一、藉由研究古今作品之表現形式及創作內涵，進行繪畫風格的討論賞析與實驗分析。
二、透過保存修復觀點與古典技法的實踐，深化作品表現技術與價值，追求個人風格的建構。
三、透過實驗及製作分析，理解材料特性，提升大件作品製作能量。1. By studying the expression forms and creative connotations of ancient and modern works, we conduct discussion and experimental analysis of painting styles.
2. Through preserving and revising views and classical techniques, deepen the performance of works and value, and pursue the construction of personal style.
3. Through experience and production analysis, understand the characteristics of materials and enhance the production energy of large works.
分析膠彩創作表現形式與理念，並探究時代美學與架構，以引導創作者進行研究深度的啟發與藝術風格的建立。
Analyze the present forms and concepts of colour creation, and explore the aesthetics and structure of the times to guide the creators to innovate in-depth research and establish artistic styles.
一、《日本美術史》王秀雄著，國立歷史博物館。 二、《日本美術史話》李欽賢著，雄獅圖書股份有限公司。 三、《日本美術的近代光譜》李欽賢著，雄獅圖書股份有限公司。 四、《膠彩畫材料與技法》林功、箱崎睦昌著，廖瑞芬譯，藝術家出版社。 五、ARTISTS JAPAN ，同朋社。六、圖解日本畫用語事典，東京藝術大學大學院文化財保存學日本畫研究室，東京美術。
1. "History of Japanese Art" by Wang Xiuxiong, National History Museum. 2. "History of Japanese Art" by Li Yang, Lion Books Co., Ltd. 3. "Modern Illumination of Japanese Art" written by Li Yang, Xiong Lion Books Co., Ltd. 4. "Plug Color Painting Materials and Techniques" written by Lin Gong and Musaki Hakozaki, translated by Liao Ruifen, Artist Publishing House. 5. ARTISTS JAPAN, Tongpengshe. 6. Illustration of Japanese painting Scripture, Tokyo University of Arts, Japanese Painting Research Office, Cultural Finance Preservation School, Tokyo Arts.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 五十號以上膠彩作品三件五十號以上膠彩作品三件 Three works of glue color above No. 50 |
60 | |
| 色彩實驗版兩件、PPT報告色彩實驗版兩件、PPT報告 Color experiment version two, PPT report |
20 | 色彩實驗版x2、色彩實驗報告PPT |
| 出席率出席率 Attendance rate |
20 |
