這是一個影像掛帥的年代，電影取代了文字成為歷史的重要使者，甚至成為所謂詮釋權的主導者。影像可以是歷史的紀錄（紀錄片、新聞影片），也極可能成為意識形態的催化幫凶（例如納粹時期政治宣傳片、世界各國「主旋律」電影），有人以歷史的觀點來解析電影，有人則是以電影的角度來詮釋歷史，影像美學究竟可以如何與歷史研究做出連結？
「比較」是一種最基本的思考與批判，文學如是，電影亦然。從文字到影像，從本土到海外，從台灣到華語再到世界，從政治經濟分析到文本脈絡解讀，從政策、產製到發行策略甚至影展曝光，本課程擬打破傳統國族電影史系統性編年研究方式，透過不同時間、背景、產製脈絡的「泛華語」電影，藉以釐清電影、歷史和文化的複雜關係，進而探討歷史事件的影像建構方式；同時更自我省思，什麼是華語電影？華語電影的定位為何？它在台、港、中之間又有何種聯繫？在全球化合製當道的年代，所謂的華語電影，無論歷史上的、文化上的、美學上的、還是意識形態上的種種意義與存在價值，又是什麼？
這門課程將帶領你們一起尋找解答。採專題方式進行，課程中將播放多部影片片段（或是單一完整影片），搭配推薦書單，進行分析與討論（並藉此加強同學藉由PPT論述表達的能力）。台灣電影與中國、港澳、兼及馬華與泛華語電影互為穿插，透過不同族群華人在不同地域影像的呈現，去思索更大脈絡的真實歷史文化經驗與美學創作之間的複雜關係。期許透過不同影像間的相互辯證，培養學生對於歷史與真實的主體性省思。This is an era of image clutter, and film replaced texts as important messengers of history and even the leader of so-called verbal powers. Images can be historical records (records, news videos), and they can also become catalytic helping the ideology (such as Nazi political propaganda films and "main theme" films from all over the world). Some people analyze movies based on historical views, while others are To illustrate history from the perspective of movies, how can image aesthetics connect with historical research?
"Comparison" is a basic thinking and criticism, as is literature, and so is movies. From text to images, from local to overseas, from Taiwan to Chinese to the world, from political and economic analysis to text interpretation, from policy, production to distribution strategies and even film festival exposure, this course breaks the systematic nature of traditional national film history The editorial research method is to clarify the complex relationship between film, history and culture through different times, backgrounds, and production lines, and then explore the image construction methods of historical events; at the same time, it reflects on what Chinese is movie? What is the positioning of Chinese movies? What kind of connection does it have between Taiwan, Hong Kong and Central? In the era of global combined production, what are the so-called Chinese films, whether historical, cultural, aesthetic, or ideological and physical meanings and existential values?
This course will lead you to find answers together. It is carried out in a special way. During the course, multiple video clips (or a single complete video) will be played, combined with recommendations, and analyzed and discussed (and thus strengthen the ability of students to express through PPT). Taiwanese films interspersed with Chinese, Hong Kong and Macao, and Malaysian and pan-Chinese films. Through the presentation of images of Chinese people from different ethnic groups in different regions, they think about the complex relationship between a greater and more comprehensive real historical and cultural experience and aesthetic creation. It is expected that through mutual verification between different images, students' subjective reflection on history and reality can be cultivated.
參考書籍：
鄭樹森編。《文化批評與華語電影》。台北：麥田，1995。
Graeme Turner。《電影的社會實踐》。台北：遠流，1997。
盧非易。《台灣電影：政治、經濟、美學（1949-1994）》。台北：遠流，1998。
焦雄屏。《時代顯影--中西電影論述》。台北：遠流，1998。
葉月瑜編。《三地傳奇：華語電影二十年》。台北：電資館，1999。
《新中國電影五十年》。北京：北京廣播學院出版社，2000。
《香港電影八十年》。北京：北京廣播學院出版社，2000。
廖金鳳、卓伯棠、傅葆石、容世誠。《邵氏影視帝國—文化中國的想像》。台北：麥田，2003。
黃建業編。《跨世紀台灣電影實錄（1898-2000）》。台北：電資館，2005。
戴錦華。《性別中國》。台北：麥田，2006。
戴錦華。《霧中風景：中國電影文化1978-1998》。北京：北京大學，2006二版。
歐陽江河編。《中國獨立電影》。香港：Oxford，2007。
鍾寶賢。《香港百年光影》。北京：北京大學出版社，2007。
陳家樂、朱立。《無主之城—香港電影中的九七回歸與港人認同》。香港：天地，2008。
湯禎兆。《香港電影血與骨》。台北：書林，2008。
鄭秉泓。《台灣電影愛與死》。台北：書林，2010。
鄭秉泓。《台灣電影變幻時:尋找台灣魂》。台北：書林，2019。
李幼鸚鵡鵪鶉。《我深愛的雷奈、費里尼及其他》。台北：書林，2013。
彭麗君。《黃昏未晚—後九七香港電影》。香港：香港中文大學，2010。
Benedict Anderson。《想像的共同體》。台北：時報，2010新版。
張美君。《尋找香港電影的獨立景觀》。香港：三聯，2010。
厲震林。《電影的轉身—中國電影的現代化運動及其文化闡釋》。上海：文匯。2010
劉輝、傅葆石編。《香港的「中國」邵氏電影》。香港：OXFORD，2011。
朗天。《香港有我—主體性與香港電影》。香港：文化工房，2013。
史書美。《視覺與認同—跨太平洋華語語系表述．呈現》。台北：聯經，2013。
Reference books:
Edited by Zheng Shumo. "Cultural Criticism and Chinese Film". Taipei: Maitian, 1995.
Graeme Turner. "The Social Reality of Movie". Taipei: Far, 1997.
Lu Fei. "Taiwan Film: Politics, Economy, Aesthetics (1949-1994)". Taipei: Far, 1998.
Jiao Xiongping. "Movie of the Times-A Brief Description of Chinese and Western Films". Taipei: Far, 1998.
Edited by Ye Yueyu. "The Legend of Three Places: Twenty Years of Chinese Movie". Taipei: Electric Information Center, 1999.
"Fifty Years of New China Film". Beijing: Beijing Broadcasting Institute Press, 2000.
"Eighty Years of Hong Kong Film". Beijing: Beijing Broadcasting Institute Press, 2000.
Liao Jinfeng, Zhuo Botang, Fu Baoshi, and Rong Shicheng. "Shaw Brothers Film Empire - Imagination of Cultural China". Taipei: Maitian, 2003.
Huang Construction. "Intercentury Taiwan Film Record (1898-2000)". Taipei: Electric Information Center, 2005.
Wearing Hua. "Gender China". Taipei: Maitian, 2006.
Wearing Hua. "Scenery in the Fog: Chinese Film Culture 1978-1998". Beijing: Beijing University, 2006 second edition.
European and Yang Rivers. "Chinese Independent Film". Hong Kong: Oxford, 2007.
Baby. "Hong Kong's Centennial Light and Shadow". Beijing: Beijing University Press, 2007.
Chen Jiale and Zhu Li. "The City of Lordless - The 97th Episode in Hong Kong Movies and the Hong Kong People". Hong Kong: World, 2008.
Soup turquoise. "Hong Kong Movie Blood and Bone". Taipei: Shulin, 2008.
Zheng Binghong. "Taiwan Movie Love and Death". Taipei: Shulin, 2010.
Zheng Binghong. "Taiwan Movie Change: Looking for Taiwan's Soul". Taipei: Shulin, 2019.
Li Youzhu's croaker. "My Love of Rene, Fellini and Others". Taipei: Shulin, 2013.
Peng Lijun. "The Sunset is Not Late - Hong Kong Movie After 97". Hong Kong: Chinese University of Hong Kong, 2010.
Benedict Anderson. "The Common of Imagination". Taipei: Time, 2010 new version.
Zhang Meijun. "Looking for Independent Views of Hong Kong Movies". Hong Kong: Three Links, 2010.
The shaking forest. "The Revolving of Movies - Modernization of Chinese Movies and Its Cultural Scene". Shanghai: Literature and Communication. 2010
Edited by Liu Xu and Fu Baoshi. "Hong Kong's "China" Shaw Brothers Film". Hong Kong: OXFORD, 2011.
Langtian. "Hong Kong has me - The subjective sex and Hong Kong movies". Hong Kong: Cultural Workshop, 2013.
History and beauty. "Visual and Agreed" - Trans-Pacific Chinese Language Expression. Presented. Taipei: Union, 2013.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 團體PPT期中口頭報告團體PPT期中口頭報告 Group PPT midterm oral report |
40 | |
| 個人兩份紙本期末作業個人兩份紙本期末作業 Two personal papers end this period |
50 | |
| 課堂表現課堂表現 Classroom performance |
10 |
