本課程以當代戲曲的創作、搬演以及整體發展與變化作為課程內容，期能透過劇本閱讀、劇場觀賞以及相關評論、研究論文的討論與分析，引領學生對於當代戲曲的創作情況有所理解，亦能進一步觀察這些討論對於傳統戲曲與當代劇場如何進行結合，以及新的審美標準如何建立與開展。藉由這些課程內容的安排，希望能培養學生鑑賞與評析當代戲曲的能力，一方面從古典戲曲史的知識基礎延伸至對於當代戲曲的發生狀況的理解，同時也能觀察到在現代劇場與西方思潮衝擊之下，當代戲曲所呈現的豐富樣貌以及各種跨領域與跨文化的對話。
This course takes the creation, performance, and overall development and changes of contemporary opera as the course content. It is expected to lead students to understand the creation situation of contemporary opera through script reading, theater viewing, and discussion and analysis of relevant reviews and research papers. We can further observe how these discussions combine traditional opera with contemporary theater, and how new aesthetic standards are established and developed. Through the arrangement of these course contents, we hope to cultivate students' ability to appreciate and analyze contemporary opera. On the one hand, it extends from the knowledge base of classical opera history to the understanding of the occurrence of contemporary opera. At the same time, we can also observe the relationship between modern theater and Western opera. Under the impact of ideological trends, contemporary opera has presented rich features and various cross-field and cross-cultural dialogues.
王安葵：《當代戲曲作家論》，北京：中國戲劇出版社，1989。
張庚主編：《當代中國戲曲》，北京：當代中國出版社， 1994。
高義龍、李曉主編 《中國戲曲現代戲史》，上海：上海文化出版社， 1999 。
王安祈：《台灣京劇五十年》 宜蘭：傳藝，2002。
王安祈：《當代戲曲》 台北：三民，2002。
傅 謹： 《新中國戲劇史：1949-2000》 長沙：湖南美術，2002。
傅 謹：《二十世紀中國戲劇的現代性與本土性》 台北：國家，2005。
王安祈：《為京劇表演體系發聲》 台北：國家出版社，2005。
余從、王安葵主編 《中國當代戲曲史》 北京：學苑，2005。
謝柏梁：《中國當代戲曲文學史》（第二版） 北京：高等教育，2006。
董健、胡星亮主編《中國當代戲劇史稿》 北京：中國戲劇，2008。
Wang Ankui: "On Contemporary Opera Writers", Beijing: China Drama Publishing House, 1989.
Zhang Geng, editor-in-chief: "Contemporary Chinese Opera", Beijing: Contemporary China Press, 1994.
"History of Modern Chinese Opera" edited by Gao Yilong and Li Xiao, Shanghai: Shanghai Culture Publishing House, 1999.
Wang Anqi: "Fifty Years of Peking Opera in Taiwan" Yilan: Chuanyi, 2002.
Wang Anqi: "Contemporary Opera" Taipei: Sanmin, 2002.
Fu Jin: "History of Drama in New China: 1949-2000" Changsha: Hunan Fine Arts, 2002.
Fu Jin: "Modernity and Locality in Chinese Drama in the Twentieth Century" Taipei: National, 2005.
Wang Anqi: "Voice for the Peking Opera Performance System" Taipei: National Publishing House, 2005.
"History of Contemporary Chinese Opera" edited by Yu Cong and Wang Ankui, Beijing: Xueyuan, 2005.
Xie Boliang: "History of Contemporary Chinese Opera Literature" (Second Edition) Beijing: Higher Education, 2006.
"History of Contemporary Chinese Drama" edited by Dong Jian and Hu Xingliang, Beijing: Chinese Drama, 2008.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 出席、討論與課堂口頭報告出席、討論與課堂口頭報告 Attendance, discussions and oral presentations in class |
50 | |
| 期末報告，劇評期末報告，劇評 Final report, drama review |
50 |
