博物館學是一門跨領域的學問。由於它含蓋的領域多元,例如:人類學、藝術、自然科學
、歷史等等,它與我們的文化藝術發展、社會生活、與自然環境息息相關。本課程希望同學對這門豐富的研究領域能有初步的了解。本課程的目標有四:
1.對這門豐富的研究領域之範疇能有初步的了解。
2.建立博物館學域的相關專業概念
3.了解博物館學相關的實務工作。
4.為目前國內發燒似地成長中的博物館現象,培育一股專業的力量。
Museum learning is a cross-domain learning question. Because it contains diverse areas, such as human, art, and natural sciences
, history, etc., are closely related to our cultural and artistic development, social life, and natural environment. In this course, I hope that students can have a preliminary understanding of this rich research field. The goals of this course are four:
1. Have a preliminary understanding of this rich research area.
2. Establish related professional concepts in museum field
3. Understand the relevant practical work of museum learning.
4. Cultivate a professional force for the current phenomenon of museums that have grown up in China.
博物館與美術館是歷史與社會文化的產物。本課程將博物館(museums)、博物館學(museology)與博物館誌(museography)放在社會文化的脈絡中,視博物館/美術館及其相關社會事實為一個整體,通過內在的、歷史的、地域的、比較的、以及實踐的詮釋觀點,依序探討相關博物館學的主題。
Museums and art museums are the products of history and social culture. This course places museums, museums and museum magazines in the link of social culture, and view museums/arts and their related social facts as a whole. Through internal, historical, regional, comparative, and practical commentary, the themes of related museums are explored in sequence.
1.王嵩山(2012)。博物館蒐藏學:探索物、秩序與意義的新思維。台北:大雁文化事業有限公司。
2.呂理政(2002)。博物館展示的傳統與展望。台北:南天書局。
3. 李靜芳(2005)。跨越傳統認知的界面—從博物館整體性探究其教育的新面向。藝術教育研究期刊,10:53-85。藝術教育研究期刊。
4. 李靜芳(2007)。回首來時路:20年來的臺灣博物館教育。博物館學季刊,21( 2):7-31。
5. 連俐俐(2010)。大美術館時代。台北: 典藏藝術家庭股份有限公司。
6. 劉婉珍(2002)。美術館教育理念與實務。台北:南天書局。
7. 劉婉珍(2011)。博物館觀眾研究。台北:三民書局。
8. 張婉真(2005)。論博物館學。台北:典藏藝術家。
9. Friedrich Waidacher(佛德利希.瓦達荷西): 博物學理論: 德語系世界的觀點
。台北:五觀藝術管理。
10. G. Ellis Burcaw(博寇)(1997)。張譽騰等譯 (2000)。博物館這一行。台北
:五觀藝術事業有限公司。
11. Graeme K. Talboys(葛蘭恩.塔柏伊). (林潔盈譯,2004)。博物館教育人員手冊。台北:五觀藝術管理有限公司。
1. Wang Songshan (2012). Museum Collection: New ideas for exploring objects, order and meaning. Taipei: Dayan Culture Industry Co., Ltd.
2. Management of government (2002). The tradition and prospects displayed in the museum. Taipei: Nantian Book Bureau.
3. Li Jingfang (2005). A cross-traditional interface—exploring the new aspect of its education from the overall nature of the museum. Journal of Art Education Research, 10:53-85. Journal of Art Education Research.
4. Li Jingfang (2007). Looking back at the time: Taiwan Museum Education for 20 years. Museum Quarterly, 21 (2): 7-31.
5. Lian Lili (2010). The era of the great art museum. Taipei: Collection Art Family Co., Ltd.
6. Liu Wanzhen (2002). Art Museum educational philosophy and practice. Taipei: Nantian Book Bureau.
7. Liu Wanzhen (2011). Museum audience research. Taipei: Sanmin Book Bureau.
8. Zhang Wanzhen (2005). Study in the museum. Taipei: Collection artist.
9. Friedrich Waidacher: Naturalistic Theory: The Views of the German World
. Taipei: Five Art Management.
10. G. Ellis Burcaw (1997). Zhang Xusheng Teng et al. (2000). This is the museum. Taipei
: Wuguan Arts Co., Ltd.
11. Graeme K. Talboys. (Lin Yiyingru, 2004). Museum educator manual. Taipei: Wuguan Art Management Co., Ltd.
評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
---|---|---|
分組口頭報告分組口頭報告 Sub-group head report |
20 | |
期中閱讀心得報告期中閱讀心得報告 Midterm reading experience report |
30 | |
實地教學心得報告實地教學心得報告 Real teaching experience report |
20 | |
期末專題研究報告期末專題研究報告 Final period research report |
30 |