art and Illusion : a Study in the Psychology of Pictorial Representation. London: Phaidon, 1984. (Original work published 1960)
---.The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. Oxford: Phaidon 1986
（《藝術與錯覺：圖畫再現的心理學研究》， 楊成凱等譯，廣西美術出版社，2012）
（《圖像與眼睛--圖畫再現心理學的再研究》， 范景中等譯，廣西美術出版社，2016）
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye. Univ of California Press, 1974. (Original work published 1954)
（《藝術與視知覺》，孟沛欣譯，湖南美術出版社，2008）
Paul Gravett，《日本漫畫60年》，連惠幸等譯，西遊記，2006
夏目房之介，《日本漫畫為什麼有趣？——表現和文法》，潘郁紅譯，新星，2012
大塚英志等，《漫畫講堂的世界之旅》，徐园譯，生活‧讀書‧新知三聯書店，2021
Eisenstein, Sergei M., “Montage and Architecture,” Assemblage, 10 (1989): 110-131.
S
Sophia Psarra, Architecture and Narrative: The structure of space and cultural meaning in buildings, Routledge, 2009
Rowe, Colin, The Mathematics of the Ideal Villa and Other Essays, Mit Press, 1987
Evans, Robin. Translations from Drawing to Building and Other Essays. The MIT Press, 1997
■※Main reference books/materials (Textbooks and References) (Textbooks comply with the concept of intellectual property rights and are not illegally photocopied) (limited to 4000 words)
Sophia Psarra, Architecture and Narrative: The structure of space and cultural meaning in buildings, Routledge, 2009
Rowe, Colin, The Mathematics of the Ideal Villa and Other Essays, Mit Press, 1987
Evans, Robin. Translations from Drawing to Building and Other Essays. The MIT Press, 1997
("Translation from Drawings to Buildings and Other Articles", translated by Liu Dongyang, China Construction Industry Press, 2018)
Zevi, Bruno. Architecture as Space. How to Look at Architecture. Trans. by Milton Gendel. Da Capo Press. 1993. (Original work published 1948)
---. The modern language of architecture. Australian National University Press, 1978
("How to See Architecture", translated by Zhang Sizan, Garden City Culture, 2001)
("Modern Architectural Language", translated by Wang Hong et al., China Construction Industry Press, 2005)
Panofsky, Erwin. Perspective as Symbolic Form. Zone Books, 1991. (Original work published 1925)
Wölfflin, Heinrich. Principles of Art History: The Problem of the Development of Style in later Art. New York : Dover, 1950. (Original work published 1915)
("Basic Concepts of Art History: Issues in the Development of Later Art Styles", translated by Hong Tianfu and others, China Academy of Art Press, 2015)
Gombrich, E. H. Art and Illusion : a Study in the Psychology of Pictorial Representation. London: Phaidon, 1984. (Original work published 1960)
---.The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. Oxford: Phaidon 1986
("Art and Illusion: A Psychological Study of Picture Representation", translated by Yang Chengkai and others, Guangxi Fine Arts Publishing House, 2012)
("Image and Eyes - Re-Study on the Psychology of Picture Representation", translated by Fan Jingzhong, Guangxi Fine Arts Publishing House, 2016)
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye. Univ of California Press, 1974. (Original work published 1954)
("Art and Visual Perception", translated by Meng Peixin, Hunan Fine Arts Publishing House, 2008)
Paul Gravett, "60 Years of Japanese Comics", translated by Lian Huiyuki and others, Journey to the West, 2006
Natsume Fusanosuke, "Why are Japanese comics interesting?" ——Expression and Grammar", translated by Pan Yuhong, Xinxing, 2012
Hideshi Otsuka and others, "The World Journey of Comic Lecture Hall", translated by Xu Yuan, Life ‧ Reading ‧ New Knowledge Sanlian Bookstore, 2021
Eisenstein, Sergei M., “Montage and Architecture,” Assemblage, 10 (1989): 110-131.
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| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 課堂參與課堂參與 class participation |
40 | |
| 期中報告期中報告 interim report |
30 | |
| 期末報告期末報告 Final report |
30 |
