每次上課，介紹一至二件經典作品，引領學生進入古代書畫的世界。除了作品本身的風格分析外，也將對孕育作品的社會背景、文化歷史脈絡、美學思潮等進行探討。
圖像寓意、題跋與詩歌、相關典故，以及畫論文獻，將是我們解讀作品時的重要參照。
有鑑於這些作品本身所承載的思想，本課程不僅止於單純的欣賞，亦將同步提出值得進一步討論的議題，供學生進行反思。
In each class, one or two classic works will be introduced to lead students into the world of ancient calligraphy and painting. In addition to the stylistic analysis of the work itself, the social background, cultural and historical context, aesthetic trends, etc. that gave rise to the work will also be discussed.
The meaning of the image, the inscriptions and poems, the relevant allusions, and the painting theory documents will be important references when we interpret the works.
In view of the ideas contained in these works themselves, this course goes beyond simple appreciation, and will also raise issues worthy of further discussion for students to reflect on.
何慕文（Maxwell K.Hearn）著，石靜譯：《如何讀中國畫：大都會藝術博物館藏中國書畫精品導覽》，北京：北京大學出版社，2015年。
羅覃（Thomas Lawton）著，洪凱倫等譯：《畫中人：佛利爾的59幅中國人物畫》，上海：上海書畫出版社，2017年。
石守謙等：《中國古代繪畫名品》，台北：雄獅美術，1900年。
宮崎法子：《中國繪畫的深意：圖說山水花鳥畫一千年》，長沙：湖南文藝出版社，2019年。
方聞著，李維琨譯：《超越再現：8世紀至14世紀中國書畫》，杭州：浙江大學出版社，2011年。
方聞著，李維琨譯：《心印：中國書畫風格與結構分析研究》，上海：上海書畫出版社，2017年。
石守謙：《從風格到畫意：反思中國美術史》，台北：石頭出版社，2010年。
卜壽珊（Susan Bush）著，皮佳佳譯：《心畫：中國文人畫五百年》，北京：北京大學出版社，2017年。
楊新等著：《中國繪畫三千年》，台北：聯經，1999年。
高居翰（James Cahill）著，李渝譯：《中國繪畫史》，台北：雄獅圖書公司，1984年。
Written by Maxwell K. Hearn, translated by Shi Jing: "How to Read Chinese Paintings: A Guide to the Collection of Fine Chinese Paintings and Calligraphy at the Metropolitan Museum of Art", Beijing: Peking University Press, 2015.
Written by Thomas Lawton, translated by Hong Kailun and others: "People in Paintings: 59 Chinese Figure Paintings by Friel", Shanghai: Shanghai Painting and Calligraphy Publishing House, 2017.
Shi Shouqian and others: "Famous Ancient Chinese Paintings", Taipei: Lion Art, 1900.
Noriko Miyazaki: "The Deep Meaning of Chinese Painting: A Thousand Years of Landscape, Flower and Bird Paintings", Changsha: Hunan Literature and Art Publishing House, 2019.
Written by Fang Wen, translated by Li Weikun: "Beyond Representation: Chinese Painting and Calligraphy from the 8th to 14th Century", Hangzhou: Zhejiang University Press, 2011.
Written by Fang Wen, translated by Li Weikun: "Heart Seal: An Analysis of the Style and Structure of Chinese Painting and Calligraphy", Shanghai: Shanghai Painting and Calligraphy Publishing House, 2017.
Shi Shouqian: "From Style to Painting Concept: Reflecting on the History of Chinese Art", Taipei: Stone Press, 2010.
Written by Susan Bush, translated by Pi Jiajia: "Heart Painting: Five Hundred Years of Chinese Literary Painting", Beijing: Peking University Press, 2017.
Yang Xin et al.: "Three Thousand Years of Chinese Painting", Taipei: Lianjing, 1999.
Written by James Cahill, translated by Li Yu: "History of Chinese Painting", Taipei: Lion Book Company, 1984.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 期中考期中考 midterm exam |
35 | |
| 期末考期末考 final exam |
40 | |
| 平時成績平時成績 usual results |
25 | 含課堂表現與出席率。無故缺席達三次以上，學期成績以不及格論。 |
