以個人的主題構思為軸心,作品論述及為輔助,以此來進行各類型的人體素描活動。在不同的素描設定之中,例如短時間速寫、長時間繪製,以及藝術史專題討論,進一步地釐清自我繪畫表現的特質,並且建立自我言語表達的方式。以此培養個人在藝術專業上所需要具有思想性觀察與表達,以及日後創作上所需的經驗累積。Taking personal themes as a sensation, the work is described and assisted, so as to carry out various types of human sketching activities. Among different sketch settings, such as short-term quick writing, long-term drawing, and art history topic discussion, we further clarify the characteristics of self-drawing expression and establish a way of self-verbal expression. In this way, cultivate the ideological observation and expression required for individuals in their art profession, as well as the experience required for future creation.
Umberto Eco編著,彭淮棟譯:《美的歷史》,台北:聯經,2006。
Joanna Ebenstein著,崔宏立譯:《解剖維納斯》,台北:麥田,2017。
Richard Sennett著,黃煜文譯:《肉體與石頭》,台北:麥田,2003。
林美香著:《身體的身體》,台北:聯經,2017,頁 270-306。
Ulis Zarins、Sandis Kondrats著,黃宛瑜譯:《藝用3D人體解剖書》,新北市:遠足文化,2017。
Written by Umberto Eco, translated by Peng Huai-chung: "The History of Beauty", Taipei: Union, 2006.
By Joanna Ebenstein, Cui Honglilu: "Anatomy of Vinas", Taipei: Maitian, 2017.
Written by Richard Sennett, Huang Yu's translation: "Meat and Stone", Taipei: Maitian, 2003.
Lin Meixiang: "The Body of the Body", Taipei: Lian, 2017, page 270-306.
By Ulis Zarins and Sandis Kondrats, Huang Wanyu translated: "Anatomy of Arts with 3D Human Body", New Taipei City: Far-foot Culture, 2017.
評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
---|---|---|
平時學習平時學習 Learning regularly |
30 | |
全開素描全開素描 Fully open sketch |
20 | 靜態素描,動態素描 |
期末總評期末總評 Final review |
30 | |
作品集作品集 Collection of works |
20 |