本學期主要將分析焦點放在影像作品，除了將上學期透過分析日治時期臺灣日語文學作品，探討「近代化」所帶來的文化衝擊以及自我認同的轉折與矛盾，進而思考當時的作家所面臨的問題所學習到的各種觀點應用在影像作品外，希望也能透過影像作品來探討“台灣”或者“日本”的表象問題，並進一步思考為何這些作品如此呈現“台灣”或者“日本”。

This semester will mainly focus on video works. In addition to applying various perspectives learned last semester through analyzing Japanese literary works in Taiwan during the Japanese colonial period to explore the cultural impact of "modernization" and the transition and contradiction of self-identity, and then thinking about the problems faced by writers at that time, in video works, I hope to also explore the representation of "Taiwan" or "Japan" through video works, and further think about why these works present "Taiwan" or "Japan" in such a way.

本課程以影像作品為主，來探討影像作品中之呈現與歷史、社會、政治、思想等的關係。透過分析以及審視影像作品和觀看者之間所建構出來的文化現象，進而反思、回顧過去，拓展出一個多元的文化視野，藉此反觀臺灣與日本之間的關係。

This course focuses on video works to explore the relationship between presentation in video works and history, society, politics, thought, etc. By analyzing and examining the cultural phenomena constructed between video works and viewers, and then reflecting on and reviewing the past, a multicultural perspective is developed to reflect on the relationship between Taiwan and Japan.

本科目不使用特定教科書。
各文學作品將盡量使用網路上合法公開資料，由選修者自己下載閱讀或自行購買閱讀。（載點另外公佈）
預定閱讀之文獻表將於第一堂課宣布，選讀作品將於開學後視選修者狀況或有所調整。

No specific textbook is used for this subject.
Each literary work will use legal public information on the Internet as much as possible, and electives can download and read it by themselves or purchase it by themselves. (The loading point will be announced separately)
The list of literature scheduled to be read will be announced in the first class, and the selected reading works may be adjusted after the start of the semester depending on the status of the electives.