本課程將針對情節、人物與對話等編劇基本要素繼續進行探索實踐，透過閱讀、創作與討論，期許能養成構築劇本的視野與佈局能力。This course will continue to explore and practice the basic elements of screenwriting such as plot, characters and dialogue. Through reading, creation and discussion, it is expected to develop the vision and layout ability of constructing scripts.
平田織佐著，戴開成譯。《演劇入門》。台北：書林，2015 年。
野田高梧著，吳季倫譯。《劇本結構論》。台北：馬可孛羅，2018年。
鮑爾（David Ball）著，莊丹琪譯。《劇本筆記：讀劇必修的22堂課》。台北：五南，2017年。
契訶夫（Anton Chekhov）著，陳兆麟譯。《海鷗&萬尼亞舅舅》。台北：聯經，2001年。
麥基（Robert McKee）著，黃政淵等譯。《故事的解剖》。台北：漫遊者文化，2014年。
Written by Orisa Hirata and translated by Dai Kaicheng. "Introduction to Acting". Taipei: Shulin, 2015.
Written by Noda Takago and translated by Wu Jilun. "Theory of Script Structure". Taipei: Marco Polo, 2018.
Written by David Ball and translated by Zhuang Danqi. "Script Notes: 22 Required Lessons for Reading Plays". Taipei: Wunan, 2017.
Written by Anton Chekhov, translated by Chen Zhaolin. "Seagull & Uncle Vanya". Taipei: Lianjing, 2001.
Written by Robert McKee, translated by Huang Zhengyuan and others. "The Anatomy of a Story." Taipei: Wanderer Culture, 2014.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 課程出席課程出席 course attendance |
10 | |
| 課堂參與課堂參與 class participation |
20 | |
| 期中劇本期中劇本 midterm script |
35 |
