1、使學生有能力使用水墨媒材表現工筆、寫意山水畫技法。
2、使學生熟悉運用寫生觀察做為創作的根本。
3、使學生了解題跋的意義、形式與應用。
4、使學生更深入了解傳統筆墨並能創造出新實驗風格的作品。
5、使學生有能力對專業水墨繪畫術語的理解和使用。
6、使學生有能力記錄完整的繪畫創作思維的過程。
7、使學生熟悉評析水墨作品的術語和恰當的回應批評。
8、使學生有能力提取概念，形成圖像並獨立完成構圖與成品。1. Enable students to use ink media to express meticulous and freehand landscape painting techniques.
2. Make students familiar with the use of sketching observation as the basis for creation.
3. Enable students to understand the meaning, form and application of inscriptions and postscripts.
4. Enable students to have a deeper understanding of traditional pen and ink and create works in new experimental styles.
5. Enable students to understand and use professional ink painting terminology.
6. Enable students to record the complete thinking process of painting creation.
7. Make students familiar with the terminology of evaluating ink works and respond appropriately to criticism.
8. Enable students to extract concepts, form images and independently complete compositions and finished products.
本課程除分析當代水墨發展的成因、趨勢，並引導學生理解水墨創作主題與造型取捨間，對藝術的表現與創造性實踐。
This course not only analyzes the causes and trends of the development of contemporary ink painting, but also guides students to understand the choice of themes and shapes in ink painting creation, as well as the expression and creative practice of art.
1 、美術家傳記系列《江兆申、余承堯、陳其寬……》。雄獅美術出版。
2、 台灣近現代水墨畫大系《溥心畬、傅狷夫、張大千……》。藝術家出版社。
3、《中國畫水墨新技法》。郎承文編。中國：浙江人民美術出版社。1995。
4、江兆申，〈山鷓棘雀-早春與文會－談故宮三張宋畫〉，《故宮季刊》，11卷4期（1997夏）（共出刊17卷以後改名《故宮學術季刊>），頁13-21
5、李霖燦，〈故宮博物院的名畫寶藏（上）〉，《故宮季刊》，13卷4期（1979夏），頁69-83
6、江兆申，〈從畫家構圖意念來看中國山水畫的舊有進展〉，4卷4期（1986.01）《故宮季刊》共出刊17卷以後改名《故宮學術季刊》，頁1-12
7、李霖燦，《中國美術史稿》，雄獅叢書（臺北市：雄獅，1996）
8、李霖燦，〈李唐萬壑松風圖之衍思〉，《故宮文物月刊》，4卷12期（1987.03），頁32-38
1. Artist biography series "Jiang Zhaoshen, Yu Chengyao, Chen Qikuan...". Published by Lion Art.
2. Taiwan's modern ink painting series "Pu Xinshe, Fu Xuanfu, Zhang Daqian...". Artist Press.
3. "New Techniques of Chinese Painting and Ink Painting". Edited by Lang Chengwen. China: Zhejiang People's Fine Arts Publishing House. 1995.
4. Jiang Zhaoshen, "Mountain Partridge Thorn Bird - Early Spring and Literary Meeting - Talking about Three Song Paintings in the Forbidden City", "Forbidden City Quarterly", Volume 11, Issue 4 (Summer 1997) (a total of 17 volumes were published and later renamed "Forbidden City Academic Quarterly") , pp. 13-21
5. Li Lincan, "The Treasures of Famous Paintings in the Palace Museum (Part 1)", "Forbidden City Quarterly", Volume 13, Issue 4 (Summer 1979), pp. 69-83
6. Jiang Zhaoshen, "Old Progress of Chinese Landscape Painting from the View of Artists' Compositional Concepts", Volume 4, Issue 4 (1986.01) "Forbidden City Quarterly" published a total of 17 volumes and later changed its name to "Forbidden City Academic Quarterly", pages 1-12
7. Li Lincan, "History of Chinese Art", Lion Series (Taipei: Lion, 1996)
8. Li Lincan, "Reflections on Li and Tang's Pine Wind Paintings of Ten Thousand Valleys", "Forbidden City Cultural Relics Monthly", Volume 4, Issue 12 (1987.03), pp. 32-38
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 課堂表現課堂表現 Classroom performance |
30 | 出席率，學習態度、課外練習作業、課堂分享討論，按時繳交規定的作業、 速寫簿完整性 |
| 四張課堂練習作品四張課堂練習作品 Four classroom exercises |
30 | 期中成績為完成兩張花鳥練習作品，期末成績為完成兩張山水練習作品。 |
| 期末完原寸臨摹作品期末完原寸臨摹作品 Final full-size copy of the work |
40 | 作品的完成度、技法、發表時的儀態、語言 、對於成品是否有評析。 |
