一– 小說之閱讀與改編。
二– 劇本閱讀與寫作。
三– 實驗劇場美學。
四– 詩劇排演．
為實現文學越界之可能，擴大創作與研究之視野，進行劇本改編，與詩劇場之實踐，為理論與實務結合之小說與劇場創作課。1 – Reading and adapting novels.
2 – Reading and writing of the script.
3 – Experimental drama aesthetics.
4 – Poetry rehearsal.
In order to realize the possibility of transcending the boundaries of literature, expand the vision of creation and research, carry out script adaptations, and practice the reality of poetry, and serve as novels and drama creation courses that combine theory and practice.
將小閱讀與改編，或史詩與長詩之閱讀與寫作，化為劇場之實踐，為詩劇場之前導課程，為文學與劇場之越界與實踐。開拓文學與劇場越界之可，並帶動長詩與劇本一創作。
The reading and reorganization, or the reading and writing of historical poems and long poems, is transformed into the realization of the drama, the pre-directed course of the poetry drama, and the transgression and implementation of the literature and drama. Open up the way to transcend the boundaries of literature and drama, and bring a creation of a long poem and script.
周芬伶改編劇本《濕地王》
當代劇場理論
亞陶劇場理論
貧窮劇場理論
舞蹈劇場理論
Zhou Fenling adapted the script "The King of Moisturized Land"
Contemporary drama theory
Theory of the A-Caotan Stories
Theory of the sacred drama
Dance drama theory
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 期中作業與報告期中作業與報告 Mid-term operations and reports |
25 | |
| 平常作業與報告平常作業與報告 Normal operations and reports |
25 | |
| 期末作業與報告期末作業與報告 Final operations and reports |
50 |
