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course information of 109 - 2 | 6920 Seminar: Installation(專題製作─空間裝置)

6920 - 專題製作─空間裝置 Seminar: Installation


教育目標 Course Target

1 裝置藝術的觀念及其表現形式與書寫空間的基本技巧 2 當代藝術創作媒材於空間運用之基本認知;學習仔空間中以單一、複合媒材組構作品與自我解析之能力。 3 促進學生對現當代裝置作品的認識,並培養學生對裝置形式、美學、及相關議題的分析及思辯能力。 ■ 課程內涵 (Course Contents) 解析裝置藝術語彙的運用,在各個時期面對不同的目的與條件,所呈現的樣貌;課堂上將藉由不同階段的重要藝術家及其作品,來分析其表現手法與內涵,並從這些案例來探討空間轉化的運用。此外,也將探討國際上藝術發展的趨勢及其時代意義,以近年國內、外國際展演等作品賞析為例,配合課程內容,從形式與思想觀念中讓學生對己身空間性的創作有所探討,解析其創作的內涵及爬梳脈絡,以擴大其創作能量。 1 The concept of installation art, its forms of expression and the basic techniques of writing space 2. Basic understanding of the use of media in contemporary art creation in space; learn the ability to use single and composite media to construct works and self-analyze in space. 3. Promote students' understanding of modern and contemporary installation works, and cultivate students' ability to analyze and think about installation form, aesthetics, and related issues. ■ Course Contents Analyze the use of installation art vocabulary and its appearance in the face of different purposes and conditions in various periods; the class will analyze its expression techniques and connotations through important artists and their works at different stages, and draw from these cases Let’s explore the application of spatial transformation. In addition, the trend of international art development and its significance of the times will also be discussed. Taking the appreciation of domestic and international exhibitions and other works in recent years as an example, in conjunction with the course content, students will have some ideas about their own spatial creation from the form and ideological concepts. Discuss, analyze the connotation of his creation and explore the context to expand his creative energy.


參考書目 Reference Books

陳傳興 著;憂鬱文件,台北: 雄獅美術 ,1900
侯宜人 著;《自然.空間.雕塑-現代雕塑透視》ISBN:9578510403│亞太圖書出版社
培德.布爾格 著;蔡佩君、徐明松譯/《前衛藝術理論》時報文化出版,1998
《現代藝術理論》Herschel Chipp,余珊珊譯,台北: 遠流出版社,1996。
《藝術介入空間》Catherine Grout 著 ;姚孟吟 譯/黃海鳴審訂;遠流出版,2002
《後現代的藝術現象》/陸蓉之 著/藝術家出版社,1990
《物體藝術》/Willy Rotzler 著 ; 吳瑪悧 譯/遠流出版,1991
《拼貼藝術之歷史》/Eddie Wolfram 著 ; 傅嘉琿 譯/遠流出版,1992
《自然空間雕塑》現代雕塑透視/侯宜人 著/亞太出版,1994
《波依斯傳》/海涅.史塔赫豪斯 著;吳瑪悧譯/藝術家出版社
《台灣裝置藝術》姚瑞中 著/木馬文化

N.de Oliveira, M.Petry, M,Archer, 1994, Installation Art, Thames and Hudson Ltd, Londres
Maurice Fréchuret, 1993, Le mou et ses formes: essai sur quelques catégories de la sculpture du XX e siècle, Ecole nationale supérieure des Beaux-Arts, Paris

Claire Bishop, Installation Art , Tate (August 1, 2010);ISBN 978-1854375186
《設計心理學》The Psychology of Everyday Things,Donald A. Norman 著,卓耀宗 譯, 2000,台北,遠流
佟景韓/易英 主編《造型藝術美學》;原出版者:春風文藝出版社、遼寧教育出版社;紅葉文化事業有限公司出版;台北;1995。ISBN 9578677634。
John Berger(1998)。《影像的閱讀》(劉惠媛譯)。台北市:遠流。(原著出版年:1980年)。
《塑造空間》三度空間設計的原動力Paul Zelanski and Mary Pat Fisher 著,陳淑珍 譯,2000,Shaping Space。台北:六合。
王林 著,《美術形態學》;亞太圖書公司出版;1993。ISBN9578510314。
王秀雄(1991)。美術心理學:創造.視覺與造形心理,修訂。台北市:北市美術館。ISBN:957-00-0331-6。
李長俊 譯(1985)。藝術與視覺心理學,版4。台北市:雄獅。Arnheim,R.(1976),Art and visual perception-a psychology of the creative eye.


Written by Chen Chuanxing; Documents of Melancholy, Taipei: Lion Art, 1900
Hou Yiren, "Nature." space. Sculpture-Perspective of Modern Sculpture》ISBN:9578510403│Asia Pacific Books Press
Pedagogy. Written by Bulger; translated by Cai Peijun and Xu Mingsong/"Avant-garde Art Theory" Times Culture Publishing, 1998
"Modern Art Theory" by Herschel Chipp, translated by Yu Shanshan, Taipei: Yuanliu Publishing House, 1996.
"Art Intervention Space" written by Catherine Grout; translated by Yao Mengyin/edited by Huang Haiming; Yuanliu Publishing, 2002
"Postmodern Art Phenomenon"/written by Lu Rongzhi/Artist Publishing House, 1990
"Object Art"/Written by Willy Rotzler; Translated by Wu Mali/Yuanliu Publishing, 1991
"The History of Collage Art"/written by Eddie Wolfram; translated by Fu Jiahun/Yuanliu Publishing, 1992
"Natural Space Sculpture" Perspective of Modern Sculpture/Hou Yiren/Asia Pacific Publishing, 1994
"The Biography of Beuys"/Heine. Written by Stachhaus; translated by Wu Mali/Artists Press
"Taiwan Installation Art" by Yao Ruizhong/Trojan Culture

N.de Oliveira, M.Petry, M.Archer, 1994, Installation Art, Thames and Hudson Ltd, Londres
Maurice Fréchuret, 1993, Le mou et ses formes: essai sur quelques catégories de la sculpture du XX e siècle, Ecole nationale supérieure des Beaux-Arts, Paris

Claire Bishop, Installation Art, Tate (August 1, 2010); ISBN 978-1854375186
"Design Psychology" The Psychology of Everyday Things, written by Donald A. Norman, translated by Zhuo Yaozong, 2000, Taipei, Yuanliu
Tong Jinghan/Yi Ying, editor-in-chief of "Aesthetics of Plastic Arts"; original publisher: Chunfeng Literature and Art Publishing House, Liaoning Education Press; published by Hongye Culture Co., Ltd.; Taipei; 1995. ISBN 9578677634.
John Berger(1998). "Reading of Images" (translated by Liu Huiyuan). Taipei City: Yuanliu. (Original publication year: 1980).
"Shaping Space" The driving force behind three-dimensional space design, written by Paul Zelanski and Mary Pat Fisher, translated by Chen Shuzhen, 2000, Shaping Space. Taipei: Liuhe.
Wang Lin, "Art Morphology"; published by Asia Pacific Book Company; 1993. ISBN9578510314.
Wang Xiuxiong (1991). Art Psychology: Creation. The Psychology of Vision and Form, revised. Taipei City: Taipei City Museum of Art. ISBN: 957-00-0331-6.
Translated by Li Changjun (1985). Art and Visual Psychology, ed. 4. Taipei City: Lion. Arnheim,R. (1976), Art and visual perception-a psychology of the creative eye.


評分方式 Grading

評分項目 Grading Method 配分比例 Grading percentage 說明 Description
平時成績平時成績
usual results
50 含平時與期中評圖成績, 課業準備、上課態度、專題討論、草稿、習作、模型、出席率及上課態度列入平時成績(無故缺課達3分之一以上者扣考)。
期末評圖期末評圖
Final review picture
50 自創作品(單件或系列),不得延交、補交,無重大原因無故未出席評圖者以0分計。

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Course Information

Description

學分 Credit:0-2
上課時間 Course Time:Friday/7,8[FA209]
授課教師 Teacher:張惠蘭
修課班級 Class:美術碩1,2
選課備註 Memo:不開放推廣部附讀。本課程隔週上課。
授課大綱 Course Plan: Open

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