一、個人創作專題的思考與形塑：主題、表現、風格。
二、水墨創作語言的底線：古典水墨造型符號的回溯、延伸與表現。
三、水墨創作研究方法：寫生與創作元素的運用，創作題材與造境的探討，論實境、造境、心境。
四、水墨創作研究專題：創作圖像的資料蒐集、現實場景的平面置換、創作表現語言的分析。

1. Thinking and shaping of personal creative topics: theme, expression, style.
2. The bottom line of ink creative language: the retrospect, extension and expression of classical ink modeling symbols.
3. Research methods of ink creation: the use of sketching and creative elements, the discussion of creative themes and created environments, and the discussion of reality, created environments, and moods.
4. Special topic on ink creation research: collection of data on creative images, plane replacement of realistic scenes, and analysis of creative expression language.

水墨畫創作者在面對傳統、學習歷程與個人特質的脈絡下，如何針對當代議題進行表現與思想研究。

How ink painting creators carry out expression and ideological research on contemporary issues in the context of tradition, learning process and personal characteristics.

1、高千惠。《藝種不原始》。台北：藝術家。2004。
2、朱良志著。《扁舟一葉 理學與中國畫學研究》。合肥：安徽教育出版。2006。
3、潘襎。《台灣現代水墨大系 寫景造境水墨》。台北：藝術家。2005。

1. Gao Qianhui. "Art is not primitive". Taipei: Artist. 2004.
2. Written by Zhu Liangzhi. "Bianzhou Yiye: A Study of Neo-Confucianism and Chinese Painting". Hefei: Anhui Education Publishing House. 2006.
3. Pan Yu. "Taiwan Modern Ink Painting Series: Ink Painting for Scenery and Landscape Creation". Taipei: Artist. 2005.