膠彩課程著重於專業科目的認識與材料之實際演練，由了解傳統技法延續的重要性，到現今媒材多樣開發與技術運用之表現等，誠實體現當代文化的紀錄過程與開拓創作新領域。
課程中藉由課題練習，熟悉媒材與其多樣表現，從媒材本身具有的歷史背景，研究材料存在的意義與延續性，並了解媒材的單純性、延展性與可運用性，其再加上個人的繪畫慣性，開創更多屬於自我之創作語彙。

The gelatin course focuses on the understanding of professional subjects and the practical practice of materials. From understanding the importance of the continuation of traditional techniques to the performance of the diverse development of modern media and technical applications, it honestly embodies the recording process of contemporary culture and opens up new creative fields.
Through topic exercises in the course, students will become familiar with the media and its diverse expressions. From the historical background of the media itself, they will study the significance and continuity of the existence of the materials, and understand the simplicity, ductility and applicability of the media. This, combined with personal painting inertia, will create more creative vocabulary of their own.

課程著重於膠彩媒材的廣泛應用，藉由介紹各種技法與素材的交互配合及演練，開發並擴充膠彩創作的領域。

The course focuses on the wide application of pastel media, and develops and expands the field of pastel creation by introducing the interaction and practice of various techniques and materials.

1、《膠彩畫材料與技法》林功、箱崎睦昌著，廖瑞芬譯，藝術家出版社。
2、圖解日本畫用語事典，東京藝術大學大學院文化財保存學日本畫研究室，東京美術。
3、図解日本画の伝統と継承　素材．模写．修復，東京藝術大學大學院文化財保存學日本畫研究室，東京美術。
4、日本畫會畫冊集。

1. "Materials and Techniques of Glue Painting" written by Lin Gong and Hakozaki Mutashi, translated by Liao Ruifen, Artist Publishing House.
2. An Illustrated Dictionary of Japanese Painting Terminology, Tokyo University of the Arts Graduate School of Cultural Properties Preservation Japanese Painting Laboratory, Tokyo Art University.
3. Interpret the Japanese painting tradition and materials. Imitation. Restoration, Japanese Painting Laboratory, Graduate School of Cultural Properties Preservation, Tokyo University of the Arts, Tokyo Fine Arts.
4. Collection of albums from the Japanese Painting Society.