從十九世紀末的中國畫改革談起，貫串21世紀各種水墨畫派別生成的發展作為本課程的結構主軸。以西方現代繪畫對國畫/水墨畫變革的大時代影響及其時代背景之論說，建立學生對現代主義藝術發展之後在水墨運用的基本概念，進而理解水墨畫自古典轉至現代觀念、技法之遞演，並瞭解水墨畫系統的當代定位，奠定學生對水墨畫系統和膠彩畫 (東洋畫)系統的定位、發展、環境及前景的認知基礎。Starting from the reform of Chinese painting at the end of the 19th century, the development of various ink painting schools throughout the 21st century serves as the main structural axis of this course. Based on the discussion of the impact of Western modern painting on the transformation of traditional Chinese painting/ink painting and its historical background, students will be able to establish the basic concepts of the application of ink and wash after the development of modernist art, and then understand the evolution of ink and wash painting from classical to modern concepts and techniques. And understand the contemporary positioning of the ink painting system, laying the foundation for students' understanding of the positioning, development, environment and prospects of the ink painting system and the gelatin painting (oriental painting) system.
從十九世紀末的中國畫改革談起，貫串21世紀各種水墨畫派別生成的發展作為本課程的結構主軸。以西方現代繪畫對國畫/水墨畫變革的大時代影響及其時代背景之論說，建立學生對現代主義藝術發展之後在水墨運用的基本概念，進而理解水墨畫自古典轉至現代觀念、技法之遞演，並瞭解水墨畫系統的當代定位，奠定學生對水墨畫系統和膠彩畫 (東洋畫)系統的定位、發展、環境及前景的認知基礎。
Starting from the reform of Chinese painting at the end of the 19th century, the development of various ink painting schools throughout the 21st century serves as the main structural axis of this course. Based on the discussion of the impact of Western modern painting on the transformation of traditional Chinese painting/ink painting and its historical background, students will be able to establish the basic concepts of the application of ink and wash after the development of modernist art, and then understand the evolution of ink and wash painting from classical to modern concepts and techniques. And understand the contemporary positioning of the ink painting system, laying the foundation for students' understanding of the positioning, development, environment and prospects of the ink painting system and the gelatin painting (oriental painting) system.
一、徐復觀，〈中國藝術精神〉，學生。
二、俞崑，〈中國繪畫史〉，華正。
三、何懷碩編，〈近代中國美術論集〉全六冊，藝術家。
四、高木森，〈中國繪畫思想史〉，東大。
五、劉思量，〈中國美術思想新論〉，藝術家。
六、〈名家翰墨〉，翰墨軒。
七、李澤厚，〈美的歷程〉，三民出版
八、倪再沁，〈台灣美術的人文觀察〉，雄獅美術
九、倪再沁，〈水墨畫講〉，典藏藝術家庭
十、〈中國現代繪畫發展素描〉，台北市立美術館。
十一、〈中國巨匠美術周刊〉全100冊，錦繡。
1. Xu Fuguan, "The Spirit of Chinese Art", student.
2. Yu Kun, "History of Chinese Painting", Huazheng.
3. "Collection of Modern Chinese Art", six volumes, edited by He Huaishuo, artist.
4. Gao Musen, "History of Chinese Painting Thought", Tokyo University.
5. Liu Siliang, "New Theory of Chinese Art Thought", artist.
6. "Han Mo by Famous Artists", Han Mo Xuan.
7. Li Zehou, "The Journey of Beauty", Sanmin Publishing
8. Ni Zaiqin, "Humanistic Observation of Taiwan Art", Lion Art
9. Ni Zaiqin, "Lectures on Ink Painting", Collection Art Family
10. "Sketch of the Development of Modern Chinese Painting", Taipei Fine Arts Museum.
11. "China Masters Art Weekly", 100 volumes in total, beautiful.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時成績（上課狀況、出席率）平時成績（上課狀況、出席率） Daily results (class status, attendance rate) |
30 | 出席率，學習態度。 |
| 期中成績期中成績 Midterm results |
35 | 研究報告 |
| 期末成績期末成績 final grade |
35 | 期末報告 |
