本課程以東方劇場作為主要內容，介紹中國戲劇的起源、發展與變化，以及不同時期的戲劇作品及劇場表現形式。希望能透過戲劇史的勾勒奠定學生相關的知識基礎，一方面能理解各個時期的戲劇特色，或者也可能在觀看與對話的過程中累積與觸動未來創作上的能量與靈感。
課程前半段以古典戲曲為授課內容，從初級戲曲的原始面貌以至當代戲曲如何與當代劇場美學結合。戲曲作為一種跨領域的綜合性表演，最大特色在於詩歌舞結合，並以抒情為本位；敷演情節之外，更重視情感的抒發並藉以引起觀眾共鳴。此外，戲曲特有的行當制（如：生旦淨末丑）、寫意性的表現手法（如：一桌二椅）以及結合各類表演藝術（唱曲、雜耍、科諢等）的豐富型態，都是其動人的特色與內涵。本課程將帶領同學理解中國戲曲獨特的審美內涵，以及隨著歷史變遷而開展出的不同劇場形式與表演內容。
課程後半段則進入台灣戲劇史的討論，將從二十世紀初受到西方思潮影響之下而產生的現代話劇，一路走到台灣當代劇場百花齊放的各式劇場表演。這部分的課程內容除了勾勒現代戲劇的發生與演變，更聚焦於當代戲劇在各種時代條件的刺激與影響之下所呈現的多元樣貌。戲劇歷史的爬梳、劇本的閱讀與討論、劇場環境的觀察與分析，這一切巡禮終將走向戲劇的實際創作與評論；期待在不同劇場時空與戲劇文本往返行旅的過程能有所收穫與積累，並將之轉化為表演與創作的源泉。This course takes Oriental theater as the main content, introducing the origin, development and changes of Chinese drama, as well as drama works and theater expressions in different periods. It is hoped that through the outline of the history of drama, students can lay a foundation of relevant knowledge. On the one hand, they can understand the characteristics of drama in various periods, or they may accumulate and touch energy and inspiration for future creation during the process of viewing and dialogue.
The first half of the course uses classical opera as the teaching content, from the original appearance of elementary opera to how contemporary opera is combined with contemporary theater aesthetics. As a cross-disciplinary comprehensive performance, the biggest feature of opera is the combination of poetry and dance, and it is based on lyricism. In addition to performing plots, it pays more attention to the expression of emotions and to arouse the resonance of the audience. In addition, opera’s unique industry system (such as Shengdan Jingmo Chou), freehand expression techniques (such as one table and two chairs), and rich forms that combine various performing arts (singing, juggling, science, etc.) , are all its moving features and connotations. This course will lead students to understand the unique aesthetic connotation of Chinese opera, as well as the different theater forms and performance content that have developed with historical changes.
The second half of the course will enter the discussion of the history of Taiwanese drama, starting from the modern dramas that were influenced by Western trends in the early 20th century, all the way to the various theater performances that flourish in Taiwan's contemporary theater. In addition to outlining the occurrence and evolution of modern drama, this part of the course content also focuses on the diverse appearances of contemporary drama under the stimulation and influence of various era conditions. Crawling through the history of drama, reading and discussing scripts, and observing and analyzing theater environments, all these tours will eventually lead to the actual creation and criticism of dramas; I look forward to gaining something and accumulating in the process of traveling back and forth between different theaters, time, space, and drama texts. , and transform it into the source of performance and creation.
本課程上學期以東方劇場作為主要內容，介紹中國戲劇的起源、發展與變化，以及不同時期的戲劇作品及劇場表現形式。希望能透過戲劇史的勾勒奠定學生相關的知識基礎，一方面能理解各個時期的戲劇特色，或者也可能在觀看與對話的過程中累積與觸動未來創作上的能量與靈感。
課程前半段以古典戲曲為授課內容，從初級戲曲的原始面貌以至當代戲曲如何與當代劇場美學結合。戲曲作為一種跨領域的綜合性表演，最大特色在於詩歌舞結合，並以抒情為本位；敷演情節之外，更重視情感的抒發並藉以引起觀眾共鳴。此外，戲曲特有的行當制（如：生旦淨末丑）、寫意性的表現手法（如：一桌二椅）以及結合各類表演藝術（唱曲、雜耍、科諢等）的豐富型態，都是其動人的特色與內涵。本課程將帶領同學理解中國戲曲獨特的審美內涵，以及隨著歷史變遷而開展出的不同劇場形式與表演內容。
課程後半段則進入現代戲劇的討論，將從二十世紀初受到西方思潮影響之下而產生的現代話劇，一路走到台灣當代劇場百花齊放的各式劇場表演。這部分的課程內容除了勾勒現代戲劇的發生與演變，更聚焦於當代戲劇在各種時代條件的刺激與影響之下所呈現的多元樣貌。戲劇歷史的爬梳、劇本的閱讀與討論、劇場環境的觀察與分析，這一切巡禮終將走向戲劇的實際創作與評論；期待在不同劇場時空與戲劇文本往返行旅的過程能有所收穫與積累，並將之轉化為表演與創作的源泉。
The first semester of this course focused on Oriental theater as the main content, introducing the origin, development and changes of Chinese drama, as well as drama works and theater expressions in different periods. It is hoped that through the outline of the history of drama, students can lay a foundation of relevant knowledge. On the one hand, they can understand the characteristics of drama in various periods, or they may accumulate and touch energy and inspiration for future creation during the process of viewing and dialogue.
The first half of the course uses classical opera as the teaching content, from the original appearance of elementary opera to how contemporary opera is combined with contemporary theater aesthetics. As a cross-disciplinary comprehensive performance, the biggest feature of opera is the combination of poetry and dance, and it is based on lyricism. In addition to performing plots, it pays more attention to the expression of emotions and to arouse the resonance of the audience. In addition, opera’s unique industry system (such as Shengdan Jingmo Chou), freehand expression techniques (such as one table and two chairs), and rich forms that combine various performing arts (singing, juggling, science, etc.) , are all its moving features and connotations. This course will lead students to understand the unique aesthetic connotation of Chinese opera, as well as the different theater forms and performance content that have developed with historical changes.
The second half of the course will enter the discussion of modern drama, starting from the modern drama that was influenced by Western trends in the early 20th century, all the way to the various theater performances that flourish in Taiwan's contemporary theater. In addition to outlining the occurrence and evolution of modern drama, this part of the course content also focuses on the diverse appearances of contemporary drama under the stimulation and influence of various era conditions. Crawling through the history of drama, reading and discussing scripts, and observing and analyzing theater environments, all these tours will eventually lead to the actual creation and criticism of dramas; I look forward to gaining something and accumulating in the process of traveling back and forth between different theaters, time, space, and drama texts. , and transform it into the source of performance and creation.
廖奔、劉彥君：《中國戲曲發展史》，太原：山西教育，2000年。
廖奔：《中國古代劇場史》，北京：人民文學出版社，2012年。
余秋雨：《中國戲劇史》，台北：天下文化，2007年。
馬森《西潮下的中國現代戲劇》，臺北：書林出版社，1994年。
呂訴上：《台灣電影戲劇史》，台北：銀華出版社，1961年。
林鶴宜：《台灣戲劇史》，台北：台大出版中心，2015年。
廖美玉主編：《一九九九臺灣現代劇場研討會論文集》，台北：文建會，1999年。
吳全成主編：《台灣現代劇場研討會論文集：1986-1995台灣小劇場》，臺北：文建會，1996年。
鍾明德：《臺灣小劇場運動史 : 尋找另類美學與政治》，台北：揚智出版社，1999年。
林鶴宜、紀蔚然主編：《眾聲喧嘩之後 : 臺灣現代戲劇論集》，台北：書林出版社，2008年。
王安祈：《當代戲曲》，台北：三民出版社，2002年。
王安祈：《傳統戲曲的現代表現》，台北：里仁出版社，1996年。
Liao Ben, Liu Yanjun: "History of the Development of Chinese Opera", Taiyuan: Shanxi Education, 2000.
Liao Ben: "History of Ancient Chinese Theater", Beijing: People's Literature Publishing House, 2012.
Yu Qiuyu: "History of Chinese Drama", Taipei: Tianxia Culture, 2007.
Ma Sen, "Modern Chinese Drama under the Western Trend", Taipei: Shulin Publishing House, 1994.
Lu Sushang: "History of Taiwanese Film and Drama", Taipei: Yinhua Publishing House, 1961.
Lin Heyi: "History of Taiwan Drama", Taipei: National Taiwan University Publishing Center, 2015.
Edited by Liao Meiyu: "Proceedings of the 1999 Taiwan Modern Theater Symposium", Taipei: Council for Cultural Affairs, 1999.
Wu Quancheng, editor-in-chief: "Proceedings of Taiwan Modern Theater Seminar: Taiwan Small Theater 1986-1995", Taipei: Cultural Council, 1996.
Chung Ming-te: "History of Taiwan's Small Theater Movement: Searching for Alternative Aesthetics and Politics", Taipei: ALi Publishing House, 1999.
Lin Heyi and Ji Weiran, editors-in-chief: "After the Uproar: A Collection of Taiwanese Modern Drama", Taipei: Shulin Publishing House, 2008.
Wang Anqi: "Contemporary Opera", Taipei: Sanmin Publishing House, 2002.
Wang Anqi: "Modern Performance of Traditional Opera", Taipei: Liren Publishing House, 1996.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 課堂出席與參與討論課堂出席與參與討論 Class attendance and participation in discussions |
50 | |
| 期末報告期末報告 Final report |
50 |
