完成一件從文本閱讀與課堂討論而來的人體形象之圖像詮釋。在此過程之中，藉由課堂集體談論的模式，培養個人具有思想性的觀察與表達，以此累積日後創作上所需之經驗。在第二學期的課程中，除了繪製自己的作品之外，還需參與課程成果展覽的展出，藉此整理與書寫個人自身的繪畫觀察與思考。

Complete an image interpretation of the human body derived from text reading and class discussion. In this process, through the mode of collective discussion in class, individuals’ thoughtful observations and expressions are cultivated, so as to accumulate the experience needed for future creation. In the second semester of the course, in addition to drawing your own works, you also need to participate in the exhibition of course results, so as to organize and write down your own observations and thoughts on painting.

參考書：
Umberto Eco編著，彭淮棟譯：《美的歷史》，台北：聯經，2006。
Joanna Ebenstein著，崔宏立譯：《解剖維納斯》，台北：麥田，2017。
Richard Sennett著，黃煜文譯：《肉體與石頭》，台北：麥田，2003。
林美香著：《身體的身體》，台北：聯經，2017，頁 270-306。
Ulis Zarins、Sandis Kondrats著，黃宛瑜譯：《藝用3D人體解剖書》，新北市：遠足文化，2017。

Reference books:
Compiled by Umberto Eco, translated by Peng Huaidong: "The History of Beauty", Taipei: Lianjing, 2006.
"Anatomy of Venus" by Joanna Ebenstein, translated by Cui Hongli, Taipei: Wheatfield, 2017.
Written by Richard Sennett, translated by Huang Yuwen: "Flesh and Stone", Taipei: Wheatfield, 2003.
Lin Meixiang, "The Body of the Body", Taipei: Lianjing, 2017, pp. 270-306.
Written by Ulis Zarins and Sandis Kondrats, translated by Huang Wanyu: "3D Human Anatomy Book for Art", New Taipei City: Hiking Culture, 2017.