一、藉由當代膠彩畫家之表現形式及創作內涵，進行繪畫風格的討論分析。
二、透過保存修復觀點與古典技法的實踐，深化作品表現技術與價值。
三、從個人作品實作與古今名家作品討論中，追求個人風格的建構。
1. Discussion and analysis of painting styles through the expression form and creative connotation of contemporary painters.
2. Through preserving and revising views and classical techniques, deepen the performance of the works and value.
3. Pursuing the construction of personal style from the discussion of personal works and the works of famous masters of ancient and modern times.
分析膠彩創作表現形式與理念，並探究時代美學與架構，以引導創作者進行研究深度的啟發與藝術風格的建立。
Analyze the present forms and concepts of colour creation, and explore the aesthetics and structure of the times to guide the creators to innovate in-depth research and establish artistic styles.
一、《日本美術史》王秀雄著，國立歷史博物館。 二、《日本美術史話》李欽賢著，雄獅圖書股份有限公司。 三、《日本美術的近代光譜》李欽賢著，雄獅圖書股份有限公司。 四、《膠彩畫材料與技法》林功、箱崎睦昌著，廖瑞芬譯，藝術家出版社。 五、ARTISTS JAPAN ，同朋社。六、圖解日本畫用語事典，東京藝術大學大學院文化財保存學日本畫研究室，東京美術。
1. "History of Japanese Art" by Wang Xiuxiong, National History Museum. 2. "History of Japanese Art" by Li Yang, Lion Books Co., Ltd. 3. "Modern Illumination of Japanese Art" written by Li Yang, Xiong Lion Books Co., Ltd. 4. "Plug Color Painting Materials and Techniques" written by Lin Gong and Musaki Hakozaki, translated by Liao Ruifen, Artist Publishing House. 5. ARTISTS JAPAN, Tongpengshe. 6. Illustration of Japanese painting Scripture, Tokyo University of Arts, Japanese Painting Research Office, Cultural Finance Preservation School, Tokyo Arts.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 膠彩作品二件膠彩作品二件 Two pieces of glue-colored works |
50 | |
| 報告報告 report |
25 | 選擇一位膠彩藝術家進行書面與口頭報告 |
| 出席率出席率 Attendance rate |
25 |
