一、探討書、畫之間的表現與美學之異同。
二、書畫創作語言的異同：古典水墨造形語言和符號之回溯、延伸與表現。
三、水墨創作研究方法：寫生與創作材料的運用與表現、創作題材與表現方向的探討、創作潮流與本我的追尋。
四、水墨創作研究專題：水墨創作與圖像資料蒐集運用、現代與傳統的水墨創意轉換、水墨畫創作表現與分析。1. Discuss the similarities and differences in expression and aesthetics between calligraphy and painting.
2. Similarities and differences in the creative language of calligraphy and painting: the retrospect, extension and expression of the classical ink painting language and symbols.
3. Research methods of ink creation: the use and expression of sketching and creative materials, the discussion of creative themes and expression directions, the pursuit of creative trends and self.
4. Research topics on ink painting creation: collection and application of ink painting creation and image data, conversion of modern and traditional ink painting creativity, expression and analysis of ink painting creation.
1、方聞 著。《心印》。中國：上海書畫。2017。
2、巫鴻 著。《重屏》。中國：上海世紀。2009。
3、盧輔聖主編。《朵雲54集—關於筆墨的爭論》。上海：上海書畫。2001。
4、熊秉明 著。《中國書法理論體系》。臺北：雄獅美術。1999。
5、《離散的夢土：臺灣近當代水墨畫展》。宜蘭：宜蘭美術館。2016。
6、倪再沁 著。《水墨畫講：文人美學與當代水墨的世紀之辯》。臺北：典藏藝術家庭。2005。
7、高千惠 著。《出界--水墨空間的人間詩學：意識、物質、身體、文化、政治想像的時空旅誌》。臺北：典藏藝術家庭。2020。
8、劉素玉、張孟起 著《一個東西南北人：水墨現代化之父劉國松傳》。臺北：遠流。2019。
9、謝柏軻（美）著、柴夢原 譯。《中國畫之風格 媒材、技法與形式原理》。北京大學。2019。
1. Written by Fang Wen. "Heart Seal". China: Shanghai Painting and Calligraphy. 2017.
2. Written by Wu Hong. "Re-screen". China: Shanghai Century. 2009.
3. Editor-in-Chief Lu Fusheng. "Duoyun Episode 54 - Debate on Pen and Ink". Shanghai: Shanghai Painting and Calligraphy. 2001.
4. Written by Xiong Bingming. "Theoretical System of Chinese Calligraphy". Taipei: Lion Art. 1999.
5. "Discrete Dreamland: Taiwan Modern and Contemporary Ink Painting Exhibition". Yilan: Yilan Art Museum. 2016.
6. Written by Ni Zaiqin. "Lectures on Ink Painting: A Century-old Debate between Literati Aesthetics and Contemporary Ink Painting." Taipei: Collection Art Family. 2005.
7. Written by Gao Qianhui. "Out of Boundary - Human Poetics in Ink Space: A Journey Through Time and Space of Consciousness, Materiality, Body, Culture and Political Imagination". Taipei: Collection Art Family. 2020.
8. "A Man from the East, West, North and South: The Biography of Liu Guosong, the Father of Ink Modernization" by Liu Suyu and Zhang Mengqi. Taipei: Yuanliu. 2019.
9. Written by Xie Baike (American) and translated by Chai Mengyuan. "Style of Chinese Painting: Media, Techniques and Formal Principles". Peking University. 2019.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時上課與出席率平時上課與出席率 Usual class attendance and attendance rate |
30 | |
| 平時創作、期中與期末創作評圖平時創作、期中與期末創作評圖 Daily creation, midterm and final creation review |
70 | 每學期依議題至少完成二件作品 |
