一、探討書畫藝術史中，文人思想與其處境的美學與思辯。
二、筆墨、線條相對於創作實踐的運用與功能。
三、藉由對書畫傳統的回顧與重探，理解水墨畫面對當代創作與造型意義。
四、探討個體思想與圖像、文字的聯結，提升為凝鍊的藝術形式。
1. Explore the aesthetics and speculation of literati’s thoughts and situations in the history of calligraphy and painting art.
2. The application and function of pen, ink and lines in creative practice.
3. By reviewing and re-exploring the tradition of calligraphy and painting, understand the significance of ink painting to contemporary creation and modeling.
4. Explore the connection between individual thoughts, images, and words, and elevate it to the art form of condensation.
1、方聞 著。《心印》。中國：上海書畫。2017。
2、巫鴻 著。《重屏》。中國：上海世紀。2009。
3、盧輔聖主編。《朵雲54集—關於筆墨的爭論》。上海：上海書畫。2001。
4、熊秉明 著。《中國書法理論體系》。臺北：雄獅美術。1999。
5、朱良志 著。《扁舟一葉 理學與中國畫學研究》。合肥：安徽教育出版。2006。
6、倪再沁 著。《台灣美術論衡》。臺北：藝術家。2007。
7、何懷碩 著。《給未來的藝術家》。臺北：立緒。2003。
8、《黃盒子》。台北市立美術館。2006。
9、謝柏軻（美）著、柴夢原 譯。《中國畫之風格 媒材、技法與形式原理》。北京大學。2019。
1. Written by Fang Wen. "Heart Seal". China: Shanghai Painting and Calligraphy. 2017.
2. Written by Wu Hong. "Re-screen". China: Shanghai Century. 2009.
3. Editor-in-Chief Lu Fusheng. "Duoyun Episode 54 - Debate on Pen and Ink". Shanghai: Shanghai Painting and Calligraphy. 2001.
4. Written by Xiong Bingming. "Theoretical System of Chinese Calligraphy". Taipei: Lion Art. 1999.
5. Written by Zhu Liangzhi. "Bianzhou Yiye: Research on Neo-Confucianism and Chinese Painting". Hefei: Anhui Education Publishing House. 2006.
6. Written by Ni Zaiqin. "Taiwan Art Essay". Taipei: Artist. 2007.
7. Written by He Huaishuo. "For Future Artists". Taipei: Lixu. 2003.
8. "Yellow Box". Taipei Fine Arts Museum. 2006.
9. Written by Xie Baike (American) and translated by Chai Mengyuan. "Style of Chinese Painting: Media, Techniques and Formal Principles". Peking University. 2019.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時課題討論報告平時課題討論報告 Daily topic discussion reports |
30 | 依上課主題進行分組報告 |
| 平時創作、期末創作評圖平時創作、期末創作評圖 Daily creation and final creation review |
70 | 每學期依議題至少完成二件作品 |
