了解膠彩具有的傳統意義及媒材之原始性，以認知的製程、知識，與孰悉媒材作為基礎，加以當代文化之個人經驗，從中建立符合現代的表現方式。
原始的材料，如何延續及展現當代之表現性，是透過媒材選擇、演練實作，達到控制及穩定性，媒材的使用可加強作品的語意；藉由過程來呼應個人思考，並從中建立創作邏輯，從習作的演練，思考製作與創作之重要性。Understand the traditional meaning and the originality of media, use knowledge, knowledge and knowledge as the basis, and personal experience of contemporary culture to establish a modern expression from it.
How original materials continue and show the contemporary expression is through media selection and practice, achieving control and stability, and the use of media can enhance the meaning of the work; through the process, we call for personal thinking and establish it from the process. Creative logic, from the practice of writing, thinking about the importance of production and creation.
課程著重於膠彩媒材的廣泛應用，藉由介紹各種技法與素材的交互配合及演練，開發並擴充膠彩創作的領域。
The course focuses on the wide application of color media, and uses the interaction and performance of various techniques and materials to develop and expand the field of color creation.
1、膠彩畫材料與技法,林功、箱崎沐昌著,廖瑞芬譯。藝術家出版社。
2、新視界東方媒材之跨領域整合研究計畫教材彙編－東海大學美術系。
3、日本畫用語事典,東京藝術大學大學院文化財保存學日本畫研究室編,東京美術。
4、日本画画材と技法の秘伝集,小川幸治編,日貿出版社。
5、日本畫畫冊、作品集。
1. Coated color painting materials and techniques, written by Lin Gong, Hakozaki Muchang, and translated by Liao Ruifen. Artist Publishing House.
2. Editor of the cross-domain integration research and planning textbook of the new video industry-Donghai University Art Department.
3. Japanese painting Scripture, compiled by the Japanese Painting Research Office of the Cultural Finance Preservation School of Tokyo University of Art, Tokyo Art.
4. Collection of secrets of Japanese painting materials and techniques, edited by Yukio Ogawa, Japanese Publishing House.
5. Japanese paintings and works.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 出席率與學習狀況出席率與學習狀況 Attendance and learning status |
20 | |
| 期中評鑑期中評鑑 Midterm reviews |
40 | 三號實驗版(四塊)、3-10號完整作品一件。 |
| 期末評鑑期末評鑑 Final review |
40 | 紙本40號作品 |
