一、藉由研究古今作品之表現形式及創作內涵，進行繪畫風格的討論賞析與實驗分析。
二、透過保存修復觀點與古典技法的實踐，深化作品表現技術與價值。
三、從個人作品實作與古今名家作品討論中，追求個人風格的建構。
四、透過小型實驗版及顏料製作實驗中，了解材料的特性，提升大件作品製作能力。1. By studying the expression forms and creative connotations of ancient and modern works, we conduct discussion and experimental analysis of painting styles.
2. Through preserving and revising views and classical techniques, deepen the performance of the works and value.
3. Pursuing the construction of personal style from the discussion of personal works and the works of famous masters of ancient and modern times.
4. Through small experimental versions and material production experiments, understand the characteristics of materials and improve the ability to produce large works.
分析膠彩創作表現形式與理念，並探究時代美學與架構，以引導創作者進行研究深度的啟發與藝術風格的建立。
Analyze the present forms and concepts of colour creation, and explore the aesthetics and structure of the times to guide the creators to innovate in-depth research and establish artistic styles.
一、《日本美術史》王秀雄著，國立歷史博物館。 二、《日本美術史話》李欽賢著，雄獅圖書股份有限公司。 三、《日本美術的近代光譜》李欽賢著，雄獅圖書股份有限公司。 四、《膠彩畫材料與技法》林功、箱崎睦昌著，廖瑞芬譯，藝術家出版社。 五、ARTISTS JAPAN ，同朋社。六、圖解日本畫用語事典，東京藝術大學大學院文化財保存學日本畫研究室，東京美術。
1. "History of Japanese Art" by Wang Xiuxiong, National History Museum. 2. "History of Japanese Art" by Li Yang, Lion Books Co., Ltd. 3. "Modern Illumination of Japanese Art" written by Li Yang, Xiong Lion Books Co., Ltd. 4. "Color Color Materials and Techniques" written by Lin Gong and Musaki Hakozaki, translated by Liao Ruifen, Artist Publishing House. 5. ARTISTS JAPAN, Tongpengshe. 6. Illustration of Japanese painting Scripture, Tokyo University of Arts, Japanese Painting Research Office, Cultural Finance Preservation School, Tokyo Arts.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 五十號以上膠彩作品三件五十號以上膠彩作品三件 Three works of glue color above No. 50 |
50 | |
| 技法臨摹、PPT報告技法臨摹、PPT報告 Technique imitation, PPT report |
30 | 臨摹作品一張（約10F）及臨摹報告ppt |
| 出席率出席率 Attendance rate |
20 |
