從十九世紀末的中國畫改革談起，貫串21世紀各種水墨畫派別生成的發展作為本課程的結構主軸。以西方現代繪畫對國畫/水墨畫變革的大時代影響及其時代背景之論說，建立學生對現代主義藝術發展之後在水墨運用的基本概念，進而理解水墨畫自古典轉至現代觀念、技法之遞演，並瞭解水墨畫系統的當代定位，奠定學生對水墨畫系統和膠彩畫 (東洋畫)系統的定位、發展、環境及前景的認知基礎。Starting from the discussion of Chinese painting reform at the end of the 19th century, the development generated by various ink painting schools in the 21st century is the main structure of this course. Based on the great influence of Western modern painting on the transformation of Chinese painting/ink painting and its contemporary background, students establish the basic concepts of ink painting application after the development of modern theory art, and then understand the evolution of ink painting from classical to modern concepts and techniques, and understand the contemporary positioning of ink painting systems, laying the foundation for students to understand the positioning, development, environment and prospects of ink painting systems and gel painting (Dongyang Painting) systems.
從十九世紀末的中國畫改革談起，貫串21世紀各種水墨畫派別生成的發展作為本課程的結構主軸。以西方現代繪畫對國畫/水墨畫變革的大時代影響及其時代背景之論說，建立學生對現代主義藝術發展之後在水墨運用的基本概念，進而理解水墨畫自古典轉至現代觀念、技法之遞演，並瞭解水墨畫系統的當代定位，奠定學生對水墨畫系統和膠彩畫 (東洋畫)系統的定位、發展、環境及前景的認知基礎。
Starting from the discussion of Chinese painting reform at the end of the 19th century, the development generated by various ink painting schools in the 21st century is the main structure of this course. Based on the great influence of Western modern painting on the transformation of Chinese painting/ink painting and its contemporary background, students establish the basic concepts of ink painting application after the development of modern theory art, and then understand the evolution of ink painting from classical to modern concepts and techniques, and understand the contemporary positioning of ink painting systems, laying the foundation for students to understand the positioning, development, environment and prospects of ink painting systems and gel painting (Dongyang Painting) systems.
一、徐復觀，〈中國藝術精神〉，學生。
二、俞崑，〈中國繪畫史〉，華正。
三、何懷碩編，〈近代中國美術論集〉全六冊，藝術家。
四、高木森，〈中國繪畫思想史〉，東大。
五、劉思量，〈中國美術思想新論〉，藝術家。
六、〈名家翰墨〉，翰墨軒。
七、李澤厚，〈美的歷程〉，三民出版
八、倪再沁，〈台灣美術的人文觀察〉，雄獅美術
九、倪再沁，〈水墨畫講〉，典藏藝術家庭
十、〈中國現代繪畫發展素描〉，台北市立美術館。
十一、〈中國巨匠美術周刊〉全100冊，錦繡。
1. Xu Xie, "The Spirit of Chinese Art", student.
2. Yu Kun, "History of Chinese Paintings", Hua Zheng.
3. He Yingxiong, "Complete Collection of Modern Chinese Arts", is an artist.
4. Takagi Sen, "History of Chinese Painting Thought", Dongda University.
5. Liu Thinks, "New Discussion on Chinese Art Thoughts", artist.
6. "Famous artists' calligraphy and calligraphy and calligraphy and calligraphy and calligraphy.
7. Li Zehou, "The Journey of Beauty", published by Sanmin
8. Ni Zaiqin, "Humanistic View of Taiwan Aesthetics", Lion Aesthetics
9. Ni Zaiqin, "Ink Paintings", Collection Art Family
10. "Sketch of Modern Painting Development in China", Taipei City Art Museum.
11. "Chinese Masters' Art Weekly" has 100 books, and is a simplified book.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時成績（上課狀況、出席率）平時成績（上課狀況、出席率） Regular results (class status, attendance rate) |
30 | 出席率，學習態度。 |
| 期中成績期中成績 Midterm achievements |
35 | 研究報告 |
| 期末成績期末成績 Final results |
35 | 期末報告 |
