一、水墨人物專題表現與形塑。
二、水墨創作語言的底線：古典水墨造型符號的回溯、延伸與表現。
三、水墨創作研究方法：寫生與創作材料的運用與表現、創作題材與表現方向的探討、創作潮流與本我的追尋。
四、水墨創作研究專題：水墨創作與圖像資料蒐集運用、現代與傳統的水墨創意轉換、水墨畫創作表現與分析。1. Expression and shape of ink and wash characters.
2. The bottom line of ink and wash creative language: the backtracking, extension and expression of classical ink and wash symbols.
3. Research methods for ink and wash creation: the use and expression of writing and creative materials, the exploration of creative topics and expression directions, the pursuit of creative trends and the self.
4. Research topics of ink and wash creation: collection and use of ink and wash data, modern and traditional ink and wash creative transformation, and ink and wash creative expression and analysis.
1、高千惠。《藝種不原始》。台北：藝術家。2004。
2、朱良志著。《扁舟一葉 理學與中國畫學研究》。合肥：安徽教育出版。2006。
1. Gao Qianhui. "The Art of Not Original". Taipei: Artist. 2004.
2. Written by Zhu Liangzhi. "A Study of Science and Chinese Painting" Hefei: Anhui Education Publishing. 2006.
| 評分項目 Grading Method | 配分比例 Grading percentage | 說明 Description |
|---|---|---|
| 平時課題討論報告平時課題討論報告 Regular course discussion report |
30 | 依上課主題進行分組報告 |
| 平時創作、期末創作評圖平時創作、期末創作評圖 Reviews of regular creations and final creations |
70 | 每學期依議題至少完成二件作品 |
