當代藝術創作的展示已成為當代藝術作品從創作概念的發想到發表時的完整度等不同方面決定性的因素。一件作品的完成已不再僅是在工作室中完成的一件平面繪畫或是雕塑作品，而包含了作品如何展示，與空間、場域、觀眾以及場合等多樣元素的關係探討。本課程以近現代藝術順著時間軸來探討藝術創作與展示之間的關係是如何發展，並進一步討論藝術展示空間的變化，並從展覽的歷史來認識展覽如何成為今日藝術被看見與討論的最主要形式。藉由此課程中案例的研究與討論，讓創作與理論或策展的學生皆能思考當代藝術展示與展覽的重要性。The display of contemporary art creations has become a decisive factor in different aspects of contemporary art works, from the conception of the creative concept to the completeness of the publication. The completion of a work is no longer just a flat painting or sculpture completed in the studio, but includes how the work is displayed and the relationship with various elements such as space, field, audience and occasion. This course uses modern and contemporary art to explore how the relationship between art creation and display developed along the timeline, and further discusses the changes in art display space. It also uses the history of exhibitions to understand how exhibitions have become the most popular place for art to be seen and discussed today. Main form. Through the study and discussion of cases in this course, students in creation, theory or curatorship can think about the importance of contemporary art display and exhibition.
- Reasa Greenberg, Bruce W Ferguson, Sandy Nairne ed., 1996, Thinking about Exhibitions, New York: Routledge
- Boris Groys, 2010, Going Public, New York: Sternberg Press
- Louisa Buck, Daniel McClean, 2012, Commissioning Contemporary Art - a handbook for curators, collectors and artists, London: Thames & Hudson Ltd
- Bruce Altshuler, 2008, Salon to Biennial: Exhibitions that Made Art History, Volume 1: 1863-1959, Phaidon Press
- Bruce Altshuler, 2013, Biennials and Beyond: Exhibitions that Made Art History: 1962-2002, Phaidon Press
- Jens Hoffmann, 2014, Show Time - The 50 Most Influential Exhibitions of Contemporary Art, D.A.P./Distributed Art Publishers, Inc
- Hans Belting、Andrea Buddensieg、Peter Weibel 編，2013，The Global Contemporary and the Rise of New Art World，MIT Press
- Open，2009，Art Biennale as Global Phenomenon，NAi Publishers
- 高千惠，發燒的雙年展，2001，台北市立美術館
- 張婉貞 著，2014，當代博物館展覽的敘事轉向，遠流出版
- 寶莉・麥肯娜－克萊思, 珍娜・卡緬著，金振寧譯，2010，創造展覽：如何團隊合作、體貼設計打造一檔創新體驗的展覽，阿橋社文化出版。
- Reasa Greenberg, Bruce W Ferguson, Sandy Nairne ed., 1996, Thinking about Exhibitions, New York: Routledge
- Boris Groys, 2010, Going Public, New York: Sternberg Press
- Louisa Buck, Daniel McClean, 2012, Commissioning Contemporary Art - a handbook for curators, collectors and artists, London: Thames & Hudson Ltd
- Bruce Altshuler, 2008, Salon to Biennial: Exhibitions that Made Art History, Volume 1: 1863-1959, Phaidon Press
- Bruce Altshuler, 2013, Biennials and Beyond: Exhibitions that Made Art History: 1962-2002, Phaidon Press
- Jens Hoffmann, 2014, Show Time - The 50 Most Influential Exhibitions of Contemporary Art, D.A.P./Distributed Art Publishers, Inc
- Hans Belting, Andrea Buddensieg, Peter Weibel, eds., 2013, The Global Contemporary and the Rise of New Art World, MIT Press
- Open, 2009, Art Biennale as Global Phenomenon, NAi Publishers
- Gao Qianhui, Fever Biennale, 2001, Taipei Fine Arts Museum
- Zhang Wanzhen, 2014, The narrative turn of contemporary museum exhibitions, Yuanliu Publishing
- Paulie McKenna-Kleith, written by Jenna Carmen, translated by Jin Zhenning, 2010, Creating an Exhibition: How to Create an Exhibition with Innovative Experience through Teamwork and Considerate Design, published by Aqiaoshe Culture.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 出席出席 Attend |
20 | |
| 課堂主題討論課堂主題討論 Class topic discussion |
20 | |
| 課堂心得課堂心得 Classroom experience |
30 | |
| 期末閱讀口頭報告期末閱讀口頭報告 Final reading oral report |
15 |
