一、對於楷、行、草各書體書寫技法運用的概述，並從運筆法則、入筆角度、傳移摹寫的運用與思審，引導學生認知書寫過程從單字間架到通幅行氣、佈局法則的權變關係。
二、課程中能培養書體風格演變、書法品評的知識及基礎的鑑賞能力，以體會書法之美。
三、課程進度區分如下：
A、以魏碑、唐楷為主軸，選擇重要書家書風之認識與臨習，以利自行創作運用。
B、透過對東晉二王及唐代孫過庭的學習，理解其影響隋代智永、唐宋元諸家行書風貌，並藉著臨習行草書與楷體間的速度變化，分析書風相互的表現與聯繫。1. An overview of the use of writing techniques in regular script, running script and cursive script, and guide students to understand the writing process from the frame between individual words to the movement of the whole frame, from the rules of writing, the angle of writing, and the application and reflection of transfer copying. Contingency relationship of layout rules.
2. The course can cultivate the knowledge of calligraphy style evolution, calligraphy evaluation and basic appreciation skills, so as to appreciate the beauty of calligraphy.
3. The course progress is divided as follows:
A. Taking Wei Stele and Tang Kai as the main axis, we select the understanding and practice of calligraphy styles of important calligraphers to facilitate our own creation and application.
B. Through studying the two kings of the Eastern Jin Dynasty and Sun Guoting of the Tang Dynasty, understand their influence on the calligraphy styles of Zhiyong in the Sui Dynasty, Tang, Song and Yuan Dynasties, and analyze the mutual expression and connection of calligraphy styles through the speed changes between cursive script and regular script in Linxi. .
課程著重於各類書體的理解與書寫技能，並能透過基本的臨摹到各類書體的賞析，確立其基礎運用的要領。
The course focuses on the understanding and writing skills of various calligraphy styles, and can establish the essentials of their basic application through basic copying and appreciation of various calligraphy styles.
1.《中國法書選》 東京：二玄社。
2.季崇建，《書法》。台北：渡假出版社，1995。
3.隋•智永，《真草千字文》。中國歷代法書名碑原版放大折頁系列。湖南美術出版。
4.唐•歐陽詢，《九成宮醴泉銘》。中國歷代法書名碑原版放大折頁系列。湖南美術出版。
5.陳振濂 《線條的世界》 杭州：浙江大學出版社 2002。
6.《中國美術全集 書法篇》 台北：錦繡出版 1986。
7.邱振中 《書法藝術與鑑賞》 台北：亞太 1995。
8.國立故宮博物院編 《故宮歷代法書全集》 台北：國立故宮博物院出版。
9.《書跡名品叢刊》 東京：二玄社。
10.課程講義影印資料：楷、行、草體等主要書法典型。
1. "Selected Chinese Dharma Books" Tokyo: Ergensha.
2. Ji Chongjian, "Calligraphy". Taipei: Holiday Publishing House, 1995.
3. Sui Zhiyong, "Zhencao Thousand Character Essay". A series of enlarged foldouts of the original version of famous Chinese Dharma books and tablets. Hunan Fine Arts Publishing.
4. Tang Dynasty Ouyang Xun, "Jiucheng Palace Liquan Inscription". A series of enlarged foldouts of the original version of famous Chinese Dharma books and tablets. Hunan Fine Arts Publishing.
5. Chen Zhenlian "The World of Lines" Hangzhou: Zhejiang University Press 2002.
6. "The Complete Collection of Chinese Art: Calligraphy" Taipei: Jinxiu Publishing, 1986.
7. Qiu Zhenzhong "Calligraphy Art and Appreciation" Taipei: Asia Pacific 1995.
8. Compiled by the National Palace Museum, "The Complete Works of the Forbidden City's Dharma Books of the Past Dynasties" Taipei: Published by the National Palace Museum.
9. "Famous Calligraphy Series" Tokyo: Nigensha.
10. Photocopies of course handouts: main calligraphy models such as regular script, running script, and cursive script.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 期中考作業期中考作業 Midterm exam homework |
25 | 《九成宮醴泉銘》或《孔子廟堂碑》全本一通 |
| 課程平時指定練習作業課程平時指定練習作業 Assigned exercises for the course |
20 | 每週指定練習作業臨書，或其他指定內容作品 |
| 期末考作業期末考作業 Final exam homework |
25 | 《真草千字文》、《前、後赤壁賦》或《書譜》各一通 |
| 出席率與課程參與度出席率與課程參與度 Attendance and course participation |
30 | 無故缺席3次者按規定扣考。缺席數達全學期上課時數1/3﹝6次缺席﹞者按規定扣考。 |
