一. 造形藝術形式分析
二. 研究與運用造形的基本要素
三. 掌握造形之基本語彙
四. 造形創作研究與表現解析造形藝術與其與不同語彙的運用，在各個時期面對不同的目的與條件，所呈現的樣貌；課堂上將藉由不同階段的重要藝術家及其作品，來分析其表現手法與內涵，並從這些案例來探討媒材轉化的運用。此外，也將探討國際上藝術發展的趨勢及其時代意義，以近年國內、外國際展演等作品賞析為例，配合課程內容，從形式與思想觀念中讓學生對己身造形的創作有所認知，解析其創作的內涵及爬梳脈絡，以擴大其創作能量。1. Analysis of plastic art forms
2. Research and apply the basic elements of modeling
3. Master the basic vocabulary of modeling
4. Analyze the research and expression of plastic creation. Plastic art and its use of different vocabularies face different purposes and conditions in each period, and the appearance they present; the class will analyze it through important artists and their works at different stages. Its expression techniques and connotations, and explore the application of media transformation from these cases. In addition, the trend of international art development and its significance of the times will also be discussed. Taking the appreciation of domestic and international exhibitions and other works in recent years as an example, in conjunction with the course content, students will have an understanding of the creation of their own body shapes from the forms and ideas. , analyze the connotation of his creation and comb the context to expand his creative energy.
高千惠(2009)。《移動的地平線》。台北市：藝術家。
高千惠(2006)。《叛逆的捉影：當代藝術家的新迷思》。台北市：遠流。
Henry Focillon 著/吳玉成 譯；《造形的生命》；田園城市文化事業出版；2001；ISBN 9570406410
約翰．義庭 著/王秀雄譯，《造形藝術的基礎》大陸書店，1989
王林 著，《美術形態學》；亞太圖書公司出版；1993。ISBN9578510314。
佟景韓/易英 主編《造型藝術美學》；原出版者：春風文藝出版社、遼寧教育出版社；紅葉文化事業有限公司出版；台北；1995。ISBN 9578677634。
John Berger(1998)。《影像的閱讀》(劉惠媛譯)。台北市：遠流。(原著出版年：1980年)。
John Berger（2005）。《觀看的方式》（吳莉君譯）。臺北市：麥田。
Linda Nochlin 著/游惠珍譯；《女性藝術與權力》；遠流圖書公司出版。
Maurice Fréchuret,《 Le mou et ses formes》 essai sur quelques catégories de la sculpture du XX e siècle, 1993, Ecole nationale supérieure des Beaux-Arts, Paris
王秀雄（1991）。美術心理學：創造．視覺與造形心理，修訂。台北市：北市美術館。ISBN：957-00-0331-6。
李長俊 譯（1985）。藝術與視覺心理學，版4。台北市：雄獅。Arnheim,R.（1976），Art and visual perception-a psychology of the creative eye.
吳瑪俐 譯（1985）。點、線、面。台北市：藝術家。Kandinsky（1926）,Punkt und linie zu flache.
張惠蘭 著(2011) ，《寶藏巖 流動的色彩密碼》公館水岸環境色彩計畫，台北：台北市政府文化局
張惠蘭 著(2013) ，《八斗子 流動的島嶼色彩》公共藝術計畫，基隆：國立海洋科技博物館
S. Kobayashi （1987）, A book of Color, Ｔokyo．New York．London: Kodansha International.
J.P. Lenclos（1990）, Couleurs de la France, Paris: Moniteur.
Shigenobu Kobayashi（1991）, Color image scale, Ｔokyo．New York．London: Kodansha International.
J. Itten（1993）, Art de la Couleur, Paris : edition abregée
J.P. Lenclos（1995） Couleurs de l’Europe, Moniteur, Paris.
賴瓊琦(1997) 《設計的色彩心理－色彩的意象與色彩文化》。台北：視傳文化事業有限公司。
Alexanden Theroux著，冷步梅 譯(1997) 《三原色》The Primary Color，台北：聯經出版社
higenobu Kobayashi（1998）COLORIST—A Practical Handbook for Personal and Profssional Use。Kodansha。
J.P. Lenclos （1999）， Couleurs du monde, Paris: Moniteur
山中俊夫 著，黃書倩譯 (2003) ， 《色彩學的基礎》，台北：六合出版社。
貝蒂．愛德華(Betty Edwards)著，朱民 譯(2006)，時報文化出版社
陳傳興(1992)。《憂鬱文件》。台北市：雄獅
Roland Barthes（1997）。《明室•攝影札記》（許綺玲譯）。臺北市：台灣攝影工作室出版。
Walter Benjamin（1991）。《迎向靈光消逝的年代》（許綺玲譯）。臺北市：台灣攝影工作室出版。
Susan Sontag（1997）。《論攝影》（黃翰荻譯）。臺北市：唐山出版社。
Susan Sontag（1997）。《旁觀他人之痛苦》（陳耀成譯）。臺北市：麥田。
Anna Moszynska著/黃麗絹 譯；《抽象藝術》；遠流圖書公司出版； IS
Gao Qianhui (2009). "Moving Horizon". Taipei City: Artist.
Gao Qianhui (2006). "Rebellious Shadow Catching: New Myths of Contemporary Artists". Taipei City: Yuanliu.
Written by Henry Focillon/Translated by Wu Yucheng; "Shaped Life"; Published by Garden City Cultural Enterprise; 2001; ISBN 9570406410
John. Written by Yiting/translated by Wang Xiuxiong, "The Foundation of Plastic Arts" Mainland Bookstore, 1989
Wang Lin, "Art Morphology"; published by Asia Pacific Book Company; 1993. ISBN9578510314.
Tong Jinghan/Yi Ying, editor-in-chief of "Aesthetics of Plastic Arts"; original publisher: Chunfeng Literature and Art Publishing House, Liaoning Education Press; published by Hongye Culture Co., Ltd.; Taipei; 1995. ISBN 9578677634.
John Berger(1998). "Reading of Images" (translated by Liu Huiyuan). Taipei City: Yuanliu. (Original publication year: 1980).
John Berger (2005). "Ways of Seeing" (translated by Wu Lijun). Taipei City: Wheatfield.
Written by Linda Nochlin/translated by You Huizhen; "Women's Art and Power"; published by Yuanliu Books.
Maurice Fréchuret, "Le mou et ses formes" essai sur quelques catégories de la sculpture du XX e siècle, 1993, Ecole nationale supérieure des Beaux-Arts, Paris
Wang Xiuxiong (1991). Art Psychology: Creation. The Psychology of Vision and Form, revised. Taipei City: Taipei City Museum of Art. ISBN: 957-00-0331-6.
Translated by Li Changjun (1985). Art and Visual Psychology, ed. 4. Taipei City: Lion. Arnheim,R. (1976), Art and visual perception-a psychology of the creative eye.
Translated by Wu Mali (1985). Point, line, surface. Taipei City: Artist. Kandinsky (1926),Punkt und linie zu flache.
Zhang Huilan (2011), "Treasure Rock: Flow Color Code" Mansion Waterfront Environmental Color Plan, Taipei: Taipei City Government Cultural Affairs Bureau
Zhang Huilan (2013), "Badouzi: Flowing Island Colors" public art project, Keelung: National Museum of Marine Science and Technology
S. Kobayashi (1987), A book of Color, Tokyo. New York. London: Kodansha International.
J.P. Lenclos (1990), Couleurs de la France, Paris: Moniteur.
Shigenobu Kobayashi (1991), Color image scale, Tokyo. New York. London: Kodansha International.
J. Itten (1993), Art de la Couleur, Paris : edition abregée
J.P. Lenclos (1995) Couleurs de l’Europe, Moniteur, Paris.
Lai Qiongqi (1997) "Color Psychology of Design-Color Imagery and Color Culture". Taipei: Visual Communication Culture Enterprise Co., Ltd.
Written by Alexanden Theroux, translated by Leng Bumei (1997) The Primary Color, Taipei: Lianjing Publishing House
Higenobu Kobayashi (1998) COLORIST—A Practical Handbook for Personal and Profssional Use. Kodansha.
J.P. Lenclos (1999), Couleurs du monde, Paris: Moniteur
Written by Toshio Yamanaka, translated by Huang Shuqian (2003), "Basics of Color Science", Taipei: Liuhe Publishing House.
Betty. Written by Betty Edwards, translated by Zhu Min (2006), Times Culture Publishing House
Chen Chuanxing (1992). "Melancholy Files". Taipei City: Lion
Roland Barthes (1997). "The Bright Room·Photography Notes" (translated by Xu Qiling). Taipei: Taiwan Photography Studio Publishing.
Walter Benjamin (1991). "Toward the Age of Fading Aura" (translated by Xu Qiling). Taipei: Taiwan Photography Studio Publishing.
Susan Sontag (1997). "On Photography" (translated by Huang Handi). Taipei City: Tangshan Publishing House.
Susan Sontag (1997). "Watching the Pain of Others" (translated by Chen Yaocheng). Taipei City: Wheatfield.
Written by Anna Moszynska/Translated by Huang Lijuan; "Abstract Art"; published by Yuanliu Book Company; IS
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時成績平時成績 usual results |
50 | 含平時與期中評圖成績, 課業準備、上課態度、專題討論、草稿、習作、模型、出席率及上課態度列入平時成績（無故缺課達3分之一以上者扣考）。 |
| 期末評圖期末評圖 Final review picture |
50 | 自創作品（單件或系列），不得延交、補交，無重大原因無故未出席評圖者以0分計。 |
