以個人的主題構思為軸心，作品論述及為輔助，以此來進行各類型的人體素描活動。在不同的素描設定之中，例如短時間速寫、長時間繪製，以及藝術史專題討論，進一步地釐清自我繪畫表現的特質，並且建立自我言語表達的方式。以此培養個人在藝術專業上所需要具有思想性觀察與表達，以及日後創作上所需的經驗累積。

Taking personal themes as a sensation, the work is described and assisted, so as to carry out various types of human sketching activities. Among different sketch settings, such as short-term quick writing, long-term drawing, and art history topic discussion, we further clarify the characteristics of self-drawing expression and establish a way of self-verbal expression. In this way, cultivate the ideological observation and expression required for individuals in their art profession, as well as the experience required for future creation.

Umberto Eco編著，彭淮棟譯：《美的歷史》，台北：聯經，2006。
Joanna Ebenstein著，崔宏立譯：《解剖維納斯》，台北：麥田，2017。
Richard Sennett著，黃煜文譯：《肉體與石頭》，台北：麥田，2003。
林美香著：《身體的身體》，台北：聯經，2017，頁 270-306。
Ulis Zarins、Sandis Kondrats著，黃宛瑜譯：《藝用3D人體解剖書》，新北市：遠足文化，2017。

Written by Umberto Eco, translated by Peng Huai-chung: "The History of Beauty", Taipei: Union, 2006.
By Joanna Ebenstein, Cui Honglilu: "Anatomy of Vinas", Taipei: Maitian, 2017.
Written by Richard Sennett, Huang Yu's translation: "Meat and Stone", Taipei: Maitian, 2003.
Lin Meixiang: "The Body of the Body", Taipei: Lian, 2017, page 270-306.
By Ulis Zarins and Sandis Kondrats, Huang Wanyu translated: "Anatomy of Arts with 3D Human Body", New Taipei City: Far-foot Culture, 2017.