每一門學科的發展史，是從事相關專業的學子所必備的知識，音樂史更是培養音樂專業人才不可或缺的素養。然而，在西方藝術音樂的專業訓練下，將中國音樂史置入這樣一個課程架構與教學系統中，究竟應居於什麼地位，又有何必要？同時，誠如德國音樂史學家達爾豪斯（Carl Dahlhaus, 1928-1989）所指出，音樂史面對著「歷史性」與「藝術性」之間的張力，中國音樂史也不例外。本課程企圖在「歷史性」、「文獻性」資料的引介與整合之外，進一步加強「藝術性」、「音樂性」認知層面的引導與開發，為身在台灣的西方古典音樂學習者，量身打造一門別開生面的中國音樂史課程，以提供有別於西方音樂、卻又可以會通於西方音樂的元素。唯有注入活水，才能讓學生們真正明白為什麼要學音樂史，以及學習中國音樂史的意義何在。The history of development of every subject is the knowledge that students who work in a relevant professional manner, and music history is an indispensable ingredient for cultivating professional music talents. However, under the professional training of Western art music, what position should Chinese music history be placed in such a course structure and teaching system, and why is it necessary? At the same time, as German music historian Carl Dahlhaus (1928-1989) pointed out, music history faces the strength between "historic" and "artistic", and Chinese music history is no exception. In addition to the introduction and integration of "historical" and "literary" materials, this course further strengthens the guidance and development of the "artistic" and "music" cognitive levels. It tailors a unique and innovative Chinese music history course for Western classical music learners in Taiwan to provide elements that are different from Western music and can be connected to Western music. Only by injecting live water can students truly understand why they need to learn music history and what is the meaning of learning Chinese music history.
中國音樂文化是東亞地區非常重要且影響深遠的音樂文化，與台灣的傳統音樂也有十分密切的關係。本課程介紹中國音樂自遠古至近代的發展歷史，使同學認識此一音樂文化遺產，增進對世界音樂和東亞音樂的了解，對臺灣傳統音樂的源流脈絡也能有更進一步的認識。
此外，本課程透過實際音樂範例的解說和聆賞，使同學領略中國音樂獨特的審美觀，培養更多元寬廣的音樂欣賞能力及視野。
課程進度：
本課程為一學年課程，分為上、下學期講授，上學期講授範圍為遠古至唐宋時期的宮廷音樂，下學期講授範圍為宋元明清的戲曲至近代。課程中並將配合相關主題介紹台灣的傳統音樂與近代西式新音樂的發展。
Chinese music culture is a very important and profound music culture in the East Asia region, and is also closely related to Taiwan's traditional music. This course introduces the history of Chinese music from ancient times to modern times, allowing students to understand this music culture, increase their understanding of world music and Eastern Asian music, and have a further understanding of the origin and flow of Taiwanese traditional music.
In addition, this course uses the explanation and listening of practical music examples to enable students to appreciate Chinese music's unique aesthetics and cultivate more diverse music appreciation abilities and vision.
Course progress:
This course is a year course, divided into lectures in the upper and lower school periods. The range of lectures in the upper school period is the palace music from ancient times to the Tang and Song dynasties, and the scope of lectures is from the Song, Yuan, Ming and Qing dynasties to modern times. During the course, we will introduce the traditional music in Taiwan and the development of modern Western-style new music in conjunction with relevant topics.
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Tenzer, Michael ed. Analytical Studies in World Music. New York :Oxford UniversityPress, 2006.
John Roeder ed. Analytical and Cross-Cultural Studies in World Music, New York :Oxford UniversityPress, 2011.
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中國藝術研究院音樂研究所編。《楊蔭瀏全集（第8卷）》。南京：江蘇文藝出版社，2009。
北京古琴研究會編。《古琴曲集》。北京：人民音樂出版社，1962。
王光祈。《中國音樂史》。台北：中華書局，1981。
王耀華。《中國傳統音樂概論》。臺北：海棠事業文化有限公司，1990。
劉春曙。《福建南音初探》。福州：福建人民出版社，1989。
田耀農。《中國傳統音樂理論述要》。北京：人民音樂出版社，2014。
伍國棟。《江南絲竹：樂種文化與樂種形態的綜合研究》。北京：人民音樂出版社，2010。
吉聯抗輯譯。《秦漢音樂史料》。上海：上海文藝出版社，1981。
吉聯抗輯譯。《魏晉南北朝音樂史料》。上海：上海文藝出版社，1982。
吉聯抗輯譯。《隋唐五代音樂史料》。上海：上海文藝出版社，1986。
吉聯抗輯譯。《宋明音樂史料》。上海：上海文藝出版社，1986。
李婧慧。《亞洲音樂》。臺北：揚智文化事業股份有限公司，2015。
杜亞雄。《中國傳統樂理教程》。上海：上海音樂出版社，2004。
余甲方。《中國古代音樂史》。上海：人民音樂出版社，2003。
余甲方。《中國近代音樂史》。上海：人民音樂出版社，2006。
汪毓和。《中國近現代音樂史》(第二次修訂版)。北京：人民音樂出版社，2002。
吳釗、劉東升。《中國音樂史略》。北京：人民音樂出版社，1983。
黃翔鵬。《傳統是一條河流》。北京：人民音樂出版社，1990。
黃翔鵬。《中國古代音樂史：分期研究及有關新材料、新問題》。台北：漢唐樂府，1997。
黃翔鵬編著。《中國傳統音樂一百八十調譜例集》。北京：人民音樂出版社，2003。
黃翔鵬。《樂問》。北京：中央音樂學院學報社，2000。
楊蔭瀏。《中國古代音樂史稿》。台北：大鴻（丹青），1985。
楊蔭瀏。《中國音樂史綱》。台北：樂韻，1996(台北初版)。
劉再生。《中國古代音樂史簡述》。北京：人民音樂出版社，2006。
劉東升、袁荃猷編撰。《中國音樂史圖鑑》。北京：人民音樂，1988。
薛宗明。《中國音樂史‧樂器篇》。台北：商務印書館，1983。
薛宗明。《中國音樂史‧樂譜篇》。台北：商務印書館，1981。
張樂水、戴安琳編，董榕森總校訂，《中國音樂辭典》。台北：長春樹書坊，1985。
張庚、郭漢城。《中國戲曲通史》。台北：丹青圖書，1985。
許健，《琴史初編》。北京：人民音樂出版社，1982。
廖奔、劉彥君。《中國戲曲發展史》。太原：山西教育出版社，2003。
蔡仲德。《中國音樂美學史》。北京：人民音樂出版社，1995。
影音資料：
《中國古典音樂欣賞─先秦.漢魏六朝.唐.宋.元.明.清》（6張音樂CD）。
ACD-033-038。北京：北京中唱時代音像有限公司，1998。
王子初主編。《中國音樂史教學參考圖庫》（CD-ROM）。北京：人民音樂音像出版社。
國立國光劇團。《拍案京奇（概論篇）》（DVD）。台北：國立國光劇團，2006。
楊錦聰監製。《傳承─楊蔭瀏百年誕辰紀念專輯》（2張音樂CD）。TCD-1023。台北：風潮有聲出版公司，2000。
管平湖。《管平湖古琴曲集》（2張音樂CD，附手冊）。RB-951005-2C。香港：龍音製作有限公司，1995。
管平湖等。《中國音樂大全‧古琴卷》（8張音樂CD）。CCD-94/342─9。中國唱片總公司，1994。
Lee, Hye-Ku. translated and edited by Robert C. Provine. Essays on Traditional
Korea Music. Seoul: Royal Asian Society (Korea Branch), 1981.
Tenzer, Michael ed. Analytical Studies in World Music. New York :Oxford UniversityPress, 2006.
John Roeder ed. Analytical and Cross-Cultural Studies in World Music, New York :Oxford UniversityPress, 2011.
Chinese Encyclopedia Music Dance Editorial Committee, "Chinese Encyclopedia Music Dance". Taipei County: 未分类, 1993.
Editor of the Music Research Institute of China Academy of Arts. "The Complete Works of Yang Zhiyun (Volume 8)". Nanjing: Jiangsu Art Publishing House, 2009.
Editor of Beijing Guqin Research Association. "Collection of Guqin Music". Beijing: People's Music Publishing House, 1962.
Wang Guangqi. "History of Chinese Music". Taipei: China Book Bureau, 1981.
Wang Yaohua. "Overview of Traditional Chinese Music". Taipei: Haitang Industry Culture Co., Ltd., 1990.
Liu Chundao. "A Preliminary Study on Fujian Nanyin". Fuzhou: Fujian People's Publishing House, 1989.
Tian Yao's farming. "Abstract of Chinese Traditional Music Theory". Beijing: People's Music Publishing House, 2014.
Wu Guodu. "Jiangnan Bamboo: A Comprehensive Study on the Culture and Style of Music". Beijing: People's Music Publishing House, 2010.
Jitong anti-editor. "Historical Materials of Qin and Han Music". Shanghai: Shanghai Wenyi Publishing House, 1981.
Jitong anti-editor. "Historical Materials of Music from the Southern and Northern Dynasties in Wei Dynasty". Shanghai: Shanghai Wenyi Publishing House, 1982.
Jitong anti-editor. "Historical Materials of Music from the Sui, Tang and Five Dynasties". Shanghai: Shanghai Wenyi Publishing House, 1986.
Jitong anti-editor. "Historical Materials of Song and Ming Music". Shanghai: Shanghai Wenyi Publishing House, 1986.
Li Jinghui. "Asian Music". Taipei: Yangzhi Cultural Affairs Co., Ltd., 2015.
Du Yaxiong. "Tutorial Chinese Traditional Music". Shanghai: Shanghai Music Publishing House, 2004.
Party Yu Jia. "History of Ancient Chinese Music". Shanghai: People's Music Publishing House, 2003.
Party Yu Jia. "History of Modern Chinese Music". Shanghai: People's Music Publishing House, 2006.
Wang Yuhe. "History of Modern Chinese Music" (Second Revised Edition). Beijing: People's Music Publishing House, 2002.
Wu Yan and Liu Dongsheng. "A Brief History of Chinese Music". Beijing: People's Music Publishing House, 1983.
Huang Xiang Erectile Dysfunction. "Traditional is a river." Beijing: People's Music Publishing House, 1990.
Huang Xiang Erectile Dysfunction. "History of Ancient Chinese Music: Phase Study and Related New Materials and New Questions". Taipei: Han Tang Le Mansion, 1997.
Written by Huang Xiang. "A Collection of 180 Chinese Traditional Music Examples". Beijing: People's Music Publishing House, 2003.
Huang Xiang Erectile Dysfunction. "Quan" Beijing: Central Music Academy News Agency, 2000.
Yang Zhi. "Draft History of Ancient Chinese Music". Taipei: Dafeng (Danqing), 1985.
Yang Zhi. "History of Chinese Music". Taipei: Le Yi, 1996 (Taipei first edition).
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Written by Liu Dongsheng and Yuan Quanyou. "Chinese Music History Pictures". Beijing: People's Music, 1988.
Xue Zongming. "History of Chinese Music: Musical Arts". Taipei: Commercial Press Library, 1983.
Xue Zongming. "History of Chinese Music: A Song Chapter". Taipei: Commercial Printing Library, 1981.
Edited by Zhang Leshui and Dai Anlin, compiled by CEO Dong Rongsen, "Chinese Music Dictionary". Taipei: Changchun Tree Bookstore, 1985.
Zhang Geng and Guo Hancheng. "General History of Chinese Songs". Taipei: Danqing Book, 1985.
Xu Jian, "The First Editing of the History of the Qin". Beijing: People's Music Publishing House, 1982.
Liao Ben and Liu Zhenjun. "History of the Development of Chinese Swords". Taiyuan: Shanxi Education Press, 2003.
Cai Zhongde. "History of Chinese Music Aesthetics". Beijing: People's Music Publishing House, 1995.
Video data:
"Appreciation of Chinese Classical Music-Pre-Qin, Han, Wei and Six Dynasties, Tang, Song, Yuan, Ming and Qing" (6 music CDs).
ACD-033-038. Beijing: Beijing Zhongchang Times Audio and Video Co., Ltd., 1998.
The prince was first written by the first master. "Chinese Music History Teaching Reference Library" (CD-ROM). Beijing: People's Music Audio and Video Publishing House.
National Optical Group. "Pairen Jingqi (Overview)" (DVD). Taipei: National Optical and Technological Group, 2006.
Yang Jin Supervisor. "Inheritance-Yang Kai's Centennial Memorial Collection" (2 music CDs). TCD-1023. Taipei: Fengchao Yousheng Publishing Company, 2000.
Guanpinghu. "Collection of Guanpinghu Guqin Music" (2 music CDs, with handwritten). RB-951005-2C. Hong Kong: Longyin Manufacturing Co., Ltd., 1995.
Guanpinghu, etc. "Chinese Music Collection: Guqin Scroll" (8 Music CDs). CCD-94/342-9. China Records Corporation, 1994.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 課堂表現課堂表現 Classroom performance |
40 | 以出席率為基準，缺席及遲到依比例扣分，課堂提問或答覆者視情況加分。 |
| 期中測驗期中測驗 Midterm test |
30 | 申論題，題目至少於兩週前提供。 |
| 期末測驗期末測驗 Final test |
30 | 申論題，題目至少於兩週前提供。 |
