對皮影戲的製作工序、美感經驗、表演型式有完整的認識和執行能力，並積極以皮影戲教學及公演連結臺灣庶民社會，體驗相互關懷、對話的藝術生活。He has a complete understanding and execution ability of the production process, aesthetic experience, and performance styles of shadow puppetry. He actively uses shadow puppetry teaching and performances to connect the common people of Taiwan and experience the artistic life of mutual care and dialogue.
檢視和討論民俗藝術的可能內容，透過皮影、剪紙等實際製作過程與教學、演出的社區參與，尋求從傳統民俗藝術經驗出發，能與新市民生活及藝術創作間可以集結的自主性文化意識與美感經驗建構。
Examine and discuss the possible content of folk art, and through actual production processes such as shadow puppets and paper-cutting, as well as community participation in teaching and performances, seek to build independent cultural awareness and artistic creation that can be combined with new citizens' lives and artistic creations based on the experience of traditional folk art. The construction of aesthetic experience.
陜西東路華縣皮影特刊/漢聲44/漢聲雜誌社
中國民間美術圖說/浙江文藝出版社
Shaanxi East Road Huaxian Shadow Puppet Special Issue/Hansheng 44/Hansheng Magazine
Illustrations of Chinese Folk Art/Zhejiang Literature and Art Publishing House
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 出席出席 Attend |
20 | |
| 皮偶製作皮偶製作 Leather puppet making |
20 | |
| 團隊合作/公演團隊合作/公演 Teamwork/Performance |
40 |
