透過課程安排，除了認識西方媒材的多樣化、完成課堂的主題創作、分享及討論，也透過展覽與藝術家介紹，引導獨立思考並發現自己的創作關懷與創作的實踐能力。
解析媒材與其與不同語彙的運用；課堂上將藉由展覽與不同階段的重要藝術家及其作品，來分析其表現手法與內涵，鼓勵學生從這些藝術家所對照的藝術思潮來探討媒材轉化的創作與技法。Through the course arrangement, in addition to understanding the diversity of Western media and completing class theme creation, sharing and discussion, we also guide independent thinking and discover our own creative care and practical ability through exhibitions and artist introductions.
Analyze the use of media and different vocabularies; the class will analyze their expression techniques and connotations through exhibitions and important artists and their works at different stages, and encourage students to explore the transformation of media from the artistic trends compared with these artists. Creation and technique.
本課程為創作實踐課程。以藝術單元主題式的引導，引入西方藝術媒材以及其脈絡和運用，加強學生在創作概念與媒材多樣性的發展，並期許學生加強在藝術方面的思辨能力。
This course is a creative practice course. With the theme-based guidance of the art unit, Western art media and its context and application are introduced to strengthen students' development of creative concepts and media diversity, and it is expected that students will strengthen their critical thinking ability in art.
1.John Berger（2005）。《觀看的方式》（吳莉君譯）。臺北市：麥田。
2.Eddie Wolfram 著/傅嘉琿 譯《拼貼藝術之歷史》/遠流出版，199２
3. Herschel Chipp，余珊珊譯，《現代藝術理論》台北: 遠流出版社，1996。
4. 高千惠 著，《叛逆的捉影- 當代藝術家的新迷思》；遠流圖書公司出版；2006。 ISBN 957325784-x。
5. Willy Rotzler著/吳瑪俐譯, 《物體藝術》遠流出版；1999。
6. 暮澤剛巳，當代藝術關鍵詞100，臺北：麥田Heinrich Wölfflin 著/曾雅雲 譯；《藝術史的原則》；雄獅圖書公司出版。
7. 陳傳興(1992)。《憂鬱文件》。台北市：雄獅
8. 《新編近代世界名畫全集 》光復書局
9. 貝蒂．艾德華著，張索娃譯，《像藝術家一樣反轉思考 》2005時報出版
10. 約翰 義庭 著/王秀雄 譯；《造形藝術的基礎》；大陸書店出版；1989
11. Anna Moszynska著/黃麗絹 譯；《抽象藝術》；遠流圖書公司出版； ISBN9573237806。
1. John Berger (2005). "Ways of Seeing" (translated by Wu Lijun). Taipei City: Wheatfield.
2. "The History of Collage Art" written by Eddie Wolfram/translated by Fu Jiahun/Yuanliu Publishing, 1992
3. Herschel Chipp, translated by Yu Shanshan, "Modern Art Theory" Taipei: Yuanliu Publishing House, 1996.
4. Gao Qianhui, "Rebellious Capturing Shadows - New Myths of Contemporary Artists"; published by Yuanliu Book Company; 2006. ISBN 957325784-x.
5. Written by Willy Rotzler/translated by Wu Mali, "Object Art" published by Yuanliu; 1999.
6. Gomi Kusawa, Contemporary Art Keywords 100, Taipei: Wheatfield, written by Heinrich Wölfflin/translated by Zeng Yayun; "Principles of Art History"; published by Lion Books.
7. Chen Chuanxing (1992). "Melancholy Files". Taipei City: Lion
8. "New Collection of Famous Paintings from the Modern World" Guangfu Bookstore
9. Betty. Written by Ed Hua, translated by Zhang Suowa, "Thinking Like an Artist", published by The Times in 2005
10. Written by John Yiting/Translated by Wang Xiuxiong; "The Foundation of Plastic Arts"; published by Continental Bookstore; 1989
11. Written by Anna Moszynska/Translated by Huang Lijuan; "Abstract Art"; published by Yuanliu Book Company; ISBN9573237806.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 期中主題創作作品期中主題創作作品 Midterm theme creative works |
50 | 含平日上課態度，期中主題創作作品（不可遲交）須於共評時提出討論 |
| 期末創作期末創作 Final creation |
50 | 含平日上課態度,, 期末報告繳交, 期末創作作品（不可遲交）須於共評時提出討論， 不可無故缺席超過1/3 扣考 |
